The Seventies Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1How Deep Is Your Love
producer:
Bee Gees, Albhy Galuten and Karl Richardson
bass:
Maurice Gibb (in 1977)
drums (drum set):
Dennis Bryon (Welch drummer, author) (in 1977)
electric guitar:
Alan Kendall (in 1977)
guitar [rhythm guitar]:
Barry Gibb (in 1977)
keyboard, piano and synthesizer:
Blue Weaver (in 1977)
percussion:
Dennis Bryon (Welch drummer, author) (in 1977) and Joe Lala (in 1977)
background vocals and other vocals [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
lead vocals:
Barry Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 367)
recording of:
How Deep Is Your Love (Bee Gees song) (in 1977)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
Bee Gees4.34:03
2December 63 (Oh, What a Night)Frankie Valli & The Four Seasons3:20
3Kissin’ in the Back Row of the Movies
baritone vocals:
Grant Kitchings
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
tenor vocals:
Butch Leake
vocals:
Bill Fredericks and Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
composer:
Roger Greenaway and Tony Macaulay
The Drifters43:31
4Don’t Stop
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac3:13
5A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
America4.154:11
6If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings), Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.43:55
7He Ain’t Heavy He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:18
8Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:54
9Long Train Runnin’
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
The Doobie Brothers4.13:28
10Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty44:21
11How Long
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Minder Records (in 1974) and Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
part of:
The Downloader’s Music Source Book (number: 121)
recording of:
How Long?
lyricist and composer:
Paul Carrack
publisher:
Minder Music Ltd.
Ace3.653:23
12Wuthering Heights
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS-affiliated) (from 1978 to present)
Kate Bush3:25
13Alone Again (Naturally)Gilbert O’Sullivan3:38
14Fool (If You Think It’s Over)
recording of:
Fool (If You Think It’s Over)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:05
15She’s GoneHall & Oates4.53:26
16Love Is in the Air
producer:
Harry Vanda and George Young (Australian musician and producer)
recording of:
Love Is in the Air
writer:
Harry Vanda and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
John Paul Young33:28
17If I Said You Had a Beautiful Body Would You Hold It Against Me
engineer:
Jim Crosby (engineer) (in 1978) and Michael Lloyd (US guitarist/singer producer) (in 1978)
producer:
Michael Lloyd (US guitarist/singer producer) (in 1978)
acoustic guitar and lead vocals:
David Bellamy (Bellamy Brothers) (in 1978) and Howard Bellamy (Bellamy Brothers) (in 1978)
bass guitar:
Jesse Chambers (in 1978)
drums (drum set):
Rodney Price (drummer) (in 1978)
electric guitar:
Carl Chambers (in 1978)
keyboard:
Joe LaFrandre (in 1978)
steel guitar:
Danny Jones (US steel guitarist) (in 1978)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
lyricist and composer:
David Bellamy (Bellamy Brothers)
The Bellamy Brothers23:13
18If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot53:50
19Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar family:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music
Warren Zevon4.93:23
20Baby I’m-A Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Baby I’m-a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–EMI Music Ltd.
Bread42:30
21Softly Whispering I Love You
engineer:
