Dig These Blues / After Hours (stereo)

~ Release by Hank Crawford (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Dig These Blues
recorded in:
New York, New York, United States (on 1964-12-10)
recording engineer:
Tom Dowd (on 1964-12-10) and Phil Iehle (on 1964-12-10)
producer:
Nesuhi Ertegun and Arif Mardin
baritone saxophone:
Leroy Cooper (saxophonist) (on 1964-12-10)
bass:
Ali Mohammed (bass) (on 1964-12-10)
drums (drum set):
Bruno Carr (on 1964-12-10)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (on 1964-12-10)
trumpet:
Oliver Beener (trumpeter) (on 1964-12-10) and Phillip Guilbeau (on 1964-12-10)
recording of:
Dig These Blues (on 1964-12-10)
writer:
Hank Crawford
4:34
2Don't Get Around Much Anymore
recorded in:
New York, New York, United States (on 1965-02-11)
recording engineer:
Tom Dowd (on 1965-02-11) and Phil Iehle (on 1965-02-11)
producer:
Nesuhi Ertegun and Arif Mardin
baritone saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1965-02-11)
bass:
Charles Green (bassist) (on 1965-02-11)
drums (drum set):
Milt Turner (on 1965-02-11)
tenor saxophone:
Abdul Baari (on 1965-02-11)
trumpet:
Marcus Belgrave (on 1965-02-11) and Jimmy Owens (jazz trumpeter) (on 1965-02-11)
instrumental cover recording of:
Don’t Get Around Much Anymore (on 1965-02-11)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
version of:
Never No Lament
5:04
3Banana Head
recording engineer:
Tom Dowd and Phil Iehle
recording of:
Banana Head (aka "Crazy Saloon")
composer:
Hank Crawford
3:00
4H.C. Blues
recorded in:
New York, New York, United States (on 1964-04-13)
recording engineer:
Tom Dowd (on 1964-04-13) and Phil Iehle (on 1964-04-13)
producer:
Nesuhi Ertegun and Arif Mardin
alto saxophone:
Hank Crawford (on 1964-04-13)
baritone saxophone:
Leroy Cooper (saxophonist) (on 1964-04-13)
bass:
Edgar Willis (bass) (on 1964-04-13)
drums (drum set):
Bruno Carr (on 1964-04-13)
tenor saxophone:
Wilbur Brown (on 1964-04-13)
trumpet:
Julius Brooks (trumpeter) (on 1964-04-13) and John Hunt (trumpeter) (on 1964-04-13)
recording of:
H.C. Blues (on 1964-04-13)
composer:
Hank Crawford
2:50
5It's a Sin
recording engineer:
Tom Dowd and Phil Iehle
instrumental cover recording of:
It’s a Sin
lyricist and composer:
Fred Rose (songwriter) and Zeb Turner
publisher:
Milene Music. Inc (ASCAP) (on 1947-05-11)
2:37
6Hollywood Blues
recorded in:
New York, New York, United States (on 1964-04-13)
recording engineer:
Tom Dowd (on 1964-04-13) and Phil Iehle (on 1964-04-13)
producer:
Nesuhi Ertegun and Arif Mardin
alto saxophone:
Hank Crawford (on 1964-04-13)
baritone saxophone:
Leroy Cooper (saxophonist) (on 1964-04-13)
bass:
Edgar Willis (bass) (on 1964-04-13)
drums (drum set):
Bruno Carr (on 1964-04-13)
tenor saxophone:
Wilbur Brown (on 1964-04-13)
trumpet:
Julius Brooks (trumpeter) (on 1964-04-13) and John Hunt (trumpeter) (on 1964-04-13)
recording of:
Hollywood Blues (on 1964-04-13)
composer:
Hank Crawford
3:20
7Baby Won't You Please Come Home
recorded in:
New York, New York, United States (on 1965-02-11)
recording engineer:
Tom Dowd (on 1965-02-11) and Phil Iehle (on 1965-02-11)
producer:
Nesuhi Ertegun and Arif Mardin
baritone saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1965-02-11)
bass:
Charles Green (bassist) (on 1965-02-11)
drums (drum set):
Milt Turner (on 1965-02-11)
tenor saxophone:
Abdul Baari (on 1965-02-11)
trumpet:
Marcus Belgrave (on 1965-02-11) and Jimmy Owens (jazz trumpeter) (on 1965-02-11)
instrumental cover recording of:
Baby Won’t You Please Come Home (on 1965-02-11)
writer:
Charles Warfield and Clarence Williams (composer / pianist /bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
5:48
8New Blues
recorded in:
New York, New York, United States (on 1964-04-13)
recording engineer:
Tom Dowd (on 1964-04-13) and Phil Iehle (on 1964-04-13)
producer:
Nesuhi Ertegun and Arif Mardin
alto saxophone:
Hank Crawford (on 1964-04-13)
baritone saxophone:
Leroy Cooper (saxophonist) (on 1964-04-13)
bass:
Edgar Willis (bass) (on 1964-04-13)
drums (drum set):
Bruno Carr (on 1964-04-13)
tenor saxophone:
Wilbur Brown (on 1964-04-13)
trumpet:
Julius Brooks (trumpeter) (on 1964-04-13) and John Hunt (trumpeter) (on 1964-04-13)
cover recording of:
New Blues (on 1964-04-13)
composer:
Phineas Newborn, Jr. (American jazz pianist)
4:25
9Bluff City Blues
recorded in:
New York, New York, United States (on 1965-02-11)
recording engineer:
Tom Dowd (on 1965-02-11) and Phil Iehle (on 1965-02-11)
producer:
Nesuhi Ertegun and Arif Mardin
baritone saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1965-02-11)
bass:
Charles Green (bassist) (on 1965-02-11)
drums (drum set):
Milt Turner (on 1965-02-11)
tenor saxophone:
Abdul Baari (on 1965-02-11)
trumpet:
Marcus Belgrave (on 1965-02-11) and Jimmy Owens (jazz trumpeter) (on 1965-02-11)
recording of:
Bluff City Blues (on 1965-02-11)
composer:
Hank Crawford
3:54
10After Hours
