Midnite Jazz & Blues: I Loves You Porgy

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1The House of the Rising Sun
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
26:55
2I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
44:09
3Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Company (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
4.653:21
4You Took My Teeth
phonographic copyright (℗) by:
VPI Records USA (in 1987)
recording of:
You Took My Teeth
writer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
1:09
5Do What You Gotta Do
phonographic copyright (℗) by:
BMG Entertainment (in 1968)
live cover recording of:
Do What You Gotta Do
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing, LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
3:43
6Saratoga
3:20
7See Line Woman
cover recording of:
See-Line Woman
writer:
George Bass and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Sea Lion Woman
3:46
8African Mailman
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
recording of:
African Mailman (in 1957-12)
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. Ltd.
3:08
9After You’ve Gone
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
phonographic copyright (℗) by:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1977)
live cover recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
5:38
10Ain’t No Use
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
live recording of:
Ain’t No Use
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
2:44
11Don’t Smoke in Bed
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
43:09
12Four Women
guitar:
Arthur Adams (US blues singer, guitarist & songwriter) (in 1987)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1987)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1987)
live recording of:
Four Women (in 1987)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
EMI Tunes Ltd
4:53
13Fodder on Her Wings
35:10
14Good Bait
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.655:26
15It’s Cold Out Here
phonographic copyright (℗) by:
VPI Records USA (in 1985)
recording of:
It’s Cold Out Here (Adams / Singleton)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
5:31
16Just in Time
phonographic copyright (℗) by:
Colpix Records (a/k/a Colpix Records) (in 1962)
cover recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
4:39
17Central Park Blues
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recording of:
Central Park Blues
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Memory Music Lane Ltd.
43:06
18You’ll Never Walk Alone
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), T.B. Harms Co., Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
3:58

Credits

Release

ASIN:UK: B00005LO06 [info]

Release Group

included in:My Baby Just Cares for Me