Eight Classic Albums

~ Release by Count Basie (see all versions of this release, 1 available)

Tracklist

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▼CD 1: The Atomic Mr Basie / Basie Plays Hefti
#TitleRatingLength
1Kid From Red Bank
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Charles Fowlke (on 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21), Frank Foster (saxophonist) (on 1957-10-21), Marshall Royal (on 1957-10-21) and Frank Wess (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
The Kid From Red Bank (on 1957-10-21)
composer and arranger:
Neal Hefti
2:41
2Duet
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Duet (on 1957-10-21)
composer and arranger:
Neal Hefti
4:11
3After Supper
recorded in:
New York, New York, United States (on 1957-10-22)
producer:
Teddy Reig (on 1957-10-22)
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22) and Ralph Sharon (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (on 1957-10-22)
trumpet:
Wendell Culley (on 1957-10-22), Thad Jones (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1957-10-22)
arranger:
Ralph Sharon (on 1957-10-22)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
After Supper (on 1957-10-22)
composer and arranger:
Neal Hefti
publisher:
International Korwin Corp.
3:25
4Flight of the Foo Birds
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Flight of the Foo Birds (on 1957-10-21)
composer and arranger:
Neal Hefti
3:23
5Double O
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Double-O (on 1957-10-21)
composer and arranger:
Neal Hefti
2:46
6Teddy the Toad
recorded in:
New York, New York, United States (on 1957-10-21)
recording engineer:
Bob Arnold (engineer) (on 1957-10-21)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Charles Fowlke (on 1957-10-21), Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21), Frank Foster (saxophonist) (on 1957-10-21), Marshall Royal (on 1957-10-21) and Frank Wess (on 1957-10-21)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Teddy the Toad (on 1957-10-21)
composer and arranger:
Neal Hefti
3:19
7Whirlybirds
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Whirly-bird (on 1957-10-21)
composer and arranger:
Neal Hefti
3:51
8Midnight Blue
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Midnight Blue (on 1957-10-21)
composer and arranger:
Neal Hefti
4:27
9Splanky
recorded in:
New York, New York, United States (on 1957-10-22)
recording engineer:
Bob Arnold (engineer) (on 1957-10-22)
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute and woodwind:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (on 1957-10-22)
trumpet:
Wendell Culley (on 1957-10-22), Thad Jones (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
arranger:
Neal Hefti
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Splanky (on 1957-10-22)
composer and arranger:
Neal Hefti
publisher:
Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
arrangement of:
Splanky
3:36
10Fantail
recorded in:
New York, New York, United States (on 1957-10-22)
alto saxophone:
Marshall Royal (on 1957-10-22)
alto saxophone and flute:
Frank Wess (on 1957-10-22)
baritone saxophone:
Charlie Fowlkes (on 1957-10-22)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-22)
drums (drum set):
Sonny Payne (, on 1957-10-22)
guitar:
Freddie Green (on 1957-10-22)
piano:
Count Basie (pianist) (on 1957-10-22)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-22) and Frank Foster (saxophonist) (on 1957-10-22)
trombone:
Henry Coker (on 1957-10-22), Al Grey (trombone) (on 1957-10-22) and Benny Powell (on 1957-10-22)
trumpet:
Wendell Culley (on 1957-10-22), Thad Jones (on 1957-10-22), Joe Newman (US jazz trumpeter) (on 1957-10-22) and Snooky Young (on 1957-10-22)
woodwind:
Frank Wess
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-22)
recording of:
Fantail (on 1957-10-22)
composer and arranger:
Neal Hefti
2:56
11Lil’ Darlin’
recorded in:
New York, New York, United States (on 1957-10-21)
alto saxophone:
Marshall Royal (on 1957-10-21)
alto saxophone and flute:
Frank Wess (on 1957-10-21)
baritone saxophone:
Charlie Fowlkes (on 1957-10-21)
double bass:
Eddie Jones (US jazz double bassist) (on 1957-10-21)
drums (drum set):
Sonny Payne (, on 1957-10-21)
guitar:
Freddie Green (on 1957-10-21)
piano:
Count Basie (pianist) (on 1957-10-21)
reeds:
Marshall Royal
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1957-10-21) and Frank Foster (saxophonist) (on 1957-10-21)
trombone:
Henry Coker (on 1957-10-21), Al Grey (trombone) (on 1957-10-21) and Benny Powell (on 1957-10-21)
trumpet:
Wendell Culley (on 1957-10-21), Thad Jones (on 1957-10-21), Joe Newman (US jazz trumpeter) (on 1957-10-21) and Snooky Young (on 1957-10-21)
woodwind:
Frank Wess
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-10-21)
recording of:
Lil’ Darlin’ (on 1957-10-21)
composer and arranger:
Neal Hefti
4:50
12Has Anyone Here Seen Basie?
