Artie Shaw and His Orchestra: 1944-45

~ Release by Artie Shaw and His Orchestra (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Ac-Cen-Tchu-Ate the Positive
clarinet:
Artie Shaw (on 1944-11-22)
recording of:
Ac‐cent‐tchu‐ate the Positive (on 1944-11-22)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Artie Shaw and His Orchestra3:12
2Lady Day
clarinet:
Artie Shaw (on 1944-11-22)
Artie Shaw and His Orchestra3:07
3Let's Take the Long Way Home
clarinet:
Artie Shaw (on 1944-11-22)
recording of:
Let’s Take the Long Way Home (on 1944-11-22)
writer:
Harold Arlen and Johnny Mercer
Artie Shaw and His Orchestra3:08
4Jumpin' on the Merry-Go-Round
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-11-22)
alto saxophone:
Les Clarke (on 1944-11-22) and Tom Mace (on 1944-11-22)
baritone saxophone:
Chuck Gentry (on 1944-11-22)
clarinet:
Artie Shaw (on 1944-11-22)
double bass [bass]:
Morris Rayman (on 1944-11-22)
drums (drum set):
Lou Fromm (on 1944-11-22)
guitar:
Barney Kessel (on 1944-11-22)
piano:
Dodo Marmarosa (on 1944-11-22)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1944-11-22) and Jon Walton (on 1944-11-22)
trombone:
Ray Conniff (on 1944-11-22), Charles Coolidge (on 1944-11-22), Pat McNaughton (on 1944-11-22) and Harry Rodgers (on 1944-11-22)
trumpet:
Roy Eldridge (on 1944-11-22), Ray Linn (on 1944-11-22), Jimmy Pupa (on 1944-11-22) and George Schwartz (on 1944-11-22)
orchestra:
Artie Shaw and His Orchestra (on 1944-11-22)
Artie Shaw and His Orchestra3:13
5I'll Never Be the Same
recorded in:
New York, New York, United States (on 1945-01-09)
alto saxophone:
Les Clarke (on 1945-01-09) and Tom Mace (on 1945-01-09)
baritone saxophone:
Chuck Gentry (on 1945-01-09)
bass:
Morris Rayman (on 1945-01-09)
clarinet:
Artie Shaw (on 1945-01-09)
drums (drum set):
Lou Fromm (on 1945-01-09)
guitar:
Barney Kessel (on 1945-01-09)
piano:
Dodo Marmarosa (on 1945-01-09)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-01-09) and Jon Walton (on 1945-01-09)
trombone:
Ray Conniff (on 1945-01-09), Charles Coolidge (on 1945-01-09), Pat McNaughton (on 1945-01-09) and Harry Rodgers (on 1945-01-09)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-01-09), Roy Eldridge (on 1945-01-09), Tony Faso (on 1945-01-09) and George Schwartz (on 1945-01-09)
orchestra:
Artie Shaw and His Orchestra (on 1945-01-09)
recording of:
I’ll Never Be the Same (on 1945-01-09)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Artie Shaw and His Orchestra3:22
6Can't Help Lovin' That Man
clarinet:
Artie Shaw (on 1945-01-09)
recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (on 1945-01-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
Artie Shaw and His Orchestra3:12
7's Wonderful
clarinet:
Artie Shaw (on 1945-01-09)
recording of:
’S Wonderful (on 1945-01-09)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway Musical)
Artie Shaw and His Orchestra3:10
8Bedford Drive
recorded in:
New York, New York, United States (on 1945-01-09)
alto saxophone:
Les Clarke (on 1945-01-09) and Tom Mace (on 1945-01-09)
baritone saxophone:
Chuck Gentry (on 1945-01-09)
bass:
Morris Rayman (on 1945-01-09)
clarinet:
Artie Shaw (on 1945-01-09)
drums (drum set):
Lou Fromm (on 1945-01-09)
guitar:
Barney Kessel (on 1945-01-09)
piano:
Dodo Marmarosa (on 1945-01-09)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-01-09) and Jon Walton (on 1945-01-09)
trombone:
Ray Conniff (on 1945-01-09), Charles Coolidge (on 1945-01-09), Pat McNaughton (on 1945-01-09) and Harry Rodgers (on 1945-01-09)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-01-09), Roy Eldridge (on 1945-01-09), Tony Faso (on 1945-01-09) and George Schwartz (on 1945-01-09)
orchestra:
Artie Shaw and His Orchestra (on 1945-01-09)
Artie Shaw and His Orchestra3:22
9Grabtown Grapple
clarinet:
Artie Shaw (on 1945-01-09)
double bass [bass]:
Morris Rayman (on 1945-01-09)
drums (drum set):
Lou Fromm (on 1945-01-09)
guitar:
Barney Kessel (on 1945-01-09)
piano:
Dodo Marmarosa (on 1945-01-09)
trumpet:
Roy Eldridge (on 1945-01-09)
recording of:
The Grabtown Grapple (on 1945-01-09)
composer:
Artie Shaw
Artie Shaw & His Gramercy Five3:00
10The Sad Sack
recorded in:
New York, New York, United States (on 1945-01-09)
clarinet:
Artie Shaw (on 1945-01-09)
double bass [bass]:
Morris Rayman (on 1945-01-09)
drums (drum set):
