Cantatas, Volume 3

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:49
2Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:16
3Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
soprano vocals:
Ruth Holton (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:52
4Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:54
5Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:08
6Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:58
7Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach7:23
8Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Basso) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:51
9Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenore) "O großes Hochzeitfest"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:35
10Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Soprano) "Jesu, Brunnquell aller Gnaden, Labe mich elenden Gast"
soprano vocals:
Barbara Schlick (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach3:27
11Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alto) "Mein Jesu, lass mich nicht zur Hochzeit unbekleidet kommen"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:39
12Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto) "In meinem Gott bin ich erfreut!"
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach4:35
13Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket diese große Herrlichkeit"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:15
14Kantate, BWV 155 "Mein Gott, wie lang, ach lange?": I. Recitativo (Soprano) "Mein Gott, wie lang, ach lange?"
soprano vocals:
Caroline Stam (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:57
15Kantate, BWV 155 "Mein Gott, wie lang, ach lange?": II. Aria (Duetto) "Du musst glauben, du musst hoffen, du musst gottgelassen sein!"
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach5:31
16Kantate, BWV 155 "Mein Gott, wie lang, ach lange?": III. Recitativo (Basso) "So sei, o Seele, sei zufrieden!"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:58
17Kantate, BWV 155 "Mein Gott, wie lang, ach lange?": IV. Aria (Soprano) "Wirf, mein Herze, wirf dich noch in des Höchsten Liebesarme"
soprano vocals:
Caroline Stam (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:52
18Kantate, BWV 155 "Mein Gott, wie lang, ach lange?": V. Choral "Ob sichs anließ, als wollt er nicht, laß dich es nicht erschrecken"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach0:55
19Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
soprano vocals:
Ruth Holton (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:48
20Kantate, BWV 162 (appendix) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I(alt). Aria (Bass) "Ach! ich sehe, Itzt, da ich zur Hochzeit gehe"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 (appendix) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I(alt). Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach4:18
21Kantate, BWV 162 (appendix) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI(alt). Choral "Ach, ich habe schon erblicket diese große Herrlichkeit"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 162 (appendix) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI(alt). Choral "Ach, ich habe schon erblicket" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket"
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
Johann Sebastian Bach1:13
▼CD 2
#TitleArtistRatingLength
1Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Arioso (tenor, bass) & Chorus "Jesus nahm zu sich die Zwölfe"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Arioso (Tenore, Basso) e Coro "Jesus nahm zu sich die Zwölfe und sprach" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
Johann Sebastian Bach4:51
2Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (alto) "Mein Jesu, ziehe mich nach dir"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria (Alto) "Mein Jesu, ziehe mich nach dir" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
Johann Sebastian Bach4:46
3Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitative (bass) "Mein Jesu, ziehe mich, so werd ich laufen"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo (Basso) "Mein Jesu, ziehe mich, so werd ich laufen" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
Johann Sebastian Bach2:20
4Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria (tenor) "Mein alles in allem, mein ewiges Gut"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria (Tenore) "Mein alles in allem, mein ewiges Gut" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
Johann Sebastian Bach2:56
5Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Chorale "Ertöt uns durch dein Güte"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
Johann Sebastian Bach1:32
6Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (soprano, alto) "Du wahrer Gott und Davids Sohn"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
performer:
Barbara Schlick (soprano) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": I. Aria (Duetto: Soprano, Alto) "Du wahrer Gott und Davids Sohn" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach7:13
7Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitative (tenor) "Ach! gehe nicht vorüber"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": II. Recitativo (Tenore) "Ach! gehe nicht vorüber" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach1:26
8Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": III. Chorus "Aller Augen warten, Herr"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": III. Coro "Aller Augen warten, Herr" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach3:27
9Cantata, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Chorale "Christe, du Lamm Gottes"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn": IV. Choral "Christe, du Lamm Gottes" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 23 "Du wahrer Gott und Davids Sohn"
Johann Sebastian Bach4:34
10Cantata, BWV 163 "Nur jedem das Seine!": I. Aria (Tenore) "Nur jedem das Seine!"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach4:49
11Cantata, BWV 163 "Nur jedem das Seine!": II: Recitativo (Basso) "Du bist, mein Gott, der Geber aller Gaben"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach1:28
12Cantata, BWV 163 "Nur jedem das Seine!": III. Aria (Basso) "Laß mein Herz die Münze sein"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:47
13Cantata, BWV 163 "Nur jedem das Seine!": IV. Arioso (Soprano, Alto) "Ich wollte dir, o Gott, das Herze gerne geben"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
soprano vocals:
Els Bongers (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach2:34
