Tracklist

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CD 1
#TitleRatingLength
1Fantasia et Fuga in g, BWV 542
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1725)
part of:
Bach-Werke-Verzeichnis (number: BWV 542)
11:12
2Fuga in g, BWV 578
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fugue in G minor, BWV 578 ("Little") (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: J66) and Bach-Werke-Verzeichnis (number: BWV 578)
3:48
3Canzona in d, BWV 588
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Canzona, BWV 588 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1705)
part of:
Bach Compendium (number: J80) and Bach-Werke-Verzeichnis (number: BWV 588)
5:15
4Praeludium et Fuga in h, BWV 544
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Präludium und Fuge h-Moll, BWV 544 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 544)
11:19
5Praeludium et Fuga in a, BWV 543
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Präludium und Fuge a-Moll, BWV 543 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 543)
8:51
6Fantasia in c, BWV 562
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasie und Fuge c-Moll, BWV 562: I. Fantasie (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Fantasie und Fuge c-Moll, BWV 562
4:29
7Praeludium et Fuga in C, BWV 531
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Präludium und Fuge C-Dur, BWV 531 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 531)
6:07
8Fantasia in G, BWV 572 "Pièce d'Orgue"
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasia G-Dur, BWV 572 “Pièce d’Orgue” (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 572)
8:17
9Fantasia in C, BWV 570
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasie C-Dur, BWV 570 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 570)
2:28
10Passacaglia in c, BWV 582
recorded in:
Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland, Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Passacaglia and Fugue in C minor, BWV 582 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1712)
part of:
Bach-Werke-Verzeichnis (number: BWV 582)
12:27
CD 2
#TitleRatingLength
1Chorale: Wachet auf, ruft uns die Stimme, BWV 140
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (in 1994-09)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:29
2Orgel: Wachet auf, ruft uns die Stimme, BWV 645
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
3:36
3Chorale: Gloria sei dir gesungen, BWV 140
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (in 1994-09)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:34
4Chorale: Wo soll ich fliehen hin, BWV 5
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1994-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
0:42
5Orgel: Wo soll ich fliehen hin, BWV 646
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1748 until 1749)
part of:
Bach-Werke-Verzeichnis (number: BWV 646)
part of:
Sechs Choräle von verschiedener Art
1:29
6Chorale: Führ auch mein Herz und Sinn, BWV 5
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1994-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
0:49
7Chorale: Wer nur den lieben Gott lässt walten, BWV 93
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (in 1994-09)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
0:53
8Orgel: Wer nur den lieben Gott lässt walten, BWV 647
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
4:44
9Chorale: Sing, bet und geh auf Gottes Wegen, BWV 93
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (in 1994-09)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
0:59
10Chorale: Meine Seele erhebet den Herren, BWV 324
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 324 "Meine Seele erhebet den Herren" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 121) and Bach-Werke-Verzeichnis (number: BWV 324)
0:45
11Orgel: Meine Seele erhebet den Herren, BWV 6483:13
12Chorale: Lob und Preis sei Gott, dem Vater, BWV 324
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Lob und Preis sei Gott, dem Vater, BWV 324 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choralsatz, BWV 324 "Meine Seele erhebet den Herren"
0:50
13Chorale: Ach bleib bei uns, Herr Jesu Christ, BWV 253
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale, BWV 253 "Ach bleib bei uns, Herr Jesu Christ" (in 1994-09)
lyricist:
Nikolaus Selnecker
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 1) and Bach-Werke-Verzeichnis (number: BWV 253)
0:46
14Orgel: Ach bleib bei uns, Herr Jesu Christ, BWV 6492:13
15Chorale: In dieser lett'n betrübten Zeit, BWV 253
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: In dieser lett'n betrübten Zeit, BWV 253 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Chorale, BWV 253 "Ach bleib bei uns, Herr Jesu Christ"
0:50
16Orgel: Kommst du nun, Jesu, vom Himmel herunter, BWV 650
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
3:03
17Chorale: Kommst du nun, Jesu, vom Himmel herunter, BWV 57
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Kommst du nun, Jesu, vom Himmel herunter, BWV 57 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube"
1:06
18Orgel: Vor deinen Thron tret ich, BWV 668