recorded in:
New York, New York, United States (on 1958-04-03)
baritone saxophone:
Charlie Fowlkes (on 1958-04-03)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-03)
drums (drum set):
Sonny Payne (on 1958-04-03)
guitar:
Freddie Green (on 1958-04-03)
piano:
Count Basie (pianist) (on 1958-04-03)
reeds:
Marshall Royal (on 1958-04-03)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-03) and Billy Mitchell (US jazz saxophonist) (on 1958-04-03)
trombone:
Henry Coker (on 1958-04-03), Al Grey (trombone) (on 1958-04-03) and Benny Powell (on 1958-04-03)
trumpet:
Wendell Culley (on 1958-04-03), Thad Jones (on 1958-04-03), Joe Newman (US jazz trumpeter) (on 1958-04-03) and Snooky Young (on 1958-04-03)
woodwind:
Frank Wess (on 1958-04-03)
recording of:
Has Anyone Here Seen Basie? (on 1958-04-03)
composer and arranger:
Neal Hefti
2:43
13Cute
recorded in:
New York, New York, United States (on 1958-04-14)
baritone saxophone:
Charlie Fowlkes (on 1958-04-14)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-14)
drums (drum set):
Sonny Payne (on 1958-04-14)
guitar:
Freddie Green (on 1958-04-14)
piano:
Count Basie (pianist) (on 1958-04-14)
reeds:
Marshall Royal (on 1958-04-14)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-14) and Billy Mitchell (US jazz saxophonist) (on 1958-04-14)
trombone:
Henry Coker (on 1958-04-14), Al Grey (trombone) (on 1958-04-14) and Benny Powell (on 1958-04-14)
trumpet:
Wendell Culley (on 1958-04-14), Thad Jones (on 1958-04-14), Joe Newman (US jazz trumpeter) (on 1958-04-14) and Snooky Young (on 1958-04-14)
woodwind:
Frank Wess (on 1958-04-14)
recording of:
Cute (on 1958-04-14)
lyricist:
Stanley Styne
composer and arranger:
Neal Hefti
publisher:
WB Music Corp. (1929–2019)
3:12
14Pensive Miss
recorded in:
New York, New York, United States (on 1958-04-03)
baritone saxophone:
Charlie Fowlkes (on 1958-04-03)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-03)
drums (drum set):
Sonny Payne (on 1958-04-03)
guitar:
Freddie Green (on 1958-04-03)
piano:
Count Basie (pianist) (on 1958-04-03)
reeds:
Marshall Royal (on 1958-04-03)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-03) and Billy Mitchell (US jazz saxophonist) (on 1958-04-03)
trombone:
Henry Coker (on 1958-04-03), Al Grey (trombone) (on 1958-04-03) and Benny Powell (on 1958-04-03)
trumpet:
Wendell Culley (on 1958-04-03), Thad Jones (on 1958-04-03), Joe Newman (US jazz trumpeter) (on 1958-04-03) and Snooky Young (on 1958-04-03)
woodwind:
Frank Wess (on 1958-04-03)
recording of:
Pensive Miss (on 1958-04-03)
composer and arranger:
Neal Hefti
3:50
15Sloo Foot
recorded in:
New York, New York, United States (on 1958-04-04)
baritone saxophone:
Charlie Fowlkes (on 1958-04-04)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-04)
drums (drum set):
Sonny Payne (on 1958-04-04)
guitar:
Freddie Green (on 1958-04-04)
piano:
Count Basie (pianist) (on 1958-04-04)
reeds:
Marshall Royal (on 1958-04-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-04) and Billy Mitchell (US jazz saxophonist) (on 1958-04-04)
trombone:
Henry Coker (on 1958-04-04), Al Grey (trombone) (on 1958-04-04) and Benny Powell (on 1958-04-04)
trumpet:
Wendell Culley (on 1958-04-04), Thad Jones (on 1958-04-04), Joe Newman (US jazz trumpeter) (on 1958-04-04) and Snooky Young (on 1958-04-04)
woodwind:
Frank Wess (on 1958-04-04)
recording of:
Sloo Foot (on 1958-04-04)
composer and arranger:
Neal Hefti
3:09
16It’s Awf’Lly Nice to Be With You
recording of:
It's Awf'ly Nice to be with You
composer and arranger:
Neal Hefti
3:34
17Scoot
recorded in:
New York, New York, United States (on 1958-04-03)
baritone saxophone:
Charlie Fowlkes (on 1958-04-03)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-03)
drums (drum set):
Sonny Payne (on 1958-04-03)
guitar:
Freddie Green (on 1958-04-03)
piano:
Count Basie (pianist) (on 1958-04-03)
reeds:
Marshall Royal (on 1958-04-03)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-03) and Billy Mitchell (US jazz saxophonist) (on 1958-04-03)
trombone:
Henry Coker (on 1958-04-03), Al Grey (trombone) (on 1958-04-03) and Benny Powell (on 1958-04-03)
trumpet:
Wendell Culley (on 1958-04-03), Thad Jones (on 1958-04-03), Joe Newman (US jazz trumpeter) (on 1958-04-03) and Snooky Young (on 1958-04-03)
