The War: A Ken Burns Film

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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CD 1: The War, A Ken Burns Film, The Soundtrack
Nr.TitelKünstlerBewertungLänge
1American Anthem
Techniker(in):
Tom Schick (in 2005-12)
Produzent(in):
Lee Alexander (US bassist, songwriter & producer)
Klavier:
Norah Jones (in 2005-12)
vocals:
Norah Jones (in 2005-12)
engineered at:
The Coop in New York, New York, Vereinigte Staaten (in 2005-12)
recording of:
American Anthem
Texter und Komponist(in):
Gene Scheer
Norah Jones5:08
2Walton, The Death of Falstaff
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1989-08)
Orchester:
London Philharmonic Orchestra (LPO) (in 1989-08)
Dirigent(in):
Leonard Slatkin (conductor) (in 1989-08)
recording of:
Passacaglia: Death of Falstaff (catch-all for unknown arrangement)
Komponist(in):
William Walton (composer and conductor)
basiert auf:
Henry V
Leonard Slatkin & London Philharmonic Orchestra3:38
3The Wang Wang Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1942-03-10)
E-Gitarre:
Tommy Morgan (Big band era guitarist) (am 1942-03-10)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1942-03-10)
Klavier:
Mel Powell (am 1942-03-10)
Kontrabass [bass]:
Sid Weiss (am 1942-03-10)
Posaune:
Lou McGarity (am 1942-03-10)
Schlagzeug [drums]:
Ralph Collier (am 1942-03-10)
recording of:
Wang Wang Blues (am 1942-03-10)
Texter:
Leo Wood (American songwriter & lyricist; 1882—1929)
Komponist(in):
Henry Busse, Buster Johnson (American jazz musician) und Gus Mueller
The Benny Goodman Sextet2:52
4Movin’ Back
Techniker(in):
James Nichols (am 2005-06-08)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Gitarre:
Doug Wamble (am 2005-06-08)
Klavier:
Bill Charlap (am 2005-06-08)
Kontrabass [bass]:
Carlos Henriquez (am 2005-06-08)
Schlagzeug [drums]:
Ali Jackson (drums) (am 2005-06-08)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-06-08)
Wynton Marsalis2:47
5How Long Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1938-11-09)
Gitarre:
Freddie Green (am 1938-11-09)
Klavier:
Count Basie (pianist) (am 1938-11-09)
Kontrabass:
Walter Page (am 1938-11-09)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1938-11-09)
instrumental recording of:
How Long, How Long Blues (am 1938-11-09)
Texter und Komponist(in):
Leroy Carr und J. Mayo ‘Ink’ Williams
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Count Basie2:58
6In the Nick of Time
Geige / Violine:
Joshua Bell (violinist) (am 1998-08-29)
Gitarre:
Mike Marshall (US mandolinist & multi-instrumentalist) (am 1998-08-29)
Kontrabass [bass]:
Edgar Meyer (contemporary bassist and composer) (am 1998-08-29)
Mandoline:
Sam Bush (bluegrass fiddler/mandolinist) (am 1998-08-29)
aufgenommen bei:
Purchase College in Purchase, Harrison, New York, Vereinigte Staaten (am 1998-08-29)
Edgar Meyer, Joshua Bell, Sam Bush & Mike Marshall6:13
7It's Been a Long, Long Time
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (in 1945)
Gitarre:
Les Paul (in 1945)
vocals:
Bing Crosby (in 1945)
recording of:
It’s Been a Long, Long Time (in 1945)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd.