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 668 "Vor deinen Thron tret' ich hiermit" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 18) and Bach-Werke-Verzeichnis (number: BWV 668)
5:05
19Chorale: Wenn wir in höchsten Nöthen sein, BWV 431
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 431 "Wenn wir in höchsten Nöten sein" (in 1994-09)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 358) and Bach-Werke-Verzeichnis (number: BWV 431)
1:02
20Orgel: Fantasia super / Komm, heiliger Geist, Herre Gott, BWV 651
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in F-Dur, BWV 651 "Fantasia super: Komm heiliger Geist, Herre Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 1) and Bach-Werke-Verzeichnis (number: BWV 651)
6:04
21Chorale: Komm, heiliger Geist, Herre Gott, BWV 59
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:45
22Orgel: Komm, heiliger Geist, Herre Gott, BWV 652
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 652 "Komm heiliger Geist, Herre Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 2) and Bach-Werke-Verzeichnis (number: BWV 652)
7:55
23Chorale: Du heilige Brunst, süsser Trost, BWV 226
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226: III. "Du heilige Brunst" (in 1994-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 221)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
1:42
24Orgel: An Wasserflüssen Babylon, BWV 653
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 653 "An Wasserflüssen Babylon" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 3) and Bach-Werke-Verzeichnis (number: BWV 653)
5:30
25Chorale: An Wasserflüssen Babylon, BWV 267
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 267 "An Wasserflüssen Babylon" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 23) and Bach-Werke-Verzeichnis (number: BWV 267)
1:53
26Orgel: Schmücke dich, o liebe Seele, BWV 654
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in Es-Dur, BWV 654 "Schmücke dich, o liebe Seele" (~Choralbearbeitung) (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 4) and Bach-Werke-Verzeichnis (number: BWV 654)
version of:
Choralvorspiele für Orgel in Es-Dur, BWV 654a "Schmücke dich, o liebe Seele"
8:16
27Chorale: Schmücke dich, o liebe Seele, BWV 180
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (in 1994-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
1:10
28Orgel: Trio super / Herr Jesu Christ, dich zu uns wend, BWV 655
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Trio super: Herr Jesu Christ, dich zu uns wend, BWV 655 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
arranger:
P. Barczi
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 5) and Bach-Werke-Verzeichnis (number: BWV 655)
3:26
29Chorale: Herr Jesu Christ, dich zu uns wend, BWV 443
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 332 "Herr Jesu Christ, dich zu uns wend" (in 1994-09)
lyricist:
William, Duke of Saxe-Weimar (German hymn writer and duke)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 139) and Bach-Werke-Verzeichnis (number: BWV 332)
0:42
CD 3
#TitleRatingLength
1Orgel: O Lamm Gottes unschuldig, BWV 656
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 656 "O Lamm Gottes unschuldig" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 6) and Bach-Werke-Verzeichnis (number: BWV 656)
9:34
2Chorale: O Lamm Gottes unschuldig, BWV 401
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 401 "O Lamm Gottes, unschuldig" (in 1994-09)
lyricist:
Nikolaus Decius
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 285) and Bach-Werke-Verzeichnis (number: BWV 401)
1:09
3Orgel: Nun danket alle Gott, BWV 657
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 657 "Nun danket alle Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 7) and Bach-Werke-Verzeichnis (number: BWV 657)
is based on:
Nun danket alle Gott (Lutheran choral)
4:58
4Chorale: Nun danket alle Gott, BWV 386
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 386 "Nun danket alle Gott" (in 1994-09)
lyricist:
Martin Rinckart (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 257) and Bach-Werke-Verzeichnis (number: BWV 386)
is based on:
Nun danket alle Gott (Lutheran choral)
1:16
5Orgel: Von Gott will ich nicht lassen, BWV 658
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in f-Moll, BWV 658 "Von Gott will ich nicht lassen" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 8) and Bach-Werke-Verzeichnis (number: BWV 658)
3:33
6Orgel: Von Gott will ich nicht lassen, BWV 418
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 418 "Von Gott will ich nicht lassen" (in 1994-09)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 325) and Bach-Werke-Verzeichnis (number: BWV 418)
1:04
7Orgel: Nun komm, der Heiden Heiland, BWV 659
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Nun komm, der Heiden Heiland, BWV 659 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 9), Bach Compendium (number: K82) and Bach-Werke-Verzeichnis (number: BWV 659)
revision of:
Nun komm der Heiden Heiland, BWV 659a
4:31
8Chorale: Nun komm, der Heiden Heiland, BWV 36
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 "Schwingt freudig euch empor"
0:43
9Orgel: Trio Super - Nun komm, der Heiden Heiland, BWV 660
