| # | Title | Artist | Rating | Length |
|---|
| 1 | Hot in Here- recording of:
- Hot in Herre
- lyricist:
- Charles Brown and Nelly
- composer:
- Chad Hugo and Pharrell Williams
- publisher:
- BMG Songs, Inc. (ended), Chase Chad Music (ended), EMI April Music Inc. (ended), EMI Blackwood Inc. (ended), Ascent Music Inc., EMI Pop Music Publishing, Jackie Frost Music, Nouveau Music Company, Swing T Publishing, Universal Music–MGB Songs and Waters of the Nazareth Publishing
| Nelly | | 3:50 |
| 2 | Drop It Like It’s Hot | Snoop Dogg feat. Pharrell Williams | 3.9 | 4:27 |
| 3 | Candy Shop- recording engineer:
- Kameron Houff
- assistant engineer:
- Rouble Kapoor
- producer:
- Scott Storch
- mixer:
- Dr. Dre and Mauricio “Veto” Iragorri
- guest vocals:
- Olivia
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Aftermath Records (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Sound Villa in Miami, Florida, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- Candy Shop
- writer:
- Curtis Jackson and Scott Storch
- publisher:
- 50 Cent Music, Kobalt Music Copyrights SARL, Reservoir Media Music, Scott Storch Music, TVT Music, TVT Music, Inc., Universal Music Corp. , Universal Music Publishing and Universal Music Publishing Group
| 50 Cent | 4.15 | 3:28 |
| 4 | Gravel Pit | Wu‐Tang Clan | 3 | 3:53 |
| 5 | Summertime | DJ Jazzy Jeff & the Fresh Prince | 4 | 3:54 |
| 6 | Joints & Jam- engineer:
- David Haines , Brian Lapin and Lou Michaels
- co-producer:
- Will Adams
- producer:
- Paul Poli
- mixer:
- Tim Latham
- bass guitar [bass]:
- Mike Fratantuno
- sampler [M.P.C. 3000]:
- will.i.am
- turntable [turntables]:
- Motive8 and Paul Poli
- additional vocals:
- Ingrid Dupree
- recorded at:
- Paramount Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Encore Studios in Dayton, Ohio, United States
- samples:
- Love Till the End of Time by Paulinho da Costa and One, Two, S**t by A Tribe Called Quest feat. Busta Rhymes
- recording of:
- Joints and Jam
- writer:
- Allan Pineda, Barry Gibb, Jaime Gomez , Kamaal Ibn John Fareed , Malik Isaac Taylor, Ali Shaheed Muhammad, P. Poli, Greg Phillinganes, Trevor Tahiem Smith, Jr. and William Adams
- publisher:
- Arice Music, Careers‐BMG Music Publishing, Inc., Gibb Brothers Music, King Arthur Music, Paul Poli Music and will.i.am Music
- is based on:
- Grease
| The Black Eyed Peas | 4.5 | 3:36 |
| 7 | Let Me Blow Ya Mind- assistant recording engineer:
- John Tyree
- recording engineer:
- Mauricio “Veto” Iragorri
- miscellaneous support:
- Larry Chatman
- producer:
- Dr. Dre and Scott Storch
- mixer:
- Dr. Dre
- guitar:
- Mike Elizondo
- keyboard [keyboards]:
- Scott Storch
- background vocals:
- Eve and Stevie J.
- guest lead vocals and guest vocals:
- Gwen Stefani
- performer:
- Gwen Stefani
- phonographic copyright (℗) by:
- Interscope Records (in 2001) and Ruff Ryders (in 2001)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- Let Me Blow Ya Mind
- writer:
- A. Young , E. Jeffers , M. Elizondo, S. Jordan and S. Storch
- publisher:
- Aint Nuthin' Goin'On But F****' Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT and WB Music Corp.
| Eve feat. Gwen Stefani | 4.35 | 3:49 |
| 8 | Nothin’ | N.O.R.E. | 2.5 | 4:00 |
| 9 | Purple Pills | D12 | | 4:18 |
| 10 | Natural Born Killaz | Ice Cube feat. Dr Dre | 4.65 | 4:46 |
| 11 | Gangsta’s Paradise | Coolio | 3.75 | 4:01 |
| 12 | Paid in Full | Eric B. & Rakim | 4.5 | 3:49 |
| 13 | Quality Control | Jurassic 5 | 4.6 | 4:50 |
| 14 | Connected | Stereo MCs | 3 | 3:47 |
| 15 | Know How | Young MC | | 3:52 |
| 16 | Mr. Wendal | Arrested Development | 3.35 | 3:27 |
| 17 | Me Myself and I | De La Soul | 4.1 | 3:41 |
| 18 | Wild Thing | Tone‐Lōc | 3 | 4:02 |
| 19 | Express Yourself | N.W.A | 5 | 4:23 |
| 20 | Still D.R.E. | Dr. Dre | | 3:33 |