Bing Crosby & Les Paul3:00
8America My Home
Techniker(in):
James Nichols (am 2005-06-08)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Cello:
Amanda Forsyth (cellist) (am 2005-06-08)
Klavier:
Bill Charlap (am 2005-06-08)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-06-08)
Wynton Marsalis2:18
9If I Could Be With You (One Hour Tonight)
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (am 1945-03-30)
alto saxophone:
Benny Carter (am 1945-03-30)
Gitarre:
Oscar Moore (am 1945-03-30)
Klarinette:
Buster Bailey (am 1945-03-30)
Klavier:
Nat King Cole (am 1945-03-30)
Kontrabass [bass]:
John Kirby (jazz bass/trombone/tuba player) (am 1945-03-30)
Schlagzeug [drums]:
Max Roach (20th century US jazz drummer & composer) (am 1945-03-30)
Tenorsaxophon:
Coleman Hawkins (am 1945-03-30)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1945-03-30)
vocals:
Kay Starr (am 1945-03-30)
recording of:
If I Could Be With You (One Hour Tonight) (am 1945-03-30)
Texter:
Henry Creamer (in 1926)
Komponist(in):
James P. Johnson (in 1926)
Kay Starr, accompanied by The Capitol International Jazzmen2:48
10Blue as the Turquoise Night of Neyshabur
Bratsche / Viola [viola 1]:
Nick Cords
Bratsche / Viola [viola 2]:
Leo Suzuki
Cello:
Edward Arron (cellist)
Geige / Violine [violin 1]:
Colin Jacobsen (viola)
Geige / Violine [violin 2]:
Todd Reynolds (American violinist, composer & conductor)
Kamancheh [kemancheh]:
Kayhan Kalhor
Kontrabass [bass]:
Edgar Meyer (contemporary bassist and composer)
Nay (auch Ney oder Nai):
Siamak Jahangiri
santur:
Siamak Aghaei
Solo-Cello:
Yo‐Yo Ma (cellist)
Tabla:
Sandeep Das (Indian Tabla player and composer)
teilweise recording of:
Blue as the Turquoise Night of Neyshabur
Komponist(in):
Kayhan Kalhor
Yo‐Yo Ma & The Silk Road Ensemble4:28
11Until I’m in Your Arms Again
Techniker(in):
James Nichols (am 2005-12-23)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Geige / Violine:
Mark O’Connor (US bluegrass, country and classical fiddler/composer) (am 2005-12-23)
Gitarre:
Doug Wamble (am 2005-12-23)
Klavier:
Bill Charlap (am 2005-12-23)
Kontrabass [bass]:
Carlos Henriquez (am 2005-12-23)
Saxophon:
Victor Goines (am 2005-12-23)
Schlagzeug [drums]:
Ali Jackson (drums) (am 2005-12-23)
Trompete:
Wynton Marsalis (am 2005-12-23)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-12-23)
recording of:
Until I’m in Your Arms Again
Komponist(in):
Wynton Marsalis
Wynton Marsalis2:42
12Variations for the Healing of Arinushka
recorded in:
Tallinn, Harjumaa, Estland (in 1993)
Klavier:
Kalle Randalu (pianist) (in 1993)
recording of:
Variationen zur Gesundung von Arinuschka (in 1993)
Komponist(in):
Arvo Pärt (in 1977)
Kalle Randalu5:10
13Basie Boogie
recorded in:
New York, New York, Vereinigte Staaten (am 1941-07-02)
alto saxophone:
Earl Warren (am 1941-07-02) und Tab Smith (am 1941-07-02)
baritone saxophone:
Jack Washington (am 1941-07-02)
Gitarre:
Freddie Green (am 1941-07-02)
Klavier:
Count Basie (pianist) (am 1941-07-02)
Kontrabass [bass]:
Walter Page (am 1941-07-02)
Posaune:
Ed Cuffee (am 1941-07-02), Eli Robinson (trombonist) (am 1941-07-02) und Robert Scott (jazz trombonist) (am 1941-07-02)
Schlagzeug [drums]:
Jo Jones (US jazz drummer) (am 1941-07-02)
Sopransaxophon:
Tab Smith (am 1941-07-02)
Tenorsaxophon:
Don Byas (am 1941-07-02) und Buddy Tate (am 1941-07-02)
Trompete:
Buck Clayton (am 1941-07-02), Harry Edison (am 1941-07-02), Al Killian (am 1941-07-02) und Ed Lewis (jazz trumpeter) (am 1941-07-02)
recording of:
Basie Boogie (am 1941-07-02)
Komponist(in):
Count Basie (pianist) und Milton Ebbins
publisher:
WB Music Corp. (1929–2019)
Count Basie & His Orchestra2:24
14SolitudeDuke Ellington & His Orchestra3:15
15Concerto for Clarinet, Strings, Harp and Piano
recorded in:
New York, New York, Vereinigte Staaten (am 1963-02-20)
Harfe:
Laura Newell (harpist) (am 1963-02-20)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1963-02-20)
Klavier:
Abba Bogin (am 1963-02-20)
Orchester:
Columbia Symphony Orchestra (am 1963-02-20)
Dirigent(in):
Aaron Copland (composer) (am 1963-02-20)
teilweise recording of:
Clarinet Concerto (am 1963-02-20)
Komponist(in):
Aaron Copland (composer) (vom 1947 bis 1949)
was commissioned by:
Benny Goodman (clarinetist and bandleader) (in 1947)
Benny Goodman7:45
16If You Can’t Smile and Say Yes
recorded in:
New York, New York, Vereinigte Staaten (am 1945-02-27)
Gitarre:
Oscar Moore (am 1945-02-27)
Klavier:
Nat King Cole (am 1945-02-27)
Kontrabass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-02-27)
vocals:
Nat King Cole (am 1945-02-27)
recording of:
If You Can’t Smile and Say Yes (am 1945-02-27)
Verfasser(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Timmie Rogers
The Nat King Cole Trio2:34
17American Anthem
Techniker(in):
James Nichols (am 2005-12-23)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Cello:
Amanda Forsyth (cellist) (am 2005-12-23)
Klavier:
Bill Charlap (am 2005-12-23)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-12-23)
instrumental recording of:
American Anthem
Texter und Komponist(in):
Gene Scheer
Amanda Forsyth & Bill Charlap1:43
CD 2: Sentimental Journey, Hits from the Second World War
Nr.TitelKünstlerBewertungLänge
1We'll Meet Again
recording of:
We’ll Meet Again
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co., World Music, Inc. und ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Benny Goodman and His Orchestra3:19
2Dancing in the DarkArtie Shaw and His Orchestra3:04
3Little Brown Jug
recording of:
Little Brown Jug (arr. Finegan 1939)
Verfasser(in):
Joseph Eastburn Winner (composer/publisher) (in 1868)
arranger:
John Wasson und Bill Finegan (in 1939)
Arrangement von:
Little Brown Jug
Glenn Miller & His Orchestra2:51
4I'll Be Seeing You
alto saxophone:
Johnny Mintz (am 1940-02-26), Les Robinson (am 1940-02-26) und Fred Stulce (am 1940-02-26)
Gitarre:
Benny Heller (am 1940-02-26)
Klarinette:
Johnny Mintz (am 1940-02-26)
Klavier:
Bob Kitsis (am 1940-02-26)
Kontrabass:
Gene Traxler (am 1940-02-26)
Posaune:
Tommy Dorsey (Swing trombone player & band leader) (am 1940-02-26), Lowell Martin (jazz trombonist) (am 1940-02-26) und Ward Silloway (US jazz trombonist) (am 1940-02-26)
Schlagzeug:
Buddy Rich (am 1940-02-26)
Tenorsaxophon:
Paul Mason (jazz saxophonist) (am 1940-02-26) und Irving "Babe" Russin (am 1940-02-26)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-02-26), Ray Linn (am 1940-02-26) und Zeke Zarchy (am 1940-02-26)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-02-26)
Dirigent(in):
Tommy Dorsey (Swing trombone player & band leader)
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-02-26)
recording of:
I’ll Be Seeing You (am 1940-02-26)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (bis 2014-12-31), ヤマハミュージックパブリッシング (bis 2017-03-31), フジパシフィックミュージック (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (vom 2017-04-01 bis heute)
Tommy Dorsey & His Orchestra3:06
5Moonglow
recording of:
Moonglow
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Artie Shaw and His Orchestra3:30
6Memories of You
recorded in:
Los Angeles, California, Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
Dirigent(in):
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong & His Orchestra3:12
7I'll Get By
Trompete:
Harry James (US big band leader, trumpeter & actor) (am 1941-04-07)
Sologesang:
Dick Haymes
vocals:
Dick Haymes
recording of:
I’ll Get by (as Long as I Have You) (am 1941-04-07)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
Harry James and His Orchestra2:44
8On the Alamo
The Benny Goodman Sextet3:26
9Pennies From Heaven
Teddy Wilson and His Orchestra3:18
10Body and Soul
Coleman Hawkins and His Orchestra3:03
11Let's Get Lost
recorded in:
New York, New York, Vereinigte Staaten (am 1943-05-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-05-22)
Orchester:
Lucky Strike Orchestra (am 1943-05-22)
Dirigent(in):
Mark Warnow (am 1943-05-22)
cover recording of:
Let’s Get Lost (am 1943-05-22)
