Echoes of an Era

~ Release by Chaka Khan, Joe Henderson, Chick Corea, Stanley Clarke, Lenny White, Freddie Hubbard (see all versions of this release, 3 available)

Tracklist

12" Vinyl 1
#TitleRatingLength
A1Them There Eyes
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:50
A2All of Me
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Peermusic, Round Hill Songs, Sony/ATV Tunes LLC and 日音 Synch事業部
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Peermusic, Round Hill Songs, Sony/ATV Tunes LLC and 日音 Synch事業部
4:31
A3I Mean You
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
I Mean You
composer:
Coleman Hawkins and Thelonious Monk
3:25
A4I Love You Porgy
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
6:25
A5Take the a Train
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
Take the “A” Train
publisher:
Billy Strayhorn (on 1941-06-12)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Tempo (on 1943-02-19)
version of:
Take the “A” Train (original instrumental version)
6:23
B1I Hear Music
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
4:20
B2High Wire - The Aerialist
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
High Wire - "The Aerialist"
lyricist:
Tony Cohan
composer:
Chick Corea (jazz pianist)
6:31
B3All of Me (alternate take)
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Peermusic, Round Hill Songs, Sony/ATV Tunes LLC and 日音 Synch事業部
4:15
B4Spring Can Really Hang You Up the Most
recording engineer:
Bernie Kirsh
producer:
Lenny White
brass:
Freddie Hubbard (from 1981 until 1982)
double bass:
Stanley Clarke (from 1981 until 1982)
membranophone:
Lenny White (from 1981 until 1982)
piano:
Chick Corea (jazz pianist) (from 1981 until 1982)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1981 until 1982)
vocals:
Chaka Khan (from 1981 until 1982)
recorded at:
Mad Hatter Studios in Echo Park, Los Angeles, California, United States (from 1981 until 1982)
cover recording of:
Spring Can Really Hang You Up the Most
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
publisher:
Wolfland
8:25

Credits

Release

photography:Diem Jones
liner notes:Chaka Khan
Lenny White
flugelhorn and trumpet:Freddie Hubbard
piano:Chick Corea (jazz pianist)
tenor saxophone:Joe Henderson (US jazz tenor saxophonist)
vocals:Chaka Khan

Release Group

Discogs:https://www.discogs.com/master/123535 [info]
Wikidata:Q5332805 [info]