woodwind:
Frank Wess (on 1958-04-03)
recording of:
Scoot (on 1958-04-03)
composer and arranger:
Neal Hefti
2:30
18A Little Tempo, Please
recorded in:
New York, New York, United States (on 1958-04-14)
baritone saxophone:
Charlie Fowlkes (on 1958-04-14)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-14)
drums (drum set):
Sonny Payne (on 1958-04-14)
guitar:
Freddie Green (on 1958-04-14)
piano:
Count Basie (pianist) (on 1958-04-14)
reeds:
Marshall Royal (on 1958-04-14)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-14) and Billy Mitchell (US jazz saxophonist) (on 1958-04-14)
trombone:
Henry Coker (on 1958-04-14), Al Grey (trombone) (on 1958-04-14) and Benny Powell (on 1958-04-14)
trumpet:
Wendell Culley (on 1958-04-14), Thad Jones (on 1958-04-14), Joe Newman (US jazz trumpeter) (on 1958-04-14) and Snooky Young (on 1958-04-14)
woodwind:
Frank Wess (on 1958-04-14)
recording of:
A Little Tempo, Please (on 1958-04-14)
composer and arranger:
Neal Hefti
2:38
19Late Date
recorded in:
New York, New York, United States (on 1958-04-04)
baritone saxophone:
Charlie Fowlkes (on 1958-04-04)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-04)
drums (drum set):
Sonny Payne (on 1958-04-04)
guitar:
Freddie Green (on 1958-04-04)
piano:
Count Basie (pianist) (on 1958-04-04)
reeds:
Marshall Royal (on 1958-04-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-04) and Billy Mitchell (US jazz saxophonist) (on 1958-04-04)
trombone:
Henry Coker (on 1958-04-04), Al Grey (trombone) (on 1958-04-04) and Benny Powell (on 1958-04-04)
trumpet:
Wendell Culley (on 1958-04-04), Thad Jones (on 1958-04-04), Joe Newman (US jazz trumpeter) (on 1958-04-04) and Snooky Young (on 1958-04-04)
woodwind:
Frank Wess (on 1958-04-04)
recording of:
Late Date (on 1958-04-04)
composer and arranger:
Neal Hefti
3:19
20Countdown
recorded in:
New York, New York, United States (on 1958-04-14)
baritone saxophone:
Charlie Fowlkes (on 1958-04-14)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-14)
drums (drum set):
Sonny Payne (on 1958-04-14)
guitar:
Freddie Green (on 1958-04-14)
piano:
Count Basie (pianist) (on 1958-04-14)
reeds:
Marshall Royal (on 1958-04-14)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-14) and Billy Mitchell (US jazz saxophonist) (on 1958-04-14)
trombone:
Henry Coker (on 1958-04-14), Al Grey (trombone) (on 1958-04-14) and Benny Powell (on 1958-04-14)
trumpet:
Wendell Culley (on 1958-04-14), Thad Jones (on 1958-04-14), Joe Newman (US jazz trumpeter) (on 1958-04-14) and Snooky Young (on 1958-04-14)
woodwind:
Frank Wess (on 1958-04-14)
recording of:
Count Down (on 1958-04-14)
composer and arranger:
Neal Hefti
2:47
21Bag a Bones
recorded in:
New York, New York, United States (on 1958-04-03)
baritone saxophone:
Charlie Fowlkes (on 1958-04-03)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-03)
drums (drum set):
Sonny Payne (on 1958-04-03)
guitar:
Freddie Green (on 1958-04-03)
piano:
Count Basie (pianist) (on 1958-04-03)
reeds:
Marshall Royal (on 1958-04-03)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-03) and Billy Mitchell (US jazz saxophonist) (on 1958-04-03)
trombone:
Henry Coker (on 1958-04-03), Al Grey (trombone) (on 1958-04-03) and Benny Powell (on 1958-04-03)
trumpet:
Wendell Culley (on 1958-04-03), Thad Jones (on 1958-04-03), Joe Newman (US jazz trumpeter) (on 1958-04-03) and Snooky Young (on 1958-04-03)
woodwind:
Frank Wess (on 1958-04-03)
recording of:
Bag-A' Bones (on 1958-04-03)
composer and arranger:
Neal Hefti
2:44
22Pony Tail
recorded in:
New York, New York, United States (on 1958-04-04)
baritone saxophone:
Charlie Fowlkes (on 1958-04-04)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-04)
drums (drum set):
Sonny Payne (on 1958-04-04)
guitar:
Freddie Green (on 1958-04-04)
piano:
Count Basie (pianist) (on 1958-04-04)
reeds:
Marshall Royal (on 1958-04-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-04) and Billy Mitchell (US jazz saxophonist) (on 1958-04-04)
trombone:
Henry Coker (on 1958-04-04), Al Grey (trombone) (on 1958-04-04) and Benny Powell (on 1958-04-04)
trumpet:
Wendell Culley (on 1958-04-04), Thad Jones (on 1958-04-04), Joe Newman (US jazz trumpeter) (on 1958-04-04) and Snooky Young (on 1958-04-04)
