What Women Want: Music From the Motion Picture

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Label: Sony - Catalog #: 61595

Annotation last modified on 2005-10-01 15:31 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1Something’s Gotta Give
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Sammy Davis Jr.2:06
2Too Marvelous for Words
recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Frank Sinatra2:28
3The Best Is Yet to Come
producer:
Brad Benedict and Tom Morgan (producer)
bass:
Jimmy Bond (from 1963-10-08 until 1963-10-10)
bass trombone:
Ken Shroyer (trombonist) (from 1963-10-08 until 1963-10-10)
guitar:
Joe Pass (jazz guitarist) (from 1963-10-08 until 1963-10-10)
membranophone:
Kenny Dennis (from 1963-10-08 until 1963-10-10)
piano:
Jack Wilson (jazz pianist) (from 1963-10-08 until 1963-10-10)
reeds:
Teddy Edwards (jazz saxophonist) (from 1963-10-08 until 1963-10-10), Paul Horn (from 1963-10-08 until 1963-10-10), Harold Land (from 1963-10-08 until 1963-10-10), Joe Maini (from 1963-10-08 until 1963-10-10) and Donald Ruffell (from 1963-10-08 until 1963-10-10)
trombone:
Bob Edmondson (from 1963-10-08 until 1963-10-10), John Ewing (jazz trombonist - do not confuse with John Ewing, Jr.) (from 1963-10-08 until 1963-10-10) and Lester Robertson (jazz trombonist) (from 1963-10-08 until 1963-10-10)
trumpet:
Jules Chaikin (from 1963-10-08 until 1963-10-10), Freddie Hill (trumpet) (from 1963-10-08 until 1963-10-10), Carmell Jones (from 1963-10-08 until 1963-10-10) and Al Porcino (from 1963-10-08 until 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (from 1963-10-08 until 1963-10-10)
orchestra:
Gerald Wilson Orchestra (from 1963-10-08 until 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (from 1963-10-08 until 1963-10-10)
remixer:
Malcolm Addey and Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1963-10-08 until 1963-10-10)
cover recording of:
The Best Is Yet to Come (from 1963-10-08 until 1963-10-10)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Company, Inc. and WB Music Corp. (1929–2019)
Nancy Wilson2:22
4I Won’t Dance
producer:
Voyle Gilmore
trumpet:
Harry “Sweets” Edison (on 1956-11-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle (on 1956-11-15)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from "Roberta") (on 1956-11-15)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS-affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from "Three Sisters")
Frank Sinatra3:23
5Bitch
drum machine [drum/loop] programming:
Geza X
assistant engineer:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
engineer:
Jim Ebert and Geza X
producer:
Geza X
mixer:
Jim Ebert
bass:
Paul Bushnell
drums (drum set) [drums]:
Josh Freese (American drummer)
guitar [guitars] and background vocals:
Meredith Brooks (US singer/songwriter and guitarist)
keyboard [keyboards]:
David Ricketts (of David & David)
recorded at:
City Lab Sound Design in Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks3.854:13
6The Good Life
piano:
John Bunch (jazz pianist) and Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
lyricist:
Jack Reardon
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Tony Bennett42:15
7Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:08
8I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Born to Dance
Frank Sinatra43:43
9If I Had You
recording of:
If I Had You
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
Nnenna Freelon4:49
10What a Girl Wants
recording engineer:
Mario Luccy
programming and producer:
Guy Roche
additional mixer:
Michael Huff
mixer:
Dave Way
guitar family:
John Goux and Bruce Watson
tambourine:
Matt Laug
background vocals:
Christina Aguilera and Shelly Peiken
arranger:
Guy Roche
music videos:
What a Girl Wants by Christina Aguilera
cover recording of:
What a Girl Wants
writer:
Shelly Peiken and Guy Roche
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Hidden Pun Music, Inc., Manuiti L.A., Sushi Too Music, Universal Music–MGB Songs, Warner–Tamerlane Music Corp. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Christina Aguilera3:36
11Nobody but Me
recording of:
Nobody but Me
composer:
Billy Myles
Lou Rawls2:47
12Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
The Temptations3:56
13I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., S.A. Music Co., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Peggy Lee2:21
14Everything About You
Alan Silvestri3:03