Verfasser(in):
Frank Loesser und Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Frank Sinatra3:00
12Blues in the Night
Cab Calloway and His Orchestra3:08
13There Shall Be No Night
recording of:
There Shall Be No Night
Verfasser(in):
Gladys Shelley und Abner Silver
Duke Ellington & His Orchestra3:12
14Echoes of Harlem
Cootie Williams & His Rug Cutters3:14
15Skylark
recording of:
Skylark
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部
Earl Hines and His Orchestra3:10
16Saturday Night Is the Loneliest Night of the Week
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahn (am 1944-11-14), Sol Paeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
E. Gara (am 1944-11-14), George Polikian (am 1944-11-14) und Avron Twerdowsky (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Fred Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), L. Kanter (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Klavier:
Billy Rowland (am 1944-11-14)
Posaune:
Charles Small (trombone) (am 1944-11-14), John D'Agostino (trombonist) (am 1944-11-14) und Andy Russo (Jazz trombonist) (am 1944-11-14)
Saxophon:
Arthur Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harold Feldman (woodwind player) (am 1944-11-14), Bernard Kaufman (am 1944-11-14), Peter Pumiglio (am 1944-11-14) und Henry Ross (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (am 1944-11-14), Sammy Shapiro (Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupse (French horn player) (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
Dirigent(in):
Axel Stordahl (am 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1944-11-14)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc., WC Music Corp., フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Frank Sinatra42:43
17Paper Doll
recording of:
Paper Doll
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:36
18Long Ago and Far Away
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (am 1944-02-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-02-09)
Dirigent(in):
Axel Stordahl (am 1944-02-09)
arranger:
Axel Stordahl
cover recording of:
Long Ago (and Far Away) (am 1944-02-09)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms (in 1944)
recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms (in 1944)
Frank Sinatra2:43
19Sentimental Journey
Les Brown and His Orchestra3:50
20Waiting for the Train to Come InHarry James and His Orchestra3:07
CD 3: I'm Beginning to See the Light, Dance Hits from the Second World War
Nr.TitelKünstlerBewertungLänge
1C Jam Blues
recording of:
“C” Jam Blues
Komponist(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Duke Ellington & His Orchestra2:39
2Frenesi
recording of:
Frenesi
Texter und Komponist(in):
Alberto Domínguez
Artie Shaw and His Orchestra3:04
3In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller & His Orchestra3:35
4Let Me Off Uptown
recording of:
Let Me Off Uptown
Texter:
Redd Evans
Komponist(in):
Earl Bostic
Gene Krupa and His Orchestra3:04
5Taxi War Dance
recording of:
Taxi War Dance
Verfasser(in):
Lester Young (saxophonist)
Count Basie & His Orchestra2:50
6The Sheik of Arab
recording of:
The Sheik of Araby
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
Coleman Hawkins All Star Octet2:59
7Pistol Packin' Mama
accordion:
Paul Sells (am 1942-03-20)
Bass:
Fred Whiting (US double bassist) (am 1942-03-20)
Gitarre:
Johnny Bond (am 1942-03-20), Al Dexter (am 1942-03-20) und Dick Reinhart (am 1942-03-20)
Steel-Gitarre:
Frankie Marvin (US country musician) (am 1942-03-20)
Trompete:
Harry Hollinger (am 1942-03-20)
aufgenommen bei:
CBS Columbia Square Recording Studios (KNX and Columbia Broadcasting System) in Hollywood, Los Angeles, California, Vereinigte Staaten
Teil von:
V Disc (by matrix number) (Nummer: VP 39)
recording of:
Pistol Packin’ Mama (am 1942-03-20)
publisher:
Albert Poindexter (am 1942-02-16)
Texter und Komponist(in):
Al Dexter
publisher:
Universal‐Songs of PolyGram International, Inc.