14Cantata, BWV 163 "Nur jedem das Seine!": V. Aria (Duetto: Soprano, Alto) "Nimm mich mir und gib mich dir!"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
soprano vocals:
Els Bongers (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach3:15
15Cantata, BWV 163 "Nur jedem das Seine!": VI. Chorale "Führ auch mein Herz und Sinn"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
Johann Sebastian Bach0:50
16Cantata, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Soprano) "O heilges Geist- und Wasserbad"
soprano vocals:
Caroline Stam (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:35
17Cantata, BWV 165 "O heilges Geist- und Wasserbad": II. Recitative (Basso) "Die sündige Geburt verdammter Adamserben"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach1:17
18Cantata, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alto) "Jesu, der aus großer Liebe"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:13
19Cantata, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitative (Basso) "Ich habe ja, mein Seelenbräutigam"
vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:01
20Cantata, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenore) "Jesu, meines Todes Tod"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach3:08
21Cantata, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 266)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach0:41
▼CD 3
#TitleArtistRatingLength
1Cantata, BWV 54 "Widerstehe Doch Der Sünde"Dominica Oculi Aria (Alto): "Widerstehe Doch Der Sünde"
alto vocals:
Andreas Scholl (countertenor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach6:51
2Cantata, BWV 54 "Widerstehe Doch Der Sünde"Dominica Oculi Recitative (Alto): "Die Art Verruchter Sünden"
alto vocals:
Andreas Scholl (countertenor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach1:05
3Cantata, BWV 54 "Widerstehe Doch Der Sünde"Dominica Oculi Aria (Alto): "Wer Sünde Tut, Der Ist Vom Teufel"
alto vocals:
Andreas Scholl (countertenor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (in 1995-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach2:58
4Cantata, BWV 161 "Komm, Du Süße Todesstunde"Dominica 16 Post Trinitatis Aria (Alto): "Komm, Du Süße Todesstunde"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach4:57
5Cantata, BWV 161 "Komm, Du Süße Todesstunde"Dominica 16 Post Trinitatis Recitative (Tenor): "Welt, Deine Lust Ist Last"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:54
6Cantata, BWV 161 "Komm, Du Süße Todesstunde"Dominica 16 Post Trinitatis Aria (Tenor): "Mein Verlangen Ist Den Heiland Zu Umfangen"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach5:20
7Cantata, BWV 161 "Komm, Du Süße Todesstunde"Dominica 16 Post Trinitatis Recitative (Alto): "Der Schluß Ist Schon Gemacht"
alto vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:09
8Cantata, BWV 161 "Komm, Du Süße Todesstunde"Dominica 16 Post Trinitatis Chorus: "Wenn Es Meines Gottes Wille"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach3:01
9Cantata, BWV 161 "Komm, Du Süße Todesstunde"Dominica 16 Post Trinitatis Chorale (Chorus): "Der Leib Zwar In Der Erden"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (in 1995-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:11
10Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Recitative (Soprano I): "Was Mir Behagt, Ist Nur Die Muntre Jagd"
soprano vocals:
Barbara Schlick (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:32
11Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Aria (Soprano I): "Jagen Ist Die Lust Der Götter"
soprano vocals:
Barbara Schlick (soprano) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:59
12Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Recitative (Tenor): "Wie, Schönste Göttin, Wie?"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:07
13Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Aria (Tenor): "Willst Du Dich Nicht Mehr Ergötzen"
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:59
14Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Recitative (Soprano, Tenor): "Ich Liebe Dich Zwar Noch!"
soprano vocals:
Barbara Schlick (soprano) (in 1995-09)
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:14
15Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Recitative (Bass): "Ich, Der Sonst Ein Gott In Diesen Feldern Bin"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:30
16Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Aria (Bass): "Ein Fürst Ist Seines Landes Pan"
bass vocals:
Klaus Mertens (classical singer, bass-baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:59
17Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Recitative (Soprano II): "Soll Dann Der Pales Opfer Hier Das Letzte Sein?"
soprano vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:36
18Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Aria (Soprano II): "Schafe Können Sicher Weiden Wo Ein Guter Hirte Wacht"
mezzo-soprano vocals, solo mezzo-soprano vocals and soprano vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:08
19Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Recitative (Soprano I): "So Stimmt Mit Ein"
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
performer:
Barbara Schlick (soprano) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:09
20Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Chorus (Soprano I & II, Tenor, Bass, Chorus): "Lebe, Sonne Dieser Erden"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
soprano vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09) and Barbara Schlick (soprano) (in 1995-09)
tenor vocals:
Paul Agnew (tenor / conductor) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:30
21Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Duet (Soprano I, Tenor): "Entzücket Uns Beide"
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
performer:
Barbara Schlick (soprano) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:52
22Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Aria (Soprano II): Weil Die Wollenreichen Herden"
soprano vocals:
Elisabeth von Magnus (mezzo-soprano / alto) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:28
23Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Aria (Bass): "Ihr Felder Und Auen"
vocals:
Klaus Mertens (classical singer, bass-baritone) (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:41
24Cantata, BWV 208 "Was Mir Behagt, Ist Nur Die Muntre Jagd"Jagdkantate Zum Geburtstage Des Herzog Christian Zu Sachsen Weißenfels Chorus (Soprano I & II, Tenor, Bass): "Ihr Lieblichsten Blicke"
choir vocals:
Amsterdam Baroque Choir (in 1995-09)
orchestra:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1995-09)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:44

Credits

Release Group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (order: 2)