Lou Fromm (on 1945-01-09)
guitar:
Barney Kessel (on 1945-01-09)
piano:
Dodo Marmarosa (on 1945-01-09)
trumpet:
Roy Eldridge (on 1945-01-09)
performer:
Artie Shaw and His Gramercy Five (on 1945-01-09)
Artie Shaw & His Gramercy Five3:09
11September Song
clarinet:
Artie Shaw (on 1945-04-05)
recording of:
Knickerbocker Holiday: September Song (on 1945-04-05)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Artie Shaw and His Orchestra3:23
12Little Jazz
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-04-05)
alto saxophone:
Louis Prisby (on 1945-04-05) and Rudy Tanza (on 1945-04-05)
baritone saxophone:
Chuck Gentry (on 1945-04-05)
bass:
Morris Rayman (on 1945-04-05)
clarinet:
Artie Shaw (on 1945-04-05)
drums (drum set):
Lou Fromm (on 1945-04-05)
guitar:
Barney Kessel (on 1945-04-05)
piano:
Dodo Marmarosa (on 1945-04-05)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-04-05) and Jon Walton (on 1945-04-05)
trombone:
Gus Dixon (on 1945-04-05), Harry Rodgers (on 1945-04-05), Bob Swift (on 1945-04-05) and Ollie Wilson (on 1945-04-05)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-04-05), Roy Eldridge (on 1945-04-05), Bernie Glow (on 1945-04-05) and George Schwartz (on 1945-04-05)
orchestra:
Artie Shaw and His Orchestra (on 1945-04-05)
recording of:
Little Jazz (on 1945-04-05)
writer:
Roy Eldridge and Buster Harding
Artie Shaw and His Orchestra3:06
13But Not for Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-04-17)
alto saxophone:
Louis Prisby (on 1945-04-17) and Rudy Tanza (on 1945-04-17)
baritone saxophone:
Chuck Gentry (on 1945-04-17)
bass:
Morris Rayman (on 1945-04-17)
clarinet:
Artie Shaw (on 1945-04-17)
drums (drum set):
Lou Fromm (on 1945-04-17)
guitar:
Barney Kessel (on 1945-04-17)
piano:
Dodo Marmarosa (on 1945-04-17)
tenor saxophone:
Ralph Rosenlund (on 1945-04-17) and Jon Walton (on 1945-04-17)
trombone:
Gus Dixon (on 1945-04-17), Harry Rodgers (on 1945-04-17), Bob Swift (on 1945-04-17) and Ollie Wilson (on 1945-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-04-17), Roy Eldridge (on 1945-04-17), Bernie Glow (on 1945-04-17) and George Schwartz (on 1945-04-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-04-17)
recording of:
But Not for Me (on 1945-04-17)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Artie Shaw and His Orchestra3:06
14Tea for Two
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-04-17)
alto saxophone:
Louis Prisby (on 1945-04-17) and Rudy Tanza (on 1945-04-17)
baritone saxophone:
Chuck Gentry (on 1945-04-17)
bass:
Morris Rayman (on 1945-04-17)
clarinet:
Artie Shaw (on 1945-04-17)
drums (drum set):
Lou Fromm (on 1945-04-17)
guitar:
Barney Kessel (on 1945-04-17)
piano:
Dodo Marmarosa (on 1945-04-17)
tenor saxophone:
Ralph Rosenlund (on 1945-04-17) and Jon Walton (on 1945-04-17)
trombone:
Gus Dixon (on 1945-04-17), Harry Rodgers (on 1945-04-17), Bob Swift (on 1945-04-17) and Ollie Wilson (on 1945-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-04-17), Roy Eldridge (on 1945-04-17), Bernie Glow (on 1945-04-17) and George Schwartz (on 1945-04-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-04-17)
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Artie Shaw and His Orchestra3:07
15Summertime
clarinet:
Artie Shaw (on 1945-04-17)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Artie Shaw and His Orchestra4:35
16Summertime
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-04-17)
alto saxophone:
Louis Prisby (on 1945-04-17) and Rudy Tanza (on 1945-04-17)
baritone saxophone:
Chuck Gentry (on 1945-04-17)
bass:
Morris Rayman (on 1945-04-17)
clarinet:
Artie Shaw (on 1945-04-17)
drums (drum set):
Lou Fromm (on 1945-04-17)
guitar:
Barney Kessel (on 1945-04-17)
piano:
Dodo Marmarosa (on 1945-04-17)
tenor saxophone:
Ralph Rosenlund (on 1945-04-17) and Jon Walton (on 1945-04-17)
trombone:
Gus Dixon (on 1945-04-17), Harry Rodgers (on 1945-04-17), Bob Swift (on 1945-04-17) and Ollie Wilson (on 1945-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-04-17), Roy Eldridge (on 1945-04-17), Bernie Glow (on 1945-04-17) and George Schwartz (on 1945-04-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-04-17)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Artie Shaw and His Orchestra5:04
17Easy to Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-07)
alto saxophone:
Louis Prisby (on 1945-06-07) and Rudy Tanza (on 1945-06-07)
baritone saxophone:
Chuck Gentry (on 1945-06-07)
bass:
Morris Rayman (on 1945-06-07)
clarinet:
Artie Shaw (on 1945-06-07)
drums (drum set):
Lou Fromm (on 1945-06-07)
guitar:
Barney Kessel (on 1945-06-07)
piano:
Dodo Marmarosa (on 1945-06-07)
tenor saxophone:
Ralph Rosenlund (on 1945-06-07) and Jon Walton (on 1945-06-07)
trombone:
Gus Dixon (on 1945-06-07), Harry Rodgers (on 1945-06-07), Bob Swift (on 1945-06-07) and Ollie Wilson (on 1945-06-07)
trumpet:
Roy Eldridge (on 1945-06-07), Stan Fishelson (on 1945-06-07), Bernie Glow (on 1945-06-07) and George Schwartz (on 1945-06-07)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-07)
recording of:
Easy to Love (on 1945-06-07)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Artie Shaw and His Orchestra3:05
18Time on My Hands
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-07)
alto saxophone:
Louis Prisby (on 1945-06-07) and Rudy Tanza (on 1945-06-07)
baritone saxophone:
Chuck Gentry (on 1945-06-07)
bass:
Morris Rayman (on 1945-06-07)
clarinet:
Artie Shaw (on 1945-06-07)
drums (drum set):
Lou Fromm (on 1945-06-07)
guitar:
Barney Kessel (on 1945-06-07)
piano:
Dodo Marmarosa (on 1945-06-07)
tenor saxophone:
Ralph Rosenlund (on 1945-06-07) and Jon Walton (on 1945-06-07)
trombone:
Gus Dixon (on 1945-06-07), Harry Rodgers (on 1945-06-07), Bob Swift (on 1945-06-07) and Ollie Wilson (on 1945-06-07)
trumpet:
Roy Eldridge (on 1945-06-07), Stan Fishelson (on 1945-06-07), Bernie Glow (on 1945-06-07) and George Schwartz (on 1945-06-07)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-07)
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
Artie Shaw and His Orchestra3:04
19Tabu
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-07)
alto saxophone:
Louis Prisby (on 1945-06-07) and Rudy Tanza (on 1945-06-07)
baritone saxophone:
Chuck Gentry (on 1945-06-07)
bass:
Morris Rayman (on 1945-06-07)
clarinet:
Artie Shaw (on 1945-06-07)
drums (drum set):
Lou Fromm (on 1945-06-07)
guitar:
Barney Kessel (on 1945-06-07)
piano:
Dodo Marmarosa (on 1945-06-07)
tenor saxophone:
Ralph Rosenlund (on 1945-06-07) and Jon Walton (on 1945-06-07)
trombone:
Gus Dixon (on 1945-06-07), Harry Rodgers (on 1945-06-07), Bob Swift (on 1945-06-07) and Ollie Wilson (on 1945-06-07)
trumpet:
Roy Eldridge (on 1945-06-07), Stan Fishelson (on 1945-06-07), Bernie Glow (on 1945-06-07) and George Schwartz (on 1945-06-07)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-07)
Artie Shaw and His Orchestra3:12
20A Foggy Day
clarinet:
Artie Shaw (on 1945-06-09)
Artie Shaw and His Orchestra3:15
21These Foolish Things
clarinet:
Artie Shaw (on 1945-06-09)
Artie Shaw and His Orchestra3:14
▼CD 2
#TitleRatingLength
1Lucky Number
clarinet:
Artie Shaw (on 1945-06-12)
2:53
2You Go to My Head
clarinet:
Artie Shaw (on 1945-06-12)
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:14
3The Man I Love
clarinet:
Artie Shaw (on 1945-06-13)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
3:13
4I Could Write a Book
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-12)
alto saxophone:
Louis Prisby (on 1945-06-12) and Rudy Tanza (on 1945-06-12)
baritone saxophone:
Chuck Gentry (on 1945-06-12)
bass:
Morris Rayman (on 1945-06-12)
clarinet:
Artie Shaw (on 1945-06-12)
drums (drum set):
Lou Fromm (on 1945-06-12)
guitar:
Barney Kessel (on 1945-06-12)
piano:
Dodo Marmarosa (on 1945-06-12)
tenor saxophone:
Ralph Rosenlund (on 1945-06-12) and Jon Walton (on 1945-06-12)
trombone:
Gus Dixon (on 1945-06-12), Harry Rodgers (on 1945-06-12), Bob Swift (on 1945-06-12) and Ollie Wilson (on 1945-06-12)
trumpet:
Roy Eldridge (on 1945-06-12), Stan Fishelson (on 1945-06-12), Bernie Glow (on 1945-06-12) and George Schwartz (on 1945-06-12)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-12)
recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Pal Joey
3:08
5Thrill of a Lifetime
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-13)
alto saxophone:
Louis Prisby (on 1945-06-13) and Rudy Tanza (on 1945-06-13)
baritone saxophone:
Chuck Gentry (on 1945-06-13)
bass:
Morris Rayman (on 1945-06-13)
clarinet:
Artie Shaw (on 1945-06-13)
drums (drum set):
Lou Fromm (on 1945-06-13)
guitar:
Barney Kessel (on 1945-06-13)
piano:
Dodo Marmarosa (on 1945-06-13)
tenor saxophone:
Ralph Rosenlund (on 1945-06-13) and Jon Walton (on 1945-06-13)
trombone:
Gus Dixon (on 1945-06-13), Harry Rodgers (on 1945-06-13), Bob Swift (on 1945-06-13) and Ollie Wilson (on 1945-06-13)
trumpet:
Roy Eldridge (on 1945-06-13), Stan Fishelson (on 1945-06-13), Bernie Glow (on 1945-06-13) and George Schwartz (on 1945-06-13)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-13)
recording of:
Thrill of a Lifetime (from the film “Thrill of a lifetime”)
lyricist:
Sam Coslow and Carmen Lombardo
composer:
Friedrich Hollaender
3:25
6Lucky Number
clarinet:
Artie Shaw (on 1945-06-14)
2:44
7Kasbah
alto saxophone:
Louis Prisby (on 1945-06-14) and Rudy Tanza (on 1945-06-14)
baritone saxophone:
Chuck Gentry (on 1945-06-14)
clarinet:
Artie Shaw (on 1945-06-14)
double bass [bass]:
Morris Rayman (on 1945-06-14)
drums (drum set):
Lou Fromm (on 1945-06-14)
guitar:
Barney Kessel (on 1945-06-14)
piano:
Dodo Marmarosa (on 1945-06-14)
tenor saxophone:
Ralph Rosenlund (on 1945-06-14) and Jon Walton (on 1945-06-14)
trombone:
Gus Dixon (on 1945-06-14), Harry Rodgers (on 1945-06-14), Bob Swift (on 1945-06-14) and Ollie Wilson (on 1945-06-14)
trumpet:
Roy Eldridge (on 1945-06-14), Stan Fishelson (on 1945-06-14), Bernie Glow (on 1945-06-14) and George Schwartz (on 1945-06-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-14)
3:05
8Lament
clarinet:
Artie Shaw (on 1945-06-14)
3:23
9Love Walked In
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-03)
alto saxophone:
Louis Prisby (on 1945-07-03) and Rudy Tanza (on 1945-07-03)
baritone saxophone:
Chuck Gentry (on 1945-07-03)
bass:
Morris Rayman (on 1945-07-03)
clarinet:
Artie Shaw (on 1945-07-03)
drums (drum set):
Lou Fromm (on 1945-07-03)
guitar:
Barney Kessel (on 1945-07-03)
piano:
Dodo Marmarosa (on 1945-07-03)
tenor saxophone:
Ralph Rosenlund (on 1945-07-03) and Jon Walton (on 1945-07-03)
trombone:
Gus Dixon (on 1945-07-03), Harry Rodgers (on 1945-07-03), Bob Swift (on 1945-07-03) and Ollie Wilson (on 1945-07-03)
trumpet:
Roy Eldridge (on 1945-07-03), Stan Fishelson (on 1945-07-03), Bernie Glow (on 1945-07-03) and George Schwartz (on 1945-07-03)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-03)
recording of:
Love Walked In (on 1945-07-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:55
10Soon
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-03)
alto saxophone:
Louis Prisby (on 1945-07-03) and Rudy Tanza (on 1945-07-03)
baritone saxophone:
Chuck Gentry (on 1945-07-03)
bass:
Morris Rayman (on 1945-07-03)
clarinet:
Artie Shaw (on 1945-07-03)
drums (drum set):
Lou Fromm (on 1945-07-03)
guitar:
Barney Kessel (on 1945-07-03)
piano:
Dodo Marmarosa (on 1945-07-03)
tenor saxophone:
Ralph Rosenlund (on 1945-07-03) and Jon Walton (on 1945-07-03)
trombone:
Gus Dixon (on 1945-07-03), Harry Rodgers (on 1945-07-03), Bob Swift (on 1945-07-03) and Ollie Wilson (on 1945-07-03)
trumpet:
Roy Eldridge (on 1945-07-03), Stan Fishelson (on 1945-07-03), Bernie Glow (on 1945-07-03) and George Schwartz (on 1945-07-03)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-03)
3:06
11Keepin' Myself for You
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-06)
alto saxophone:
Louis Prisby (on 1945-07-06) and Rudy Tanza (on 1945-07-06)
baritone saxophone:
Chuck Gentry (on 1945-07-06)
clarinet:
Artie Shaw (on 1945-07-06)
double bass [bass]:
Morris Rayman (on 1945-07-06)
drums (drum set):
Lou Fromm (on 1945-07-06)
guitar:
Barney Kessel (on 1945-07-06)
piano:
Dodo Marmarosa (on 1945-07-06)
tenor saxophone:
Ralph Rosenlund (on 1945-07-06) and Jon Walton (on 1945-07-06)
trombone:
Gus Dixon (on 1945-07-06), Harry Rodgers (on 1945-07-06), Bob Swift (on 1945-07-06) and Ollie Wilson (on 1945-07-06)
trumpet:
Roy Eldridge (on 1945-07-06), Stan Fishelson (on 1945-07-06), Bernie Glow (on 1945-07-06) and George Schwartz (on 1945-07-06)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-06)
recording of:
Keepin’ Myself for You (on 1945-07-06)
lyricist:
Sidney Clare
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
3:11
12No One but You
clarinet:
Artie Shaw (on 1945-07-06)
3:05
13Natch
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-06)
alto saxophone:
Louis Prisby (on 1945-07-06) and Rudy Tanza (on 1945-07-06)
baritone saxophone:
Chuck Gentry (on 1945-07-06)
bass:
Morris Rayman (on 1945-07-06)