Al Dexter and His Troopers42:48
8American Patrol
recording of:
American Patrol (swing version)
Komponist(in):
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
Arrangement von:
American Patrol
Glenn Miller & His Orchestra3:20
9For the Good of Your Country
Count Basie & His Orchestra3:16
10Cherokee
recording of:
Cherokee
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Charlie Barnet and His Orchestra3:16
11Rose Room
recording of:
Rose Room
Texter:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
Komponist(in):
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Paul Rodriguez Music Ltd, Universal Music Publishing Group und Warner/Chappell Music, Inc.
The Benny Goodman Sextet2:49
12Opus No. 1
Posaune:
Tommy Dorsey (Swing trombone player & band leader) (am 1944-11-14)
recording of:
Opus No. 1 (am 1944-11-14)
Texter:
Sidney Reginald Garris
Komponist(in):
Sy Oliver
publisher:
Embassy Music Corp. (am 1943-06-23)
Tommy Dorsey & His Orchestra2:56
13I'm Beginning to See the Light
Trompete:
Harry James (US big band leader, trumpeter & actor) (am 1944-11-05, am 1944-11-21)
Sologesang:
Kitty Kallen
vocals:
Kitty Kallen
recording of:
I’m Beginning to See the Light (am 1944-11-05)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
recording of:
I’m Beginning to See the Light (am 1944-11-21)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Harry James and His Orchestra3:14
14Tuxedo Junction
recording of:
Tuxedo Junction
Texter:
Buddy Feyne
Komponist(in):
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne und Erskine Hawkins
Erskine Hawkins and His Orchestra3:18
15One O'Clock Jump
recording of:
One O’Clock Jump
Komponist(in):
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie & His Orchestra3:04
16I'm Confessin'
recording of:
Confessin’
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Artie Shaw and His Orchestra3:23
17(I've Got a Gal in) Kalamazoo
vocals:
Marion Hutton, Tex Beneke (am 1942-05-20) und The Modernaires (1940s vocal group) (am 1942-05-20)
recording of:
(I’ve Got a Gal in) Kalamazoo (am 1942-05-20)
Texter:
Mack Gordon
Komponist(in):
Mack Gordon und Harry Warren (US composer and lyricist)
Glenn Miller & His Orchestra33:17
18Boogie Woogie
recording of:
Boogie Woogie
Komponist(in):
Clarence “Pine Top” Smith
Tommy Dorsey & His Orchestra3:11
19T'aint What You Do (It's the Way That You Do It)Jimmie Lunceford and His Orchestra3:01
20Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), フジパシフィック音楽出版 SBK事業部 (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (vom 2015-01-01 bis heute)
Benny Goodman and His Orchestra8:39
CD 4: Songs Without Words, Classical Music from The War A Ken Burns Film
Nr.TitelKünstlerBewertungLänge
1The Death of Falstaff
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1989-08)
Orchester:
London Philharmonic Orchestra (LPO) (in 1989-08)
Dirigent(in):
Leonard Slatkin (conductor) (in 1989-08)
recording of:
Passacaglia: Death of Falstaff (catch-all for unknown arrangement)
Komponist(in):
William Walton (composer and conductor)
basiert auf:
Henry V
Leonard Slatkin & London Philharmonic Orchestra3:38
2Cello Concerto in B minor (second movement)
Techniker(in):
Charles Harbutt (sound engineer and reissue producer) (vom 1995-01-27 bis 1995-01-30)
Produzent(in):
Steven Epstein (classical music producer)
Cello:
Yo‐Yo Ma (cellist) (vom 1995-01-27 bis 1995-01-30)
Orchester:
New York Philharmonic (vom 1995-01-27 bis 1995-01-30)
Dirigent(in):
