Ultimate Power of Supergroups

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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Medium 1
#TitleArtistRatingLength
1Rosanna
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather
Hammond organ and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paich
lead vocals:
Bobby Kimball and Steve Lukather
brass [horns] arranger:
Jerry Hey and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Sony Music Publishing (Japan), Inc., A Division and Spirit Two Music
Toto3.95:32
2The Tide is High
assistant engineer:
Gary Boatner (Engineer) and Doug Schwartz
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Power Station Studios in Manhattan, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
lyrics quoted on:
Numba 1 (Tide Is High) (Rihanna feature)
lyrics quoted on:
Numba 1 (Tide Is High) (Keri Hilson feature)
Blondie4.154:44
3Voices Carry
assistant engineer:
Jeff Lippay and Mike Krowiak
engineer:
Domenic Maita
producer:
Mike Thorne (UK producer & keyboardist)
assistant mixer:
Moira Marquis
mixer:
Bob Clearmountain and Harvey Goldberg
bass guitar:
Aimee Mann
guitar family:
Robert Holmes (guitarist, member of 'Til Tuesday)
membranophone and percussion:
Michael Hausman
piano and synthesizer:
Joey Pesce
vocals:
Aimee Mann, Joey Pesce and Robert Holmes (guitarist, member of 'Til Tuesday)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recorded at:
RPM Studios in New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
recording of:
Voices Carry
lyricist:
Aimee Mann
composer:
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann and Joey Pesce
publisher:
'til tunes associates and Intersong U.S.A. (publisher)
’Til Tuesday4.854:23
4We’re Ready
recording of:
We’re Ready
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS-affiliated) and Hideaway Hits (in 1986)
Boston4:10
5Poison
recording engineer:
Sir Arthur Payson
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Manhattan, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician Vincent Damon Furnier) and John McCurry
publisher:
Desmobile Inc., EMI Songs Ltd., MCA Music Ltd., Primary Wave Music Publishing, Songs of Universal, Inc., Sony/ATV Music Publishing Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Group, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, SBK April Music Inc. (from 1989 to ????), Ezra Music Corp. (from 1989 to present) and Kat and Mouse Music (from 1989 to present)
Alice Cooper4.54:31
6I Melt With You
engineer and producer:
Hugh Jones (UK producer)
bass guitar [bass] and violin:
Michael Conroy
drums (drum set) [drums] and percussion:
Richard Brown (Modern English)
guitar:
Gary McDowell
keyboard [keyboards]:
Stephen Walker (of Modern English)
vocals:
Robbie Grey
engineered at:
Rockfield in Monmouth, Monmouthshire, Wales, United Kingdom
recording of:
I Melt With You
writer:
Richard Brown (Modern English), Michael Conroy, Robbie Grey, Gary McDowell and Stephen Walker (of Modern English)
publisher:
Universal‐Songs of PolyGram International, Inc.
part of:
50 First Dates
Modern English4.253:49
7Your Love
recording of:
Your Love
lyricist and composer:
John Frederick Spinks
publisher:
Universal‐MCA Music Publishing (US) and Warning Tracks Ltd.
part of:
50 First Dates
The Outfield3:43
8In Your Room
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
In Your Room
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Songs of Universal, Inc. and Sony/ATV Tunes LLC
Bangles43:29
9Burnin’ for You
Blue Öyster Cult4:32
10Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
Starship4.154:30
11Turn Me Loose
recording of:
Turn Me Loose
writer:
Paul Dean (Canadian guitarist) and Mike Reno
Loverboy5:38
12And We Danced
recording of:
And We Danced
writer:
Eric Bazilian and Rob Hyman
The Hooters3:50
13What I Like About YouThe Romantics2:57
14The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Seven Doors Music
Europe45:09
Medium 2
#TitleArtistRatingLength
1More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston3.854:47
2American Woman
producer:
Nimbus 9 and Jack Richardson
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 4)
recording of:
American Woman (from 1969-08 until 1969-11)
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
Cirrus Musik and Dunbar Music Inc.
The Guess Who4.155:10
3Black Magic Woman
cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd. and Murbo Music Publishers, Inc.
Santana3:16
4Come Sail Away
engineer:
Rob Kingsland and Barry Mraz
assistant producer:
Barry Mraz
producer:
Styx (rock band from Chicago)
12 string guitar and acoustic guitar and electric guitar [lead]:
Tommy Shaw (of Styx)
bass guitar:
Chuck Panozzo
drums (drum set) and percussion:
John Panozzo
guitar and synthesizer [ARP Odyssey]:
James Young (Member of Styx)
keyboard and synthesizer and lead vocals:
Dennis DeYoung
vocals:
Chuck Panozzo, John Panozzo, Tommy Shaw (of Styx) and James Young (Member of Styx)
remixer:
Rob Kingsland, Barry Mraz and Styx (rock band from Chicago)
recorded at and remixed at:
Paragon Studios in Chicago, Illinois, United States
recording of:
Come Sail Away
lyricist and composer:
Dennis DeYoung
publisher:
Rondor Music International (merged into UMG 2019), Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) and Stygian Songs (in 1977)
Styx36:02
5Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Spirit Two Music and ソニー・ミュージックパブリッシング A事業部
Toto43:58
6Count on Me
recording of:
Count on Me (Jefferson Starship song)
lyricist and composer:
Jesse Barish
Jefferson Starship23:17
7Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Virgin Songs, Inc., Hierophant Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Edgar Winter Group4.54:46
8(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., ソニー・ミュージックパブリッシング A事業部 and Sony/ATV Tunes LLC (in 1976)
Blue Öyster Cult4.55:10
9So Into YouAtlanta Rhythm Section54:24
10All the Young Dudes
producer:
David Bowie
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
cover recording of:
All the Young Dudes
lyricist and composer:
David Bowie
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Mott the Hoople4.353:33
11The Cover of Rolling Stone
producer:
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook2:54
12Go All the WayThe Raspberries3.753:22
13Sooner or LaterThe Grass Roots2:42
14ReminiscingLittle River Band54:13

Credits

Release

ASIN:US: B00006AGEB [info]