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in g-Moll, BWV 660 "Trio super: Nun komm' der Heiden Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 10), Bach Compendium (number: K83) and Bach-Werke-Verzeichnis (number: BWV 660)
version of:
Choralvorspiele für Orgel in g-Moll, BWV 660a "Trio super: Nun komm' der Heiden Heiland"
3:29
10Chorale: Die Kripp glanzt hell und klar, BWV 36
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Die Kripp glänzt hell und klar, BWV 36 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 36 "Schwingt freudig euch empor": II. Choral "Nun komm, der Heiden Heiland"
0:39
11Orgel: Nun komm, der Heiden Heiland, BWV 661
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in g-Moll, BWV 661 "Nun komm' der Heiden Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 11), Bach Compendium (number: K84) and Bach-Werke-Verzeichnis (number: BWV 661)
version of:
Choralvorspiele für Orgel in g-Moll, BWV 661a "Nun komm' der Heiden Heiland"
2:40
12Chorale: Lob sei Gott, dem Vater g'than, BWV 62
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:37
13Orgel: Allein Gott in der Hoh sei Ehr, BWV 662
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 662 "Allein Gott in der Höh' sei Ehr" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 12), Bach Compendium (number: K85) and Bach-Werke-Verzeichnis (number: BWV 662)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
6:23
14Chorale: Allein Gott in der Hoh sei Ehr, BWV 260
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr" (in 1994-09)
lyricist:
Nikolaus Decius
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 12) and Bach-Werke-Verzeichnis (number: BWV 260)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
1:05
15Orgel: Allein Gott in der Hoh sei Ehr, BWV 663
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 663 "Allein Gott in der Höh' sei Ehr" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 13), Bach Compendium (number: K86) and Bach-Werke-Verzeichnis (number: BWV 663)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
6:47
16Chorale: O Jesu Christ, Sohn eingeborn, BWV 260
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: O Jesu Christ, Sohn eingeborn, BWV 260 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr"
1:14
17Orgel: Trio Super - Allein Gott in der Hoh sei Ehr, BWV 664
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 664 "Trio super: Allein Gott in der Höh' sei Ehr" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 14), Bach Compendium (number: K87) and Bach-Werke-Verzeichnis (number: BWV 664)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
5:00
18Chorale: O heil'ger Geist, du hochstes Gut, BWV 260
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: O heil'ger Geist, du hochstes Gut, BWV 260 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr"
1:06
19Orgel: Jesus Christus, unser Heiland, BWV 665
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in e-Moll, BWV 665 "Jesus Christus, unser Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 15), Bach Compendium (number: K88) and Bach-Werke-Verzeichnis (number: BWV 665)
4:35
20Chorale: Jesus Christus, unser Heiland, BWV 363
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choral, BWV 363 "Jesus Christus unser Heiland" (in 1994-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 206) and Bach-Werke-Verzeichnis (number: BWV 363)
1:11
21Orgel: Jesus Christus, unser Heiland (Alio modo), BWV 666
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in e-Moll, BWV 666 "Jesus Christus, unser Heiland - Alio modo" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 16), Bach Compendium (number: K89) and Bach-Werke-Verzeichnis (number: BWV 666)
2:59
22Chorale: Wer sich will zu dem Tisch machen, BWV 363
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Wer sich will zu dem Tisch machen, BWV 363 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choral, BWV 363 "Jesus Christus unser Heiland"
0:58
23Orgel: Komm, Gott Schöpfer, heiliger Geist, BWV 667
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 667 "Komm, Gott Schöpfer, heiliger Geist" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 17) and Bach-Werke-Verzeichnis (number: BWV 667)
version of:
Choralvorspiele für Orgel in G-Dur, BWV 667b "Komm, Gott Schöpfer, heiliger Geist" (Weimarer Fassung)
2:19
24Chorale: Komm, Gott Schöpfer, heiliger Geist, BWV 370
recorded in:
Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân, Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 370 "Komm, Gott Schöpfer, Heiliger Geist" (in 1994-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 218) and Bach-Werke-Verzeichnis (number: BWV 370)
1:01
CD 4
#TitleRatingLength
1Sonata in E-flat major, BWV 525: I. (without tempo marking)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: I. (Allegro) (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
2:50
2Sonata in E-flat major, BWV 525: II. Adagio
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: II. Adagio (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
5:38
3Sonata in E-flat major, BWV 525: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
3:59
4Sonata in C minor, BWV 526: I. Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (from 1995-06 until 1995-07)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (from 1995-06 until 1995-07)