Kurt Masur (conductor) (vom 1995-01-27 bis 1995-01-30)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (vom 1995-01-27 bis 1995-01-30)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (vom 1995-01-27 bis 1995-01-30)
Komponist(in):
Antonín Dvořák (composer) (vom 1894-11-08 bis 1895-02-09)
Teil von:
Cello Concerto in B minor, op. 104
Yo‐Yo Ma, Kurt Masur & New York Philharmonic12:36
3Concerto for Clarinet, Strings, Harp and Piano
Techniker(in):
Larry Keyes (engineer)
Produzent(in):
John McClure (recording engineer and record producer)
Harfe:
Laura Newell (harpist)
Klarinette:
Benny Goodman (clarinetist and bandleader)
Klavier:
Abba Bogin
Orchester:
Columbia Symphony Orchestra
Dirigent(in):
Aaron Copland (composer)
recording of:
Clarinet Concerto
Komponist(in):
Aaron Copland (composer) (vom 1947 bis 1949)
was commissioned by:
Benny Goodman (clarinetist and bandleader) (in 1947)
Benny Goodman, Aaron Copland & Columbia Symphony Orchestra16:58
4Lamento
Geige / Violine:
Saschko Gawriloff (violinist) (vom 1996-05-09 bis 1996-05-10)
Klavier:
Pierre‐Laurent Aimard (pianist) (vom 1996-05-09 bis 1996-05-10)
Waldhorn:
Marie Luise Neunecker (horn player) (vom 1996-05-09 bis 1996-05-10)
aufgenommen bei:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Schweiz (vom 1996-05-09 bis 1996-05-10)
recording of:
Trio for Violin, Horn, and Piano: IV. Lamento. Adagio (vom 1996-05-09 bis 1996-05-10)
Komponist(in):
György Ligeti (contemporary classical composer) (in 1982)
Teil von:
Trio for Violin, Horn, and Piano
Pierre‐Laurent Aimard, Marie Luise Neunecker, Saschko Gawriloff7:34
5Elegie, op. 24
Cello:
Steven Isserlis (cellist) (vom 1994-07-12 bis 1994-07-14)
Klavier:
Pascal Devoyon (pianist) (vom 1994-07-12 bis 1994-07-14)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (vom 1994-07-12 bis 1994-07-14)
recording of:
Élégie, op. 24 (for cello and piano) (vom 1994-07-12 bis 1994-07-14)
Komponist(in):
Gabriel Fauré (French composer) (in 1883)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 24)
Steven Isserlis & Pascal Devoyon7:01
6Nuages Gris
Klavier:
Barry Douglas (classical pianist and conductor)
recording of:
Trübe Wolken (Nuages gris), S. 199, R. 78
Komponist(in):
Franz Liszt (in 1881)
Teil von:
The Music of Liszt (Nummer: S. 199)
Barry Douglas2:13
7Quartet for the End of Time (third movement)
recording engineer:
Richard Gardner (engineer) (in 1975-12) und Masao Ohno (engineer) (in 1975-12)
Produzent(in):
Peter Serkin (pianist) und Max Wilcox (engineer/editor/producer)
Cello:
Fred Sherry (cellist) (in 1975-12)
Geige / Violine:
Ida Kavafian (violinist and violist) (in 1975-12)
Instrumente:
Tashi (in 1975-12)
Klarinette:
Richard Stoltzman (clarinetist) (in 1975-12)
Klavier:
Peter Serkin (pianist) (in 1975-12)
recording of:
Quatuor pour la fin du Temps : III. Abîme des oiseaux (in 1975-12)
Komponist(in):
Olivier Messiaen (composer and organist) (in 1940)
Teil von:
Quatuor pour la fin du Temps
Ensemble Tashi7:44
8Grovers Corners
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
Dirigent(in):
Aaron Copland (composer)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town")
Komponist(in):
Aaron Copland (composer) (in 1940)
Teil von:
Music for Movies Suite
Aaron Copland & New Philharmonia Orchestra3:13
9Song Without WordsYo‐Yo Ma & Emanuel Ax4:09
10NimrodLeonard Slatkin & London Philharmonic Orchestra5:06

Nennungen

Veröffentlichung

Teil von:The War: A Ken Burns Film (From PBS World War II miniseries) (Reihenfolge: 1)
Discogs:https://www.discogs.com/release/13626989 [Info]
ASIN:US: B000TGUUHS [Info]

Veröffentlichungsgruppe

IMDb:https://www.imdb.com/title/tt0996994/ [Info]