Matthäus-Passion

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Gächinger Kantorei Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Annotation

Tenor Evangelist: Adalbert Kraus, Bass Jesus: Siegmund Nimsgern; Soprano Arias: Arleen Augér; Soprano 1st Maid: Rosmarie Hoffmann; Mezzo-soprano Pilate's Wife: Ann Murray; Contralto 1st Witness: Gabriele Schnaut; Contralto Arias: Julia Hamari; Mezzo-soprano 2nd Maid: Ria Bollen; Tenor Arias: Aldo Baldin; Tenor 2nd Witness: Frieder Lang; Bass Arias: Philippe Huttenlocher; Bass Judas: David Thomas; Bass Peter: Walter Heldwein; Bass High Priest: Philip B. Frohnmayer; Bass Pilate: Nikolaus Hillebrand; Bass 1st Priest: Johannes Kosters; Bass 2nd Priest: Manfred Volz

Annotation last modified on 2014-07-05 22:40 UTC.

Tracklist

▶CD 1
▶CD 2
▼CD 3
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Auf das Fest aber hatte der Landpfleger eine Gewohnheit
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:46
2Matthäus-Passion, BWV 244: Wie wunderbarlich ist doch diese Strafe
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1978-03 until 1978-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
3Matthäus-Passion, BWV 244: Der Landpfleger sagte
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:19
4Matthäus-Passion, BWV 244: Er hat uns allen wohlgetan
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:25
5Matthäus-Passion, BWV 244: Aus Liebe will mein Heiland sterben
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:58
6Matthäus-Passion, BWV 244: Sie schrien aber noch mehr
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:04
7Matthäus-Passion, BWV 244: Erbarm es Gott
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:58
8Matthäus-Passion, BWV 244: Können Tränen meiner Wangen
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:36
9Matthäus-Passion, BWV 244: Da nahmen die Kriegsknechte
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:18
10Matthäus-Passion, BWV 244: O Haupt voll Blut und Wunden
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1978-03 until 1978-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:26
11Matthäus-Passion, BWV 244: Und da sie ihn verspottet hatten
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:49
12Matthäus-Passion, BWV 244: Ja freilich will in uns das Fleisch und Blut
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:40
13Matthäus-Passion, BWV 244: Komm, süßes Kreuz, so will ich sagen
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:01
14Matthäus-Passion, BWV 244: Und da sie an die Stätte kamen
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:20
15Matthäus-Passion, BWV 244: Desgleichen schmäheten ihn auch die Mörder
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:19
16Matthäus-Passion, BWV 244: Ach Golgatha
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:58
17Matthäus-Passion, BWV 244: Sehet, Jesus hat die Hand
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:43
18Matthäus-Passion, BWV 244: Und von der sechsten Stunde an
bass vocals [Jesus]:
Siegmund Nimsgern (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
19Matthäus-Passion, BWV 244: Wenn ich einmal soll scheiden
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1978-03 until 1978-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
20Matthäus-Passion, BWV 244: Und siehe da, der Vorhang im Tempel zerriß
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:55
21Matthäus-Passion, BWV 244: Am Abend, da es kühle war
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:00
22Matthäus-Passion, BWV 244: Mache dich, mein Herze, rein
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:40
23Matthäus-Passion, BWV 244: Und Joseph nahm den Lein
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:42
24Matthäus-Passion, BWV 244: Nun ist der Herr zur Ruh gebracht
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
bass vocals:
Philippe Huttenlocher (baritone)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:00
25Matthäus-Passion, BWV 244: Wir setzen uns mit Tränen nieder
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1978-03 until 1978-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:38