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: I. Vivace (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
33:34
5Sonata in C minor, BWV 526: II. Largo
organ:
Ton Koopman (conductor, organist and harpsichordist) (from 1995-06 until 1995-07)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (from 1995-06 until 1995-07)
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: II. Largo (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
3:13
6Sonata in C minor, BWV 526: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (from 1995-06 until 1995-07)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (from 1995-06 until 1995-07)
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: III. Allegro (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
4:05
7Sonata in D minor, BWV 527: I. Andante
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: I. Andante (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527
5:28
8Sonata in D minor, BWV 527: II. Adagio e dolce
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: II. Adagio e dolce (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527
4:04
9Sonata in D minor, BWV 527: III. Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: III. Vivace (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527
4:12
10Sonata in E minor, BWV 528: I. Adagio - Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528: I. Adagio - Vivace (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528
2:36
11Sonata in E minor, BWV 528: II. Andante
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528: II. Andante (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528
4:38
12Sonata in E minor, BWV 528: III. Un poco Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528: III. Un poc' allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528
2:30
13Sonata in C major, BWV 529: I. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: I. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529
4:58
14Sonata in C major, BWV 529: II. Largo
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: II. Largo (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529
5:45
15Sonata in C major, BWV 529: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: III. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529
3:44
16Sonata in G major, BWV 530: I. Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: I. Vivace (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
3:46
17Sonata in G major, BWV 530: II. Lento
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: II. Lente (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
6:45
18Sonata in G major, BWV 530: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: III. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
3:22
CD 5
#TitleRatingLength
1Toccata et Fuga in F, BWV 540: I. Toccata
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata und Fuge F-Dur, BWV 540: I. Toccata (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge F-Dur, BWV 540
8:21
2Toccata et Fuga in F, BWV 540: II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata und Fuge F-Dur, BWV 540: II. Fuge (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge F-Dur, BWV 540
4:54
3Toccata con Fuga in d, BWV 565
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
music quoted on:
Lethal Symphonies
8:20
4Toccata, Adagio et Fuga in C, BWV 564: I. Toccata
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
5:22
5Toccata, Adagio et Fuga in C, BWV 564: II. Adagio
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
4:13
6Toccata, Adagio et Fuga in C, BWV 564: III. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
4:32
7Toccata et Fuga in d, BWV 538 "Dorian": I. Toccata
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata and Fugue in D minor "Dorian", BWV 538
5:17
8Toccata et Fuga in d, BWV 538 "Dorian": II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Toccata and Fugue in D minor "Dorian", BWV 538: II. Fugue (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata and Fugue in D minor "Dorian", BWV 538
7:24
9Praeludium et Fuga in E, BWV 566: I. Praeludium
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Praeludium et Fuga in E, BWV 566: I. Praeludium (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Präludium (Toccata) und Fuge für Orgel E-Dur, BWV 566
2:46
10Praeludium et Fuga in E, BWV 566: II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Praeludium et Fuga in E, BWV 566: II. Fuga (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Präludium (Toccata) und Fuge für Orgel E-Dur, BWV 566
7:31
11Praeludium et Fuga in D, BWV 532: I. Praeludium
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Präludium und Fuge D-Dur, BWV 532: I. Präludium (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
5:10
12Praeludium et Fuga in D, BWV 532: II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi in Hamburg, Germany (in 1995)
recording of:
Präludium und Fuge D-Dur, BWV 532: II. Fuge (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
6:21
CD 6
CD 7
CD 8
CD 9
CD 10
CD 11
CD 12
CD 13
CD 14
CD 15
CD 16

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 8) (order: 8)
ASIN:US: B00001IV8B [info]
US: B00004HYMX [info]