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (from 1965-10-17 until 1966-01-19)
double bass:
Ali Mohammed (bass) (from 1965-10-17 until 1966-01-19)
drums (drum set):
Joe Dukes (American jazz drummer) (from 1965-10-17 until 1966-01-19)
guitar:
Willie Jones (US jazz guitarist) (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
cover recording of:
After Hours (blues piano composition by Avery Parrish) (from 1965-10-17 until 1966-01-19)
composer:
Avery Parrish
5:29
11Junction
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (from 1965-10-17 until 1966-01-19)
double bass:
Charles Lindsay (bass) (from 1965-10-17 until 1966-01-19)
drums (drum set):
Wilbert Hogan (jazz drummer) (from 1965-10-17 until 1966-01-19)
guitar:
Sonny Forriest (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
cover recording of:
Junction (from 1965-10-17 until 1966-01-19)
composer:
Benny Golson
3:56
12Who Can I Turn To (When Nobody Needs Me)
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (from 1965-10-17 until 1966-01-19)
double bass:
Charles Dungey (from 1965-10-17 until 1966-01-19)
drums (drum set):
Joe Dukes (American jazz drummer) (from 1965-10-17 until 1966-01-19)
guitar:
Sonny Forriest (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
instrumental cover recording of:
Who Can I Turn To (When Nobody Needs Me) (from 1965-10-17 until 1966-01-19)
writer:
Leslie Bricusse and Anthony Newley
publisher:
Concord Music Ltd, Downtown DMP Songs and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4:41
13Next Time You See Me
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (from 1965-10-17 until 1966-01-19)
double bass:
Ali Mohammed (bass) (from 1965-10-17 until 1966-01-19)
drums (drum set):
Joe Dukes (American jazz drummer) (from 1965-10-17 until 1966-01-19)
guitar:
Willie Jones (US jazz guitarist) (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
cover recording of:
Next Time You See Me (from 1965-10-17 until 1966-01-19)
composer:
Ben Tucker
2:51
14Soul Shoutin'
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (from 1965-10-17 until 1966-01-19)
double bass:
Charles Dungey (from 1965-10-17 until 1966-01-19)
drums (drum set):
Joe Dukes (American jazz drummer) (from 1965-10-17 until 1966-01-19)
guitar:
Sonny Forriest (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
cover recording of:
Soul Shoutin’ (from 1965-10-17 until 1966-01-19)
writer:
Stanley Turrentine
2:49
15Makin' Whoopee
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
double bass:
Charles Green (bassist) (from 1965-10-17 until 1966-01-19)
drums (drum set):
Milt Turner (from 1965-10-17 until 1966-01-19)
instrumental cover recording of:
Makin’ Whoopee! (from 1965-10-17 until 1966-01-19)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Company, EMI Music Publishing Ltd. (PRS-affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
4:29
16When Did You Leave Heaven
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Alonzo Shaw (from 1965-10-17 until 1966-01-19)
double bass:
Charles Green (bassist) (from 1965-10-17 until 1966-01-19)
drums (drum set):
Milt Turner (from 1965-10-17 until 1966-01-19)
guitar:
Sonny Forriest (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
instrumental cover recording of:
When Did You Leave Heaven? (from 1965-10-17 until 1966-01-19)
lyricist:
Walter Bullock
composer:
Richard A. Whiting
publisher:
Whiting Music Corp.
4:22
17The Back Slider
recorded in:
New York, New York, United States (from 1965-10-17 until 1966-01-19)
recording engineer:
Tom Dowd (from 1965-10-17 until 1966-01-19) and Phil Iehle (from 1965-10-17 until 1966-01-19)
baritone saxophone:
Howard Johnson (tuba & baritone saxophone) (from 1965-10-17 until 1966-01-19)
bass:
Ali Mohammed (bass) (from 1965-10-17 until 1966-01-19)
drums (drum set):
Joe Dukes (American jazz drummer) (from 1965-10-17 until 1966-01-19)
guitar:
Willie Jones (US jazz guitarist) (from 1965-10-17 until 1966-01-19)
tenor saxophone:
Wendell Harrison (American jazz clarinetist and tenor saxophonist) (from 1965-10-17 until 1966-01-19)
trumpet:
Fielder Floyd (from 1965-10-17 until 1966-01-19) and John Hunt (trumpeter) (from 1965-10-17 until 1966-01-19)
recording of:
The Back Slider (from 1965-10-17 until 1966-01-19)
composer:
Hank Crawford
4:18

Credits

Release

manufactured in:United States
photography:Lee Friedlander (American photographer)
design:Haig Adishian
manufactured by:Rhino Entertainment Company (not for release label use!)
copyrighted (©) by:Collectables Records Corp. (not for release label use, this is a distributor) (in 2004)
phonographic copyright (℗) by:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2004)
licensed from:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
ASIN:US: B000641ZLI [info]
purchase for mail-order:https://www.oldies.com/product-view/76592.html [info]
Allmusic:https://www.allmusic.com/album/release/mr0000798065 [info]