Missa Maria zart

~ Release by Jacob Obrecht; The Tallis Scholars, Peter Phillips (see all versions of this release, 1 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Missa Maria zart: Kyrie recording engineer: Philip Hobbs (engineer/producer) (ended) producer: Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended) bass vocals: Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996) soprano vocals: Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996) tenor vocals [tenor 1]: Paul Agnew (tenor / conductor) (in 1996) and Charles Daniels (tenor) (in 1996) tenor vocals [tenor 2]: Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996) vocals: The Tallis Scholars (in 1996) conductor: Peter Phillips (British conductor) (in 1996) phonographic copyright (℗) by: Gimell Records Ltd. (copyright) (in 1996) recorded at: Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996) recording of: Missa Maria zart: I. Kyrie (in 1996) composer: Jacob Obrecht (Flemish Renaissance composer) (in 1504) part of: Missa Maria zart (a 4)	Jacob Obrecht		7:25
2	Missa Maria zart: Gloria recording engineer: Philip Hobbs (engineer/producer) (ended) producer: Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended) bass vocals: Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996) soprano vocals: Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996) tenor vocals [tenor 1]: Paul Agnew (tenor / conductor) (in 1996) and Charles Daniels (tenor) (in 1996) tenor vocals [tenor 2]: Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996) vocals: The Tallis Scholars (in 1996) conductor: Peter Phillips (British conductor) (in 1996) phonographic copyright (℗) by: Gimell Records Ltd. (copyright) (in 1996) recorded at: Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996) recording of: Missa Maria zart: II. Gloria (in 1996) composer: Jacob Obrecht (Flemish Renaissance composer) (in 1504) part of: Missa Maria zart (a 4)	Jacob Obrecht		16:04
3	Missa Maria zart: Credo recording engineer: Philip Hobbs (engineer/producer) (ended) producer: Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended) bass vocals: Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996) soprano vocals: Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996) tenor vocals [tenor 1]: Paul Agnew (tenor / conductor) (in 1996) and Charles Daniels (tenor) (in 1996) tenor vocals [tenor 2]: Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996) vocals: The Tallis Scholars (in 1996) conductor: Peter Phillips (British conductor) (in 1996) phonographic copyright (℗) by: Gimell Records Ltd. (copyright) (in 1996) recorded at: Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996) recording of: Missa Maria zart: III. Credo (in 1996) composer: Jacob Obrecht (Flemish Renaissance composer) (in 1504) part of: Missa Maria zart (a 4)	Jacob Obrecht		15:51
4	Missa Maria zart: Sanctus & Benedictus recording engineer: Philip Hobbs (engineer/producer) (ended) producer: Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended) bass vocals: Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996) soprano vocals: Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996) tenor vocals [tenor 1]: Paul Agnew (tenor / conductor) (in 1996) and Charles Daniels (tenor) (in 1996) tenor vocals [tenor 2]: Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996) vocals: The Tallis Scholars (in 1996) conductor: Peter Phillips (British conductor) (in 1996) phonographic copyright (℗) by: Gimell Records Ltd. (copyright) (in 1996) recorded at: Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996) recording of: Missa Maria zart: IV. Sanctus and Benedictus (in 1996) composer: Jacob Obrecht (Flemish Renaissance composer) (in 1504) part of: Missa Maria zart (a 4)	Jacob Obrecht		16:12
5	Missa Maria zart: Agnus Dei recording engineer: Philip Hobbs (engineer/producer) (ended) producer: Peter Phillips (British conductor) (ended) and Steve C Smith (engineer/producer) (ended) bass vocals: Donald Greig (baritone) (in 1996) and Francis Steele (operatic bass) (in 1996) soprano vocals: Tessa Bonner (soprano) (in 1996) and Sally Dunkley (soprano) (in 1996) tenor vocals [tenor 1]: Paul Agnew (tenor / conductor) (in 1996) and Charles Daniels (tenor) (in 1996) tenor vocals [tenor 2]: Robert Harre-Jones (countertenor) (in 1996) and Leigh Nixon (lay vicar & tenor) (in 1996) vocals: The Tallis Scholars (in 1996) conductor: Peter Phillips (British conductor) (in 1996) phonographic copyright (℗) by: Gimell Records Ltd. (copyright) (in 1996) recorded at: Church of St. Peter and St. Paul (Salle) in Norfolk, England, United Kingdom (in 1996) recording of: Missa Maria zart: V. Agnus Dei (in 1996) composer: Jacob Obrecht (Flemish Renaissance composer) (in 1504) part of: Missa Maria zart (a 4)	Jacob Obrecht		13:53

Credits

Release

manufactured in:	EC Germany
printed in:	EC

photography:	Hanya Chlala (photographer) (ended)
liner notes:	Peter Phillips (British conductor) (until 1996)
liner notes translator:	Myrna F. Denis (translator) (ended) Gerd Hüttenhofer (translator) (ended) Bruno Meini (ended)
illustration:	Hans Memling (German–Flemish painter) (ended)

copyrighted (©) by:	Gimell Records Ltd. (copyright) (in 1996)

Discogs:	https://www.discogs.com/release/6202030 [info]
ASIN:	UK: B00000E593 [info]