woodwind:
Frank Wess (on 1958-04-04)
recording of:
Pony Tail (on 1958-04-04)
composer and arranger:
Neal Hefti
2:59
▼CD 2: Chairman of the Board / Breakfast Dance and Barbeque
#TitleRatingLength
1Blues in Hoss Flat
producer:
Teddy Reig
alto saxophone and saxophone:
Marshall Royal (on 1958-03-04)
alto saxophone and flute:
Frank Wess (on 1958-03-04)
baritone saxophone:
Charlie Fowlkes (on 1958-03-04)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-03-04)
drums (drum set):
Sonny Payne (on 1958-03-04)
guitar:
Freddie Green (on 1958-03-04)
piano:
Count Basie (pianist) (on 1958-03-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-03-04) and Billy Mitchell (US jazz saxophonist) (on 1958-03-04)
trombone:
Henry Coker (on 1958-03-04), Al Grey (trombone) (on 1958-03-04) and Benny Powell (on 1958-03-04)
trumpet:
Wendell Culley (on 1958-03-04), Thad Jones (on 1958-03-04), Joe Newman (US jazz trumpeter) (on 1958-03-04) and Snooky Young (on 1958-03-04)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1958-03-04)
recording of:
Blues in Hoss’ Flat (on 1958-03-04)
composer:
Count Basie (pianist) and Frank Foster (saxophonist)
3:13
2HRH (Her Royal Highness)
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-03-04)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-03-04)
drums (drum set):
Sonny Payne (on 1958-03-04)
flute and woodwind:
Frank Wess (on 1958-03-04)
guitar:
Freddie Green (on 1958-03-04)
piano:
Count Basie (pianist) (on 1958-03-04)
reeds and saxophone:
Marshall Royal (on 1958-03-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-03-04) and Billy Mitchell (US jazz saxophonist) (on 1958-03-04)
trombone:
Henry Coker (on 1958-03-04), Al Grey (trombone) (on 1958-03-04) and Benny Powell (on 1958-03-04)
trumpet:
Wendell Culley (on 1958-03-04), Thad Jones (on 1958-03-04), Joe Newman (US jazz trumpeter) (on 1958-03-04) and Snooky Young (on 1958-03-04)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1958-03-04)
2:39
3Segue in C
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-11)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-11)
drums (drum set):
Sonny Payne (on 1958-12-11)
flute:
Frank Wess (on 1958-12-11)
guitar:
Freddie Green (on 1958-12-11)
piano:
Count Basie (pianist) (on 1958-12-11)
saxophone:
Marshall Royal (on 1958-12-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-11) and Billy Mitchell (US jazz saxophonist) (on 1958-12-11)
trombone:
Henry Coker (on 1958-12-11)
trumpet:
Wendell Culley (on 1958-12-11) and Thad Jones (on 1958-12-11)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-11)
recording of:
Segue in C (on 1958-12-11)
composer:
Frank Wess
6:14
4Kansas City Shout
recorded in:
New York, New York, United States (on 1958-04-29)
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-29)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-29)
drums (drum set):
Sonny Payne (on 1958-04-29)
flute and woodwind:
Frank Wess (on 1958-04-29)
guitar:
Freddie Green (on 1958-04-29)
piano:
Count Basie (pianist) (on 1958-04-29)
reeds and saxophone:
Marshall Royal (on 1958-04-29)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-29) and Billy Mitchell (US jazz saxophonist) (on 1958-04-29)
trombone:
Henry Coker (on 1958-04-29), Al Grey (trombone) (on 1958-04-29) and Benny Powell (on 1958-04-29)
trumpet:
Wendell Culley (on 1958-04-29), Thad Jones (on 1958-04-29), Joe Newman (US jazz trumpeter) (on 1958-04-29) and Snooky Young (on 1958-04-29)
3:34
5TV Time
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-11)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-11)
drums (drum set):
Sonny Payne (on 1958-12-11)
flute:
Frank Wess (on 1958-12-11)
guitar:
Freddie Green (on 1958-12-11)
piano:
Count Basie (pianist) (on 1958-12-11)
saxophone:
Marshall Royal (on 1958-12-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-11) and Billy Mitchell (US jazz saxophonist) (on 1958-12-11)
trombone:
Henry Coker (on 1958-12-11)
trumpet:
Wendell Culley (on 1958-12-11) and Thad Jones (on 1958-12-11)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-11)
3:16
6Who, Me?
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-28)
drums (drum set):
Sonny Payne (on 1958-04-28)
flute and woodwind:
Frank Wess (on 1958-04-28)
guitar:
Freddie Green (on 1958-04-28)
piano:
Count Basie (pianist) (on 1958-04-28)
reeds and saxophone:
Marshall Royal (on 1958-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-28) and Billy Mitchell (US jazz saxophonist) (on 1958-04-28)
trombone:
Henry Coker (on 1958-04-28), Al Grey (trombone) (on 1958-04-28) and Benny Powell (on 1958-04-28)
trumpet:
Wendell Culley (on 1958-04-28), Thad Jones (on 1958-04-28), Joe Newman (US jazz trumpeter) (on 1958-04-28) and Snooky Young (on 1958-04-28)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-04-28)
recording of:
Who, Me?
composer:
Frank Foster (saxophonist)
5:13
7The Deacon
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-10)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-10)
drums (drum set):
Sonny Payne (on 1958-12-10)
flute and woodwind:
Frank Wess (on 1958-12-10)
guitar:
Freddie Green (on 1958-12-10)
piano:
Count Basie (pianist) (on 1958-12-10)
reeds and saxophone:
Marshall Royal (on 1958-12-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-10) and Billy Mitchell (US jazz saxophonist) (on 1958-12-10)
trombone:
Henry Coker (on 1958-12-10), Al Grey (trombone) (on 1958-12-10) and Benny Powell (on 1958-12-10)
trumpet:
Wendell Culley (on 1958-12-10), Thad Jones (on 1958-12-10), Joe Newman (US jazz trumpeter) (on 1958-12-10) and Snooky Young (on 1958-12-10)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-10)
recording of:
The Deacon (on 1958-12-10)
composer:
Thad Jones
4:49
8Half Moon Street
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-28)
drums (drum set):
Sonny Payne (on 1958-04-28)
flute and woodwind:
Frank Wess (on 1958-04-28)
guitar:
Freddie Green (on 1958-04-28)
piano:
Count Basie (pianist) (on 1958-04-28)
reeds and saxophone:
Marshall Royal (on 1958-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-28) and Billy Mitchell (US jazz saxophonist) (on 1958-04-28)
trombone:
Henry Coker (on 1958-04-28), Al Grey (trombone) (on 1958-04-28) and Benny Powell (on 1958-04-28)
trumpet:
Wendell Culley (on 1958-04-28), Thad Jones (on 1958-04-28), Joe Newman (US jazz trumpeter) (on 1958-04-28) and Snooky Young (on 1958-04-28)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-04-28)
3:26
9Mutt and Jeff
recorded in:
New York, New York, United States (on 1958-04-29)
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-29)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-29)
drums (drum set):
Sonny Payne (on 1958-04-29)
flute and woodwind:
Frank Wess (on 1958-04-29)
guitar:
Freddie Green (on 1958-04-29)
piano:
Count Basie (pianist) (on 1958-04-29)
reeds and saxophone:
Marshall Royal (on 1958-04-29)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-29) and Billy Mitchell (US jazz saxophonist) (on 1958-04-29)
trombone:
Henry Coker (on 1958-04-29), Al Grey (trombone) (on 1958-04-29) and Benny Powell (on 1958-04-29)
trumpet:
Wendell Culley (on 1958-04-29), Thad Jones (on 1958-04-29), Joe Newman (US jazz trumpeter) (on 1958-04-29) and Snooky Young (on 1958-04-29)
3:39
10Fair and Warmer
recorded in:
New York, New York, United States (on 1958-04-29)
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-29)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-29)
drums (drum set):
Sonny Payne (on 1958-04-29)
flute and woodwind:
Frank Wess (on 1958-04-29)
guitar:
Freddie Green (on 1958-04-29)
piano:
Count Basie (pianist) (on 1958-04-29)
reeds and saxophone:
Marshall Royal (on 1958-04-29)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-29) and Billy Mitchell (US jazz saxophonist) (on 1958-04-29)
trombone:
Henry Coker (on 1958-04-29), Al Grey (trombone) (on 1958-04-29) and Benny Powell (on 1958-04-29)
trumpet:
Wendell Culley (on 1958-04-29), Thad Jones (on 1958-04-29), Joe Newman (US jazz trumpeter) (on 1958-04-29) and Snooky Young (on 1958-04-29)
3:35
11Moten Swing
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-28)
drums (drum set):
Sonny Payne (on 1958-04-28)
flute and woodwind:
Frank Wess (on 1958-04-28)
guitar:
Freddie Green (on 1958-04-28)
piano:
Count Basie (pianist) (on 1958-04-28)
reeds and saxophone:
Marshall Royal (on 1958-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-28) and Billy Mitchell (US jazz saxophonist) (on 1958-04-28)