clarinet:
Artie Shaw (on 1945-07-06)
drums (drum set):
Lou Fromm (on 1945-07-06)
guitar:
Barney Kessel (on 1945-07-06)
piano:
Dodo Marmarosa (on 1945-07-06)
tenor saxophone:
Ralph Rosenlund (on 1945-07-06) and Jon Walton (on 1945-07-06)
trombone:
Gus Dixon (on 1945-07-06), Harry Rodgers (on 1945-07-06), Bob Swift (on 1945-07-06) and Ollie Wilson (on 1945-07-06)
trumpet:
Roy Eldridge (on 1945-07-06), Stan Fishelson (on 1945-07-06), Bernie Glow (on 1945-07-06) and George Schwartz (on 1945-07-06)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-06)
3:17
14That's for Me
clarinet:
Artie Shaw (on 1945-07-11)
recording of:
That’s for Me (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
3:13
15They Can't Take That Away From Me
clarinet:
Artie Shaw (on 1945-07-11)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1945-07-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:48
16They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2:45
17Our Love Is Here to Stay
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
2:56
18I Was Doing All Right
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-14)
alto saxophone:
Louis Prisby (on 1945-07-14) and Rudy Tanza (on 1945-07-14)
baritone saxophone:
Chuck Gentry (on 1945-07-14)
bass:
Morris Rayman (on 1945-07-14)
clarinet:
Artie Shaw (on 1945-07-14)
drums (drum set):
Lou Fromm (on 1945-07-14)
guitar:
Barney Kessel (on 1945-07-14)
piano:
Dodo Marmarosa (on 1945-07-14)
tenor saxophone:
Ralph Rosenlund (on 1945-07-14) and Jon Walton (on 1945-07-14)
trombone:
Gus Dixon (on 1945-07-14), Harry Rodgers (on 1945-07-14), Bob Swift (on 1945-07-14) and Ollie Wilson (on 1945-07-14)
trumpet:
Roy Eldridge (on 1945-07-14), Stan Fishelson (on 1945-07-14), Bernie Glow (on 1945-07-14) and George Schwartz (on 1945-07-14)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-14)
recording of:
I Was Doing All Right
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:08
19Someone to Watch Over Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-17)
alto saxophone:
Louis Prisby (on 1945-07-17) and Rudy Tanza (on 1945-07-17)
baritone saxophone:
Chuck Gentry (on 1945-07-17)
bass:
Morris Rayman (on 1945-07-17)
clarinet:
Artie Shaw (on 1945-07-17)
drums (drum set):
Lou Fromm (on 1945-07-17)
guitar:
Barney Kessel (on 1945-07-17)
piano:
Dodo Marmarosa (on 1945-07-17)
tenor saxophone:
Ralph Rosenlund (on 1945-07-17) and Jon Walton (on 1945-07-17)
trombone:
Gus Dixon (on 1945-07-17), Harry Rodgers (on 1945-07-17), Bob Swift (on 1945-07-17) and Ollie Wilson (on 1945-07-17)
trumpet:
Roy Eldridge (on 1945-07-17), Stan Fishelson (on 1945-07-17), Bernie Glow (on 1945-07-17) and George Schwartz (on 1945-07-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-17)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1945-07-17)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:05
20Things Are Looking Up
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-17)
alto saxophone:
Louis Prisby (on 1945-07-17) and Rudy Tanza (on 1945-07-17)
baritone saxophone:
Chuck Gentry (on 1945-07-17)
bass:
Morris Rayman (on 1945-07-17)
clarinet:
Artie Shaw (on 1945-07-17)
drums (drum set):
Lou Fromm (on 1945-07-17)
guitar:
Barney Kessel (on 1945-07-17)
piano:
Dodo Marmarosa (on 1945-07-17)
tenor saxophone:
Ralph Rosenlund (on 1945-07-17) and Jon Walton (on 1945-07-17)
trombone:
Gus Dixon (on 1945-07-17), Harry Rodgers (on 1945-07-17), Bob Swift (on 1945-07-17) and Ollie Wilson (on 1945-07-17)
trumpet:
Roy Eldridge (on 1945-07-17), Stan Fishelson (on 1945-07-17), Bernie Glow (on 1945-07-17) and George Schwartz (on 1945-07-17)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-17)
recording of:
Things Are Looking Up (A Damsel in Distress) (on 1945-07-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
3:09
21The Maid With the Flaccid Air
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-19)
alto saxophone:
Louis Prisby (on 1945-07-19) and Rudy Tanza (on 1945-07-19)
baritone saxophone:
Chuck Gentry (on 1945-07-19)
bass:
Morris Rayman (on 1945-07-19)
clarinet:
Artie Shaw (on 1945-07-19)
drums (drum set):
Lou Fromm (on 1945-07-19)
guitar:
Barney Kessel (on 1945-07-19)
piano:
Dodo Marmarosa (on 1945-07-19)
tenor saxophone:
Ralph Rosenlund (on 1945-07-19) and Jon Walton (on 1945-07-19)
trombone:
Gus Dixon (on 1945-07-19), Harry Rodgers (on 1945-07-19), Bob Swift (on 1945-07-19) and Ollie Wilson (on 1945-07-19)
trumpet:
Roy Eldridge (on 1945-07-19), Stan Fishelson (on 1945-07-19), Bernie Glow (on 1945-07-19) and George Schwartz (on 1945-07-19)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-19)
3:52
22They Didn't Believe Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-21)
alto saxophone:
Louis Prisby (on 1945-07-21) and Rudy Tanza (on 1945-07-21)
baritone saxophone:
Chuck Gentry (on 1945-07-21)
bass:
Morris Rayman (on 1945-07-21)
clarinet:
Artie Shaw (on 1945-07-21)
drums (drum set):
Lou Fromm (on 1945-07-21)
guitar:
Barney Kessel (on 1945-07-21)
piano:
Dodo Marmarosa (on 1945-07-21)
tenor saxophone:
Ralph Rosenlund (on 1945-07-21) and Jon Walton (on 1945-07-21)
trombone:
Gus Dixon (on 1945-07-21), Harry Rodgers (on 1945-07-21), Bob Swift (on 1945-07-21) and Ollie Wilson (on 1945-07-21)
trumpet:
Roy Eldridge (on 1945-07-21), Stan Fishelson (on 1945-07-21), Bernie Glow (on 1945-07-21) and George Schwartz (on 1945-07-21)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-21)
recording of:
They Didn’t Believe Me (on 1945-07-21)
lyricist:
Herbert Reynolds
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Girl From Utah
2:59
23No One but You
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-21)
alto saxophone:
Louis Prisby (on 1945-07-21) and Rudy Tanza (on 1945-07-21)
baritone saxophone:
Chuck Gentry (on 1945-07-21)
bass:
Morris Rayman (on 1945-07-21)
clarinet:
Artie Shaw (on 1945-07-21)
drums (drum set):
Lou Fromm (on 1945-07-21)
guitar:
Barney Kessel (on 1945-07-21)
piano:
Dodo Marmarosa (on 1945-07-21)
tenor saxophone:
Ralph Rosenlund (on 1945-07-21) and Jon Walton (on 1945-07-21)
trombone:
Gus Dixon (on 1945-07-21), Harry Rodgers (on 1945-07-21), Bob Swift (on 1945-07-21) and Ollie Wilson (on 1945-07-21)
trumpet:
Roy Eldridge (on 1945-07-21), Stan Fishelson (on 1945-07-21), Bernie Glow (on 1945-07-21) and George Schwartz (on 1945-07-21)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-21)
3:03
▼CD 3
#TitleArtistRatingLength
1Dancing on the Ceiling
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-24)
alto saxophone:
Louis Prisby (on 1945-07-24) and Rudy Tanza (on 1945-07-24)
baritone saxophone:
Chuck Gentry (on 1945-07-24)
bass:
Morris Rayman (on 1945-07-24)
clarinet:
Artie Shaw (on 1945-07-24)
drums (drum set):
Lou Fromm (on 1945-07-24)
guitar:
Barney Kessel (on 1945-07-24)
piano:
Dodo Marmarosa (on 1945-07-24)
tenor saxophone:
Ralph Rosenlund (on 1945-07-24) and Jon Walton (on 1945-07-24)
trombone:
Gus Dixon (on 1945-07-24), Harry Rodgers (on 1945-07-24), Bob Swift (on 1945-07-24) and Ollie Wilson (on 1945-07-24)
trumpet:
Roy Eldridge (on 1945-07-24), Stan Fishelson (on 1945-07-24), Bernie Glow (on 1945-07-24) and George Schwartz (on 1945-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-24)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (on 1945-07-24)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
Artie Shaw and His Orchestra3:12
2A Can't Get Started
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-24)
alto saxophone:
Louis Prisby (on 1945-07-24) and Rudy Tanza (on 1945-07-24)
baritone saxophone:
Chuck Gentry (on 1945-07-24)
bass:
Morris Rayman (on 1945-07-24)
clarinet:
Artie Shaw (on 1945-07-24)
drums (drum set):
Lou Fromm (on 1945-07-24)
guitar:
Barney Kessel (on 1945-07-24)
piano:
Dodo Marmarosa (on 1945-07-24)
tenor saxophone:
Ralph Rosenlund (on 1945-07-24) and Jon Walton (on 1945-07-24)
trombone:
Gus Dixon (on 1945-07-24), Harry Rodgers (on 1945-07-24), Bob Swift (on 1945-07-24) and Ollie Wilson (on 1945-07-24)
trumpet:
Roy Eldridge (on 1945-07-24), Stan Fishelson (on 1945-07-24), Bernie Glow (on 1945-07-24) and George Schwartz (on 1945-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-24)
recording of:
I Can’t Get Started (on 1945-07-24)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Artie Shaw and His Orchestra3:25
3Just Floating Along
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-26)
alto saxophone:
Louis Prisby (on 1945-07-26) and Rudy Tanza (on 1945-07-26)
baritone saxophone:
Chuck Gentry (on 1945-07-26)
bass:
Morris Rayman (on 1945-07-26)
clarinet:
Artie Shaw (on 1945-07-26)
drums (drum set):
Lou Fromm (on 1945-07-26)
guitar:
Barney Kessel (on 1945-07-26)
