100% Singer & Songwriter: The Songs of a Decade

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1The Nickel Song
recording of:
Nickel Song
Texter und Komponist(in):
Melanie (US singer-songwriter Melanie Safka)
Melanie3:50
2City of New Orleans
recording of:
City of New Orleans
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC
Arlo Guthrie4:27
3In the Year 2525
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans
publisher:
Chelsea Music Publishing und Zerlad Music Enterprises Ltd.
Zager & Evans3.753:18
4Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.53:35
5San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
Scott McKenzie3.753:00
6Both Sides Now
guitar family:
Joni Mitchell
vocals:
Joni Mitchell
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 170) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 225)
recording of:
Both Sides Now
Texter:
Joni Mitchell
Komponist(in):
Joni Mitchell und Kevin Norwood (French Jazz Singer)
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
Joni Mitchell3.64:34
7Morning Has Broken
Produzent(in):
Paul Samwell-Smith
Bass und Conga:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
Bouzouki:
Angelos Hatzipavli (in 1971-03) und Andreas Toumazis (in 1971-03)
Gitarre:
Alun Davies (in 1971-03) und Cat Stevens (now known as Yusuf Islam) (in 1971-03)
Keyboard und Sologesang:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
Klavier:
Rick Wakeman (in 1971-03)
Saiteninstrumente:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
Schlagzeug:
Harvey Burns (in 1971-03) und Gerry Conway (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! UK record company) (in 1970) und Island Records Ltd. (UK) (in 1971)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, Vereinigtes Königreich (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
Texter:
Eleanor Farjeon
Komponist(in):
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., Irving Music, Inc., Island Music Ltd. und Island Music, Inc. (work publisher - NOT related to the Island imprint now owned by UMG)
Arrangement von:
Tänk att få vakna (Lennart Sjöholm arrangement)
Cat Stevens4.23:19
8It's All Over Now Baby Blue
recording of:
It’s All Over Now, Baby Blue
Texter und Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (vom 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Van Morrison3:51
9Hardrock Cafe
assistierende(r) Techniker(in):
Steve Katz (engineer)
Techniker(in):
Milt Calice und Norm Kinney
Produzent(in):
Carole King und Norm Kinney
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977)
recording of:
Hard Rock Café
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc.
Carole King3:39
10Take Me Home Country Roads
recording of:
Take Me Home, Country Roads
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック BMG事業部 und Cherry Lane Music Publishing Company Inc. (in 1971)
John Denver3:09
11Carry Me
assistierende(r) Techniker(in):
Stanley Johnston
Techniker(in):
Stephen Barncard und Don Gooch
Produzent(in):
David Crosby und Graham Nash
Akustikgitarre:
James Taylor (singer-songwriter and guitarist) (in 1975-03)
Bass:
Leland Sklar (in 1975-03)
E-Gitarre:
David Crosby (in 1975-03)
Klavier:
Craig Doerge (in 1975-03)
Schlagzeug:
Russ Kunkel (in 1975-03)
zwölfsaitige Gitarre:
David Crosby
vocals:
David Crosby (in 1975-03) und Graham Nash (in 1975-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1975-03)
recording of:
Carry Me (in 1975-03)
Verfasser(in):
David Crosby
Crosby & Nash33:33
12American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
membranophone und Perkussion:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean54:08
13The Night They Drove Old Dixie Down
Produzent(in):
Norbert Putnam
cover recording of:
The Night They Drove Old Dixie Down
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und WB Music Corp. (1929–2019)
Joan Baez53:21
14If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot53:49
15Like a Rolling Stone
recording of:
Like a Rolling Stone
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (vom 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan6:11
16Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (vom 1967-03-28 bis 1967-04-07)
Texter:
Van Morrison (in 1967)
Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. und Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (vom 1967-03 bis 1967-11)
Texter:
Van Morrison (in 1967)
Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. und Web IV Music Inc. (in 1967)
Van Morrison3.33:05
17What Have They Done to My Song Ma
recording of:
What Have They Done to My Song, Ma?
Texter und Komponist(in):
Melanie (US singer-songwriter Melanie Safka)
Melanie4:07
18A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
Remix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
America4.154:11
19Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部
José Feliciano3.353:37

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Veröffentlichung

ASIN:DE: B00006C6PO [Info]
andere Datenbanken:http://www.musik-sammler.de/media/290161 [Info]