Capital Gold Jazz Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1In the MoodGlenn Miller3:31
2Choo Choo Ch’Boogie
Louis Jordan2:41
3Minnie the Moocher
Cab Calloway3:15
4That Ole Devil Called Love
recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday2:54
5Cry Me a River
engineer:
John Kraus (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Julie London42:55
6Mad About the Boy
vocals:
Dinah Washington
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:47
7On the Sunny Side of the StreetLester Young with The Oscar Peterson Trio3:26
8I’ve Got You Under My Skin
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
I’ve Got You Under My Skin (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Born to Dance
Ella Fitzgerald2:43
9Let There Be LoveNat King Cole & The George Shearing Quintet2:45
10Chicago
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
performer:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
cover recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Tony Bennett42:07
11Desafinado
Stan Getz & João Gilberto5:51
12Come Fly With MeCount Basie & His Orchestra2:44
13Take the Train
Dizzy Gillespie6:40
14What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
performer:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:18
15Stranger on the Shore
phonographic copyright (℗) by:
Polydor Ltd. UK (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1962) and K-Tel International (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
composer:
Acker Bilk
publisher:
EMI Music Ltd.
Acker Bilk2:57
16Misty
instrumental recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Erroll Garner2:50
17My Funny Valentine
bass:
Jimmy Bond
celesta:
Russ Freeman (pianist)
double bass:
Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman, Lawrence Marable and Bob Neel (on 1954-02-15)
piano:
Russ Freeman (pianist) (on 1954-02-15)
trumpet:
Chet Baker (on 1954-02-15)
vocals:
Chet Baker (on 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-02-15)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:20
18Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS-affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong & His Orchestra3:59
19Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:14
20I Wish I Knew (How It Would Feel to Be Free)
Billy Taylor Trio3:41
CD 2
#TitleArtistRatingLength
1Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:55
2The Girl From Ipanema
Astrud Gilberto5:22
3The Look of Love
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Diana Krall4:42
4Sunrise
Norah Jones3:20
5What a Difference a Day MadeJamie Cullum45:09
6Everybody Loves the Sunshine
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
lyrics quoted on:
Tattoo Tears (Still I Rise mix)
Roy Ayers44:01
7Waltz for Ruth
engineer and mixer:
Jay Newland
producer:
Charlie Haden (American jazz bassist) and Pat Metheny
acoustic guitar:
Pat Metheny (in 1996)
bass:
Charlie Haden (American jazz bassist) (in 1996)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1997)
recorded at and mixed at:
Right Track Recording in Manhattan, New York, New York, United States (in 1996)
recording of:
Waltz for Ruth (in 1996)
composer:
Charlie Haden (American jazz bassist)
Charlie Haden & Pat Metheny4:26
8I Remember WesGeorge Benson3:55
9Moody’s Mood for Love
recording of:
Moody’s Mood for Love (1949 jazz instrumental)
composer:
Dorothy Fields (US Tin Pan Alley librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
is based on:
I’m in the Mood for Love
Amy Winehouse2:50
10Cantaloop (Flip Fantasia)
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Rahsaan
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Cantaloupe Island by Herbie Hancock and Everything I Do Gonna Be Funky (From Now On) by Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
is based on:
Cantaloupe Island
Us33.54:36
11For What It’s Worth (Stop, Hey What’s That Sound)
Lou Rawls2:54
12Walk on the Wild Side
Jimmy Smith5:55
13The in’ Crowd
The Ramsey Lewis Trio3:17
14Mas Que Nada
Sergio Mendes2:39
15Yeh Yeh
Georgie Fame & the Blue Flames2:46
16The Beat Goes On
vocals:
Cathy Rich
recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
Buddy Rich4:55
17Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
Quincy Jones and His Orchestra42:45
18Birdland
Weather Report5:59
CD 3
#TitleArtistRatingLength
1Concierto de Aranjuez
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15) and Janet Putman (on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-15, on 1959-11-20) and Frank Rehak (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
partial cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
cover recording of:
Concierto de Aranjuez
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Miles Davis16:24
2Song for My Father
Horace Silver5:13
3Watermelon Man
recording of:
Watermelon Man (with lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
version of:
Watermelon Man
Herbie Hancock4:58
4Autumn Leaves (Les Feuilles Mortes)
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
translated version of:
Les Feuilles mortes
Cannonball Adderley10:57
5Round Midnight
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:12
6The Sidewinder
Lee Morgan5:08
7Unsquare Dance
alto saxophone:
Paul Desmond (on 1961-06-08)
double bass [bass]:
Eugene Wright (bass) (on 1961-06-08)
drums (drum set):
Joe Morello (on 1961-06-08)
piano:
Dave Brubeck (on 1961-06-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1961-06-08)
recording of:
Unsquare Dance (on 1961-06-08)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
Dave Brubeck52:02
8Goodbye Pork Pie Hat
recording of:
Goodbye Pork Pie Hat
lyricist:
Roland Kirk
composer:
Charles Mingus
is based on:
Goodbye Pork Pie Hat (instrumental)
Charles Mingus4:49
9Blue Train
recording of:
Blue Train
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane10:43
10Moanin’
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers4:03
11Ornithology
recording of:
Ornithology
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker4:26
12Nuages
recording of:
Nuages (instrumental)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:12

Credits

Release Group

part of:Capital Gold Legends (number: Jazz) (order: 11)