piano:
Dodo Marmarosa (on 1945-07-26)
tenor saxophone:
Ralph Rosenlund (on 1945-07-26) and Jon Walton (on 1945-07-26)
trombone:
Gus Dixon (on 1945-07-26), Harry Rodgers (on 1945-07-26), Bob Swift (on 1945-07-26) and Ollie Wilson (on 1945-07-26)
trumpet:
Roy Eldridge (on 1945-07-26), Stan Fishelson (on 1945-07-26), Bernie Glow (on 1945-07-26) and George Schwartz (on 1945-07-26)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-26)
Artie Shaw and His Orchestra3:08
4Don't Blame Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-28)
alto saxophone:
Louis Prisby (on 1945-07-28) and Rudy Tanza (on 1945-07-28)
baritone saxophone:
Chuck Gentry (on 1945-07-28)
bass:
Morris Rayman (on 1945-07-28)
clarinet:
Artie Shaw (on 1945-07-28)
drums (drum set):
Lou Fromm (on 1945-07-28)
guitar:
Barney Kessel (on 1945-07-28)
piano:
Dodo Marmarosa (on 1945-07-28)
tenor saxophone:
Ralph Rosenlund (on 1945-07-28) and Jon Walton (on 1945-07-28)
trombone:
Gus Dixon (on 1945-07-28), Harry Rodgers (on 1945-07-28), Bob Swift (on 1945-07-28) and Ollie Wilson (on 1945-07-28)
trumpet:
Roy Eldridge (on 1945-07-28), Stan Fishelson (on 1945-07-28), Bernie Glow (on 1945-07-28) and George Schwartz (on 1945-07-28)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-28)
recording of:
Don’t Blame Me (on 1945-07-28)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
Artie Shaw and His Orchestra2:57
5Yolanda
alto saxophone:
Rudy Tanza (on 1945-07-28)
baritone saxophone:
Chuck Gentry (on 1945-07-28)
clarinet:
Artie Shaw (on 1945-07-28)
double bass:
Morris Rayman (in 1945)
drums (drum set):
Lou Fromm (in 1945)
guitar:
Barney Kessel (in 1945)
piano:
Dodo Marmarosa (in 1945)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945)
trombone:
Gus Dixon (in 1945), Harry Rogers (trombone player) (in 1945), Bob Swift (in 1945) and Ollie Wilson (in 1945)
trumpet:
Bernie Glow (in 1945)
Artie Shaw and His Orchestra3:14
6I Can't Escape From You
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-07-30)
alto saxophone:
Louis Prisby (on 1945-07-30) and Rudy Tanza (on 1945-07-30)
baritone saxophone:
Chuck Gentry (on 1945-07-30)
bass:
Morris Rayman (on 1945-07-30)
clarinet:
Artie Shaw (on 1945-07-30)
drums (drum set):
Lou Fromm (on 1945-07-30)
guitar:
Barney Kessel (on 1945-07-30)
piano:
Dodo Marmarosa (on 1945-07-30)
tenor saxophone:
Ralph Rosenlund (on 1945-07-30) and Jon Walton (on 1945-07-30)
trombone:
Gus Dixon (on 1945-07-30), Harry Rodgers (on 1945-07-30), Bob Swift (on 1945-07-30) and Ollie Wilson (on 1945-07-30)
trumpet:
Roy Eldridge (on 1945-07-30), Stan Fishelson (on 1945-07-30), Bernie Glow (on 1945-07-30) and George Schwartz (on 1945-07-30)
orchestra:
Artie Shaw and His Orchestra (on 1945-07-30)
recording of:
I Can’t Escape From You (on 1945-07-30)
writer:
Leo Robin (US composer, lyricist & songwriter) and Richard A. Whiting
Artie Shaw and His Orchestra3:05
7But Not for Me
alto saxophone:
Rudy Tanza (on 1945-07-31)
baritone saxophone:
Chuck Gentry (on 1945-07-31)
clarinet:
Artie Shaw (on 1945-07-31)
double bass:
Morris Rayman (on 1945-07-31)
drums (drum set):
Lou Fromm (on 1945-07-31)
guitar:
Barney Kessel (on 1945-07-31)
piano:
Dodo Marmarosa (on 1945-07-31)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945)
trombone:
Gus Dixon (on 1945-07-31), Harry Rogers (trombone player) (on 1945-07-31), Bob Swift (on 1945-07-31) and Ollie Wilson (on 1945-07-31)
trumpet:
Bernie Glow (on 1945-07-31)
recording of:
But Not for Me (on 1945-07-31)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Artie Shaw and His Orchestra3:05
8Scuttlebutt
alto saxophone:
Rudy Tanza (on 1945-08-02)
baritone saxophone:
Chuck Gentry (on 1945-08-02)
double bass:
Morris Rayman (on 1945-08-02)
drums (drum set):
Lou Fromm (on 1945-08-02)
guitar:
Barney Kessel (on 1945-08-02)
piano:
Dodo Marmarosa (on 1945-08-02)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-08-02)
trombone:
Gus Dixon (on 1945-08-02), Harry Rogers (trombone player) (on 1945-08-02), Bob Swift (on 1945-08-02) and Ollie Wilson (on 1945-08-02)
trumpet:
Bernie Glow (on 1945-08-02)
recording of:
Scuttlebutt (on 1945-08-02)
composer:
John Carleton and Artie Shaw
Artie Shaw & His Gramercy Five3:15
9The Gentle Grifter
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-08-02)
alto saxophone:
Rudy Tanza (on 1945-08-02)
