Sweet Soul Music: 29 Scorching Classics From 1968

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1I Second That Emotion
guitar:
Marvin Tarplin (on 1967-09-21)
instruments:
The Funk Brothers (on 1967-09-21)
background vocals:
Warren “Pete” Moore (on 1967-09-21), Claudette Robinson (on 1967-09-21), Bobby Rogers (on 1967-09-21) and Ronald White (soul singer, founding member of The Miracles) (on 1967-09-21)
lead vocals:
Smokey Robinson (on 1967-09-21)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1967-09-21)
recording of:
I Second That Emotion (on 1967-09-21)
writer:
Al Cleveland (songwriter 1930-1996) and Smokey Robinson
publisher:
Jobete Music, Jobete Music Co., Inc., Jobete Music Ltd and ソニー・ミュージックパブリッシング フジパシフィック事業部
Smokey Robinson & The Miracles42:45
2I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Pronto Music
Wilson Pickett2:27
3(1-2-3-4-5-6-7) Count the Days
recording of:
(1‐2‐3‐4‐5‐6‐7) Count the Days
writer:
Brooks O’Dell and Yvonne Williams
Inez & Charlie Foxx2:36
4(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:40
5We’re a Winner
recording of:
We’re a Winner
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:20
6Dance to the Music
Sly & the Family Stone2:56
7The End of Our Road
Gladys Knight & the Pips42:18
8Cowboys to Girls
The Intruders2:38
9I Thank You
recording of:
I Thank You
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Walden Music, Inc., WB Music Corp. (1929–2019) and Birdees Music (in 1968)
Sam & Dave2:44
10Tighten Up (Part1)
Archie Bell & the Drells3:07
11Take Time to Know Her
recording of:
Take Time to Know Her
lyricist and composer:
Stephen Allen Davis
writer:
Stephen Allen Davis and Al Gallico
Percy Sledge3:01
12Ain’t Nothing Like the Real Thing
instruments:
The Funk Brothers (in 1967)
background vocals:
Nickolas Ashford (in 1967) and Valerie Simpson (in 1967)
lead vocals:
Marvin Gaye (in 1967) and Tammi Terrell (in 1967)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1967)
recording of:
Ain’t Nothing Like the Real Thing (in 1967)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music Co., Inc. (from 1967 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Marvin Gaye & Tammi Terrell42:13
13Lover’s Holiday
Peggy Scott & Jo Jo Benson2:46
14(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部
Aretha Franklin4.352:21
15Funky Street
Arthur Conley2:26
16Stay in My Corner (single edit)
recording of:
Stay in My Corner
writer:
Wade Flemons, Bobby Miller (US songwriter & record producer) and Barrett Strong
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells2:52
17Dedicated to the One I Love
cover recording of:
Dedicated to the One I Love
writer:
Ralph Bass and Lowman Pauling
publisher:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Temprees3:40
18Grazing in the Grass
recording of:
Grazing in the Grass (instrumental)
composer:
Philemon Hou
Hugh Masekela2:37
19Slip Away
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
bass:
David Hood (on 1968-04-08)
drums (drum set):
Roger Hawkins (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (American trumpeter) (on 1968-04-08) and Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:32
20Love Makes a Woman
recording of:
Love Makes a Woman
writer:
Carl Davis (record producer), Eugene Record, Sonny Sanders and Gerald Sims
publisher:
Chappell & Co., Inc. (USA), Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Barbara Acklin2:56
21Say It Loud - I’m Black and I’m Proud (Part 1)
recording of:
Say It Loud (I'm Black, I'm Proud) (Parts 1 & 2)
lyricist and composer:
James Brown (“The Godfather of Soul”) and Pee Wee Ellis
James Brown2:45
22Girls Can’t Do What the Guys Do
Betty Wright2:04
23Girl Watcher
The O’Kaysions2:33
24The Snake
Al Wilson3:27
25Hey, Western Union Man
recording of:
Hey Western Union Man
composer:
Jerry Butler (soul singer), Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Sony/ATV Melody and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Butler2:39
26Soulful Strut
recording of:
Soulful Strut
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
version of:
Am I the Same Girl
Young–Holt Unlimited2:53
27Who’s Making Love
producer:
Donald Davis (American record producer) and Al Jackson, Jr. (Booker T & The MGs drummer)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1968)
guitar:
Steve Cropper (in 1968)
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1968)
organ and background vocals:
Booker T. Jones (in 1968)
piano:
Isaac Hayes (in 1968) and Allen Jones (producer/songwriter/musician/engineer) (in 1968)
lead vocals:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
writer:
Homer Banks, Bettye Crutcher, Don Davis (American record producer) and Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:47
28Cloud Nine
recording of:
Cloud Nine
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations33:29
29I Heard It Through the Grapevine
producer:
Norman Whitfield
drums (drum set):
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
organ:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 119)
recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
recording of:
I Heard It Through the Grapevine (on 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:13