| # | Title | Artist | Rating | Length |
|---|
| 1 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- H.H.O. Ltd
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music and Unichappell Music
| Ben E. King | 4.65 | 2:50 |
| 2 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
| 3 | I Never Loved a Man (The Way I Love You) | Aretha Franklin | 4 | 2:41 |
| 4 | Sweet Soul Music | Arthur Conley | | 2:20 |
| 5 | Respect | Aretha Franklin | 3.8 | 2:27 |
| 6 | Soul Man | Sam & Dave | | 2:34 |
| 7 | Baby I Love You | Aretha Franklin | 3 | 2:42 |
| 8 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:38 |
| 9 | Chain of Fools | Aretha Franklin | | 2:23 |
| 10 | Slip Away | Clarence Carter | | 2:30 |
| 11 | Since You’ve Been Gone (Sweet Sweet Baby)- recorded in:
- New York, New York, United States
- recording engineer:
- Tom Dowd
- producer:
- Jerry Wexler
- baritone saxophone:
- Henry Haywood (from 1967-12-16 until 1967-12-17)
- bass guitar:
- Tommy Cogbill (from 1967-12-16 until 1967-12-17)
- bass trombone:
- Tony Studd (from 1967-12-16 until 1967-12-17)
- drums (drum set):
- Roger Hawkins (from 1967-12-16 until 1967-12-17)
- electric piano:
- Spooner Oldham (from 1967-12-16 until 1967-12-17)
- guitar:
- Jimmy Johnson (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
- tenor saxophone:
- King Curtis (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
- trumpet:
- Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (from 1967-12-16 until 1967-12-17)
- choir vocals:
- Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
- vocals:
- Aretha Franklin (from 1967-12-16 until 1967-12-17)
- horn arranger:
- Arif Mardin
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
- cover recording of:
- (Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
- writer:
- Aretha Franklin and Ted White
- publisher:
- 14th Hour Music, Cotillion Music Inc. , EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部
| Aretha Franklin | 4.35 | 2:23 |
| 12 | Too Weak to Fight | Clarence Carter | | 2:16 |
| 13 | Think | Aretha Franklin | | 3:50 |
| 14 | Can I Change My Mind | Tyrone Davis | | 2:47 |
| 15 | I Say a Little Prayer | Aretha Franklin | 4.4 | 3:32 |
| 16 | Rainy Night in Georgia | Brook Benton | | 3:52 |