baritone saxophone:
Chuck Gentry (on 1945-08-02)
clarinet:
Artie Shaw (on 1945-08-02)
double bass and double bass [bass]:
Morris Rayman (on 1945-08-02)
drums (drum set):
Lou Fromm (on 1945-08-02)
guitar:
Barney Kessel (on 1945-08-02)
piano:
Dodo Marmarosa (on 1945-08-02)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-08-02)
trombone:
Gus Dixon (on 1945-08-02), Harry Rogers (trombone player) (on 1945-08-02), Bob Swift (on 1945-08-02) and Ollie Wilson (on 1945-08-02)
trumpet:
Roy Eldridge (on 1945-08-02) and Bernie Glow (on 1945-08-02)
performer:
Artie Shaw and His Gramercy Five (on 1945-08-02)
Artie Shaw & His Gramercy Five2:53
10Mysterioso
alto saxophone:
Rudy Tanza (on 1945-08-02)
baritone saxophone:
Chuck Gentry (on 1945-08-02)
double bass:
Morris Rayman (on 1945-08-02)
drums (drum set):
Lou Fromm (in 1945)
guitar:
Barney Kessel (on 1945-08-02)
piano:
Dodo Marmarosa (on 1945-08-02)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-08-02)
trombone:
Gus Dixon (on 1945-08-02), Harry Rogers (trombone player) (on 1945-08-02), Bob Swift (on 1945-08-02) and Ollie Wilson (on 1945-08-02)
trumpet:
Bernie Glow (on 1945-08-02)
Artie Shaw & His Gramercy Five3:03
11Mysterioso
alto saxophone:
Rudy Tanza (on 1945-08-02)
baritone saxophone:
Chuck Gentry (on 1945-08-02)
double bass:
Morris Rayman (on 1945-08-02)
drums (drum set):
Lou Fromm (on 1945-08-02)
guitar:
Barney Kessel (on 1945-08-02)
piano:
Dodo Marmarosa (on 1945-08-02)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-08-02)
trombone:
Gus Dixon (on 1945-08-02), Harry Rogers (trombone player) (on 1945-08-02), Bob Swift (on 1945-08-02) and Ollie Wilson (on 1945-08-02)
trumpet:
Bernie Glow (on 1945-08-02)
Artie Shaw & His Gramercy Five3:07
12Hop, Skip and Jump
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
Artie Shaw & His Gramercy Five3:00
13Let's Walk
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
clarinet:
Artie Shaw (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
Artie Shaw and His Orchestra3:03
14Love of My Life
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
clarinet:
Artie Shaw (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
instrumental recording of:
Love of My Life (Shaw/Mercer song) (in 1945-11)
lyricist:
Johnny Mercer
composer:
Artie Shaw
Artie Shaw and His Orchestra3:11
15Ghost of a Chance
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
clarinet:
Artie Shaw (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (in 1945-11)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
Artie Shaw and His Orchestra3:13
16How Deep Is the Ocean
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945)
clarinet:
Artie Shaw (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
instrumental recording of:
How Deep Is the Ocean? (in 1945-11)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Artie Shaw and His Orchestra3:00
17The Glider
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
clarinet:
Artie Shaw (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
Artie Shaw and His Orchestra2:53
18The Hornet
alto saxophone:
Rudy Tanza (in 1945-11)
baritone saxophone:
Chuck Gentry (in 1945-11)
clarinet:
Artie Shaw (in 1945-11)
double bass:
Morris Rayman (in 1945-11)
drums (drum set):
Lou Fromm (in 1945-11)
guitar:
Barney Kessel (in 1945-11)
piano:
Dodo Marmarosa (in 1945-11)
tenor saxophone:
Herbie Steward (jazz saxophonist) (in 1945-11)
trombone:
Gus Dixon (in 1945-11), Harry Rogers (trombone player) (in 1945-11), Bob Swift (in 1945-11) and Ollie Wilson (in 1945-11)
trumpet:
Bernie Glow (in 1945-11)
Artie Shaw and His Orchestra3:08
19Lady Be Good
clarinet:
Artie Shaw (on 1945-09-25)
instrumental recording of:
Oh, Lady Be Good! (on 1945-09-25)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Artie Shaw and His Orchestra1:48
20Artie's Blues
clarinet:
Artie Shaw (on 1944-09-25)
Artie Shaw and His Orchestra3:06
21I Was Doing All Right
clarinet:
Artie Shaw (on 1945-03-15)
instrumental recording of:
I Was Doing All Right (on 1945-03-15)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Artie Shaw & His Gramercy Five4:20
22You Took Advantage of Me
clarinet:
Artie Shaw (on 1945-03-15)
instrumental recording of:
You Took Advantage of Me (on 1945-03-15)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
Artie Shaw & His Gramercy Five3:04