trombone:
Henry Coker (on 1958-04-28), Al Grey (trombone) (on 1958-04-28) and Benny Powell (on 1958-04-28)
trumpet:
Wendell Culley (on 1958-04-28), Thad Jones (on 1958-04-28), Joe Newman (US jazz trumpeter) (on 1958-04-28) and Snooky Young (on 1958-04-28)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-04-28)
recording of:
Moten Swing (on 1958-04-28)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
4:50
12In a Mellow Tone
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
baritone saxophone:
Charlie Fowlkes (on 1959-05-31)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1959-05-31)
drums (drum set):
Sonny Payne (on 1959-05-31)
guitar:
Freddie Green (on 1959-05-31)
piano:
Count Basie (pianist) (on 1959-05-31)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-05-31) and Billy Mitchell (US jazz saxophonist) (on 1959-05-31)
trombone:
Henry Coker (on 1959-05-31), Al Grey (trombone) (on 1959-05-31) and Benny Powell (on 1959-05-31)
trumpet:
Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (US jazz trumpeter) (on 1959-05-31) and Snooky Young (on 1959-05-31)
recorded at:
The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
live recording of:
In a Mellow Tone (on 1959-05-31)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins
6:52
135 O’Clock in the Morning
live recording of:
Five O'clock in the Morning (on 1959-05-31)
lyricist and composer:
Joe Williams (US jazz vocalist)
2:53
14Counter Block
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
baritone saxophone:
Charlie Fowlkes (on 1959-05-31)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1959-05-31)
drums (drum set):
Sonny Payne (on 1959-05-31)
guitar:
Freddie Green (on 1959-05-31)
piano:
Count Basie (pianist) (on 1959-05-31)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-05-31) and Billy Mitchell (US jazz saxophonist) (on 1959-05-31)
trombone:
Henry Coker (on 1959-05-31), Al Grey (trombone) (on 1959-05-31) and Benny Powell (on 1959-05-31)
trumpet:
Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (US jazz trumpeter) (on 1959-05-31) and Snooky Young (on 1959-05-31)
recorded at:
The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
4:35
15Who Me
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
baritone saxophone:
Charlie Fowlkes (on 1959-05-31)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1959-05-31)
drums (drum set):
Sonny Payne (on 1959-05-31)
guitar:
Freddie Green (on 1959-05-31)
piano:
Count Basie (pianist) (on 1959-05-31)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-05-31) and Billy Mitchell (US jazz saxophonist) (on 1959-05-31)
trombone:
Henry Coker (on 1959-05-31), Al Grey (trombone) (on 1959-05-31) and Benny Powell (on 1959-05-31)
trumpet:
Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (US jazz trumpeter) (on 1959-05-31) and Snooky Young (on 1959-05-31)
recorded at:
The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
live recording of:
Who, Me? (on 1959-05-31)
composer:
Frank Foster (saxophonist)
3:56
16Let’s Have a Taste
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
baritone saxophone:
Charlie Fowlkes (on 1959-05-31)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1959-05-31)
drums (drum set):
Sonny Payne (on 1959-05-31)
guitar:
Freddie Green (on 1959-05-31)
piano:
Count Basie (pianist) (on 1959-05-31)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-05-31) and Billy Mitchell (US jazz saxophonist) (on 1959-05-31)
trombone:
Henry Coker (on 1959-05-31), Al Grey (trombone) (on 1959-05-31) and Benny Powell (on 1959-05-31)
trumpet:
Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (US jazz trumpeter) (on 1959-05-31) and Snooky Young (on 1959-05-31)
recorded at:
The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
4:19
17Moten Swing
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
baritone saxophone:
Charlie Fowlkes (on 1959-05-31)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1959-05-31)
drums (drum set):
Sonny Payne (on 1959-05-31)
guitar:
Freddie Green (on 1959-05-31)
piano:
Count Basie (pianist) (on 1959-05-31)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-05-31) and Billy Mitchell (US jazz saxophonist) (on 1959-05-31)
trombone:
Henry Coker (on 1959-05-31), Al Grey (trombone) (on 1959-05-31) and Benny Powell (on 1959-05-31)
trumpet:
Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (US jazz trumpeter) (on 1959-05-31) and Snooky Young (on 1959-05-31)
recorded at:
The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
live recording of:
Moten Swing (on 1959-05-31)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
live recording of:
Moten Swing (from 1959-05-31 to present)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
5:17
18Hallelujah, I Love You So
live recording of:
Hallelujah, I Love Her So (on 1959-05-31)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music (publisher), Unichappell Music and Unichappell Music, Inc.
2:38
19One O’Clock Jump
producer:
Teddy Reig
alto saxophone:
Marshall Royal (on 1959-05-31) and Frank Wess (on 1959-05-31)
baritone saxophone:
Charlie Fowlkes (on 1959-05-31)
bass and double bass:
Eddie Jones (US jazz double bassist) (on 1959-05-31)
drums (drum set):
Sonny Payne (on 1959-05-31)
guitar:
Freddie Green (on 1959-05-31)
piano:
Count Basie (pianist) (on 1959-05-31)
tenor saxophone:
Frank Foster (saxophonist) (on 1959-05-31) and Billy Mitchell (US jazz saxophonist) (on 1959-05-31)
trombone:
Henry Coker (on 1959-05-31), Al Grey (trombone) (on 1959-05-31) and Benny Powell (on 1959-05-31)
trumpet:
Wendell Culley (on 1959-05-31), Harry “Sweets” Edison (on 1959-05-31), Thad Jones (on 1959-05-31), Joe Newman (US jazz trumpeter) (on 1959-05-31) and Snooky Young (on 1959-05-31)
recorded at:
The Americana Hotel in Miami, Florida, United States (on 1959-05-31)
live recording of:
One O’Clock Jump (on 1959-05-31)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
3:42
▼CD 3: Basie and Eckstine Inc / Basie Swings Bennett Sings
#TitleRatingLength
1Stormy Monday Blues
recording of:
Stormy Monday Blues (in 1959)
writer:
Bob Crowder (tenor saxophone), Billy Eckstine and Earl Hines (jazz pianist and bandleader)
publisher:
7 Arts and Warner Bros. (holding: File NO Releases)
3:12
2Lonesome Lover Blues
cover recording of:
Lonesome Lover Blues
lyricist and composer:
Billy Eckstine
3:11
3Blues, the Mother of Sin
3:42
4Jelly, Jelly
cover recording of:
Jelly, Jelly (in 1959)
writer:
Billy Eckstine and Earl Hines (jazz pianist and bandleader)
3:04
5Don’t Cry Baby
recording of:
Don’t Cry Baby (in 1959)
writer:
Saul Bernie, James P. Johnson and Stella Unger
publisher:
Advanced Music corp. and Warner Bros. Music (publisher; do NOT use as release label)
3:35
6Trav’Lin All Alone
cover recording of:
Trav’lin’ All Alone (in 1959)
composer:
J.C. Johnson
2:57
7Little Mama
3:32
8I Want a Little Girl
cover recording of:
I Want a Little Girl (in 1959)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
3:28
9Drifting
cover recording of:
Drifting Blues (in 1959)
writer:
Charles Brown (blues musician), Johnny Moore (US blues guitarist, Three Blazers) and Eddie Williams (blues musician)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists
4:02
10Song of the Wanderer
cover recording of:
Song of the Wanderer (in 1959)
lyricist and composer:
Neil Moret
3:23
11Piano Man
cover recording of:
Piano Man
writer:
Billy Eckstine and Sid Kuller
4:07
12Life Is a Song
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
arranger:
Ralph Sharon
cover recording of:
Life Is a Song (in 1959-01)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert
publisher:
Pencil Mark Music (ASCAP)
2:53
13With Plenty of Money and You
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
With Plenty of Money and You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
1:33
14Jeepers Creepers
producer:
Teddy Reig
piano:
Count Basie (pianist)
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:08
15Are You Havin’ Any Fun
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Are You Havin’ Any Fun
lyricist:
Jack Yellen
composer:
Sammy Fain
2:48
16Anything Goes
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
2:22
17Strike Up the Band
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Strike Up the Band (1927 Gershwin song)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway Musical)
part of:
Strike up the Band (1927 Gershwin musical)
1:33
18Chicago
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
