Lazy Afternoon

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1Who Is He (And What Is He to You?)
vocals:
Bill Withers
recording of:
Who Is He (And What Is He to You)?
Verfasser(in):
Stanley McKenny und Bill Withers
Bill Withers3:14
2You'd Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Keiko Lee2:56
3That Lady
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 349)
recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers4.355:35
4Reasons
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Samples von:
That’s the Way of the World von Earth, Wind & Fire (in 1975-03)
recording of:
Reasons
Verfasser(in):
Philip Bailey, Charles Stepney und Maurice White (Earth, Wind & Fire)
Earth, Wind & Fire2.655:01
5Spinning Wheel
Techniker(in):
Fred Catero und Roy Halee
Produzent(in):
James William Guercio
alto saxophone und Klavier:
Fred Lipsius
Bass:
Jim Fielder (Bassist with Blood, Sweat & Tears)
Flöte, Orgel, Klavier und Posaune:
Dick Halligan
Flügelhorn und Trompete:
Al Rubin und Lew Soloff
Gitarre und Mundharmonika:
Steve Katz (guitarist for Blood, Sweat & Tears)
recorder und Posaune:
Jerry Hyman (trombone player)
Schlagzeug und Perkussion:
Bobby Colomby
Sologesang:
David Clayton‐Thomas
vocals:
Bobby Colomby, Dick Halligan und Steve Katz (guitarist for Blood, Sweat & Tears)
arranger:
Blood, Sweat & Tears und Fred Lipsius
recording of:
Spinning Wheel
Texter und Komponist(in):
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), フジパシフィック音楽出版 SBK事業部 (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (vom 2015-01-01 bis heute)
Blood, Sweat & Tears44:08
6Love TKO
recording engineer und Mix:
Ron A. Shaffer
Programmierung:
Edwin “Tony” Nicholas
leitende(r) Produzent(in):
Brenda Dash und Mitchell Cohen (A&R)
Produzent(in):
Gerald Levert und Edwin “Tony” Nicholas
Gitarre:
Randy Bowland
Keyboard und Schlagzeug:
Gerald Levert und Edwin “Tony” Nicholas
Hintergrundgesang:
Regina Belle und Gerald Levert
vocals arranger:
Gerald Levert
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
produced for:
Trackhouse Productions
cover recording of:
Love T.K.O.
Verfasser(in):
Eddie Gip Noble, Cecil Womack und Linda Womack
publisher:
Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Regina Belle45:02
7Sexual Healing
Produzent(in):
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.83:59
8Aguas de Marca
Josee Koning3:37
9How Come How Long
recording of:
How Come, How Long
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Stevie Wonder
Babyface5:13
10Kiss and Say Goodbye
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) und EMI Songs Ltd.
The Manhattans4:27
11I'm Kissing You
Des’ree4:51
12Me and Mrs. Jones
recording of:
Me and Mrs. Jones
Verfasser(in):
Kenneth Gamble, Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4:50
13Let's Fall in Love
Vic Damone Orchestra1:59
14It Ain't Necessarily So
Produzent(in):
John Hammond (producer)
Bass:
Bill Lee (bassist, composer, father of Spike Lee) (am 1960-12-19)
Gitarre:
Lord Westbrook (am 1960-12-19)
Klavier:
Ray Bryant (am 1960-12-19)
Schlagzeug:
Belton Evans (am 1960-12-19)
Tenorsaxophon:
Warren Luckey (am 1960-12-19)
vocals:
Aretha Franklin (am 1960-12-19)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (am 1960-12-19)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
basiert auf:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
Aretha Franklin2:55
15Mack the Knife
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:24
16Ain't No Sunshine
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und EMI Songs Ltd.
Bill Withers4.452:03

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Discogs:https://www.discogs.com/release/557512 [Info]