ライア&ソネット

~ Release by 村治佳織 & ザ・シックスティーン (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1母さま、私は恋を抱いて
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Con amores, la mi madre (from 2006-07-17 until 2006-07-20)
composer:
Juan de Anchieta
Juan de Anchieta2:38
2アルハンブラの想い出
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Recuerdos de la Alhambra (from 2006-07-17 until 2006-07-20)
composer:
Francisco Tárrega
Francisco Tárrega4:16
3「ロマンセロ・ヒターノ」ガルシア・ロルカの詩による7つの歌 No.4 プロセシオン (行列): プロセシオン
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
bass vocals:
Eamonn Dougan (bass (vocal) & conductor) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: a) Procesión (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco1:57
4「ロマンセロ・ヒターノ」ガルシア・ロルカの詩による7つの歌 No.4 プロセシオン (行列): パソ
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: b) Paso (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco2:25
5「ロマンセロ・ヒターノ」ガルシア・ロルカの詩による7つの歌 No.4 プロセシオン (行列): サエタ
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: c) Saeta (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco2:34
6おお何と栄光に満ちた王国なのか: Part 1
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
bass vocals:
Jonathan Arnold (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
O quam gloriosum est regnum: Part 1 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (composer)
Tomás Luis de Victoria4:12
7おお何と栄光に満ちた王国なのか: Part 2
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
bass vocals:
Jonathan Arnold (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
O quam gloriosum est regnum: Part 2 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (composer)
Tomás Luis de Victoria2:31
85つの前奏曲: No. 1 ホ短調
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos4:54
95つの前奏曲: No. 3 イ短調
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 3: Andante (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos3:47
105つの前奏曲: No. 2 ホ長調
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 2: Andantino (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos3:02
115つの前奏曲: No. 4 ホ短調
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 4: Lento (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos3:57
125つの前奏曲: No. 5 ニ長調
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 5: Poco animato (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos3:52
13あがない主の恵み深き母よ: Part 1
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Alma redemptoris mater: Part 1 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (composer)
part of:
Alma Redemptoris a 5
Tomás Luis de Victoria2:12
14あがない主の恵み深き母よ: Part 2
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Alma redemptoris mater: Part 2 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (composer)
part of:
Alma Redemptoris a 5
Tomás Luis de Victoria2:56
15カノン
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (from 2006-07-17 until 2006-07-20)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
Johann Pachelbel3:40
16神は私たちを憐れみ (タリスのカノン)
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 8 “God Grant We Grace” (Psalm 67) (from 2006-07-17 until 2006-07-20)
composer:
Thomas Tallis (composer)
part of:
Nine Psalm Tunes for Archbishop Parker’s Psalter
Thomas Tallis2:23
1713のカタルーニャ民謡: 盗賊の歌
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cançó del lladre (Miguel Llobet guitar arrangement) (from 2006-07-17 until 2006-07-20)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
Cançó del lladre
Miguel Llobet Solés2:04
18ブラジル風バッハ No. 5: I. アリア
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) (for voice and guitar) (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (in 1938)
arranger:
Heitor Villa‐Lobos (in 1947)
version of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
part of:
Bachianas Brasileiras nº 5, W391 (for voice and guitar)
Heitor Villa‐Lobos7:16
19ア・ネグリート・デ・ククルンベ
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
alto vocals:
Frances Bourne (British classical mezzo-soprano) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
A negrito de cucurumbé (from 2006-07-17 until 2006-07-20)
composer:
Gaspar Fernandes
Gaspar Fernandes2:56
20歌劇「イーゴリ公」: ダッタン人の踊り
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: I. Introduction: Andantino, 4/4, A major (no choir) (from 2006-07-17 until 2006-07-20)
composer:
Александр Порфирьевич Бородин (Alexander Borodin)
part of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
Александр Порфирьевич Бородин4:12

Credits

Release

transliterated/translated track listings:Lyre & Sonnet by 村治佳織 & The Sixteen
ASIN:JP: B000HOJDD4 [info]
discography entry:http://www.universal-music.co.jp/kaori-muraji/products/uccd-1176/ [info]