performer:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
cover recording of:
Chicago (That Toddlin’ Town)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
42:08
19I’ve Grown Accustomed to Her Face
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (pianist) (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
arranger:
Ralph Sharon
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1959-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
3:04
20Poor Little Rich Girl
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Poor Little Rich Girl
lyricist and composer:
Noël Coward
3:32
21Growing Pains
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
Growing Pains
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Arthur Schwartz
3:36
22I Guess I’ll Have to Change My Plans
producer:
Teddy Reig
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
cover recording of:
I Guess I’ll Have to Change My Plan
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
1:42
▼CD 4: In Person (with Tony Bennett) / Everyday I Have the Blues (with Joe Williams)
#TitleRatingLength
1Just in Time
live cover recording of:
Just in Time (Bells Are Ringing) (in 1958-12)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
1:42
2When I Fall in Love
live cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:18
3Taking a Chance on Love
live cover recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
1:55
4Without a Song
cover recording of:
Without a Song
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
arranger:
Joe Henderson (US jazz tenor saxophonist)
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
3:06
5Fascinating Rhythm
live cover recording of:
Fascinatin’ Rhythm
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
1:28
6(In My) Solitude
live cover recording of:
Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co. and EMI Mills Music Inc. (ASCAP-affiliated)
3:35
7Pennies From Heaven
live cover recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
2:33
8Lost in the Stars
cover recording of:
Lost in the Stars (Song, Ulysses Africanus)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) and Hampshire House Publishing Corp.
part of:
Lost in the Stars, Act I
4:00
9Firefly
cover recording of:
Firefly
lyricist:
Carolyn Leigh (in 1958)
composer:
Cy Coleman (in 1958)
1:39
10There Will Never Be Another You
live cover recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:15
11Lullaby of Broadway
cover recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
M. Witmark & Sons, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Academy Award for Best Original Song (number: 8)
part of:
42nd Street (full musical)
3:12
12Ol’ Man River
live cover recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
5:01
13Everyday I Have the Blues
recording of:
Every Day
composer:
Peter Chatman
4:43
14Baby, Won’t You Please Come Home
recording of:
Baby Won’t You Please Come Home (in 1959-09)
writer:
Charles Warfield and Clarence Williams (composer / pianist /bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
1:58
15Going to Chicago
recording of:
Goin’ to Chicago
writer:
Count Basie (pianist) and Jimmy Rushing
publisher:
WB Music Corp. (1929–2019)
4:09
16Gee Baby Ain’t I Good to You
recording of:
Gee, Baby Ain’t I Good to You (on 1957-09-19)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
17It’s a Low Down Dirty Shame
recording of:
It's a Low-Down Dirty Shame (in 1959-09)
lyricist and composer:
Ollie Shepard (1940's blues artist)
5:27
18Shake Rattle and Roll
recording of:
Shake, Rattle and Roll (in 1959-09)
lyricist:
Daryl Bosteels (additional lyrics)
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:14
19Just a Dream
recording of:
Just a Dream (on My Mind) (in 1959-09)
lyricist, writer and composer:
Big Bill Broonzy
publisher:
Leeds Music
2:54
20Cherry Red
recording of:
Cherry Red (in 1959-09)
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
2:53
21Good Mornin’ Blues
recording of:
Good Morning Blues (in 1959-09)
writer:
Count Basie (pianist), Eddie Durham (American guitarist, trombonist, composer and arranger.) and Jimmy Rushing
2:51
22Ain’t No Use
recording of:
Ain’t No Use (in 1959-09)
writer:
Leroy Kirkland and Sid Wyche
2:55