Wilson Phillips (SONOPRESS D-3714/CDP 7937452 B)

~ Release by Wilson Phillips (see all versions of this release, 9 available)

Annotation

Additional catalog numbers 7 93745 1 and 7 93745 4 are shown on the back.

SPARS Code: ADD

Catalog Numbers on Disc Front: CDP 79 3745 2 and SBKCD 5
Label Code: LC 7023
Rights Society: BIEM/GEMA
Made in W.-Germany

Matrix Code: SONOPRESS D-3714/CDP 7937452 B

Annotation last modified on 2018-02-08 04:42 UTC.

Tracklist

▼CD 1
#TitleRatingLength
1Hold On
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (1989-07-24–present) (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
4.54:28
2Release Me
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Release Me
writer:
Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Smooshie Music and Willphill Music
54:56
3Impulsive
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
guitar and keyboard:
Clif Magness
keyboard:
Glen Ballard and Randy Kerber
organ:
Bill Payne
percussion:
Paulinho da Costa
solo guitar and slide guitar:
Joe Walsh (Eagles/James Gang)
percussion arranger:
Glen Ballard
arranger:
Glen Ballard and Clif Magness
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Impulsive
writer:
Steve Kipner and Clif Magness
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), Magnified Music, Stephen A. Kipner Music and WB Music Corp. (1929–2019)
44:34
4Next to You (Someday I’ll Be)
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Next to You (Someday I’ll Be)
writer:
David Batteau, Darryl Brown and Madeline Stone
publisher:
Darryl Brown Music, David Batteau Music, MPCA Plaything Music, Stoney Music, WB Music Corp. (1929–2019), Geffen Music (from 1990 until 2003) and Universal Geffen Music (work publisher - do NOT file releases here) (from 2003 to present)
44:59
5You’re in Love
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist) and Abraham Laboriel
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990) and SBK Records (in 1990)
recording of:
You’re in Love
writer:
Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc. (1989-07-24–present), Smooshie Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1990 until 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1990 until 2003) and Universal Music Corp. (USA, affiliated with ASCAP) (from 2003 to present)
44:52
6Over and Over
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
executive producer:
Charles Koppelman (American businessman and musician)
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990) and SBK Records (in 1990)
recording of:
Over and Over
writer:
Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (1989-07-24–present) (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
44:39
7A Reason to Believe
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer, engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
solo guitar family:
Steve Lukather
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
cover recording of:
Reason to Believe
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., Hudson Bay Music Inc., Robbins Music Corp. and Trio Music Co., Inc.
44:06
8Ooh You’re Gold
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ooh You're Gold
writer:
Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc. (1989-07-24–present), Smooshie Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1990 until 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1990 until 2003) and Universal Music Corp. (USA, affiliated with ASCAP) (from 2003 to present)
44:18
9Eyes Like Twins
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa
solo guitar:
Steve Lukather
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Eyes Like Twins
lyricist and composer:
Jeannette-Thérèse Obstoj
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Rupert Hine & Jeannette Obstoj
35:03
10The Dream Is Still Alive
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Neil Stubenhaus
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
guitar family:
Basil Fung
keyboard:
Glen Ballard and Randy Kerber
organ:
Bill Payne
percussion:
Paulinho da Costa
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
The Dream Is Still Alive
writer:
Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc. (1989-07-24–present), Smooshie Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1990 until 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1990 until 2003) and Universal Music Corp. (USA, affiliated with ASCAP) (from 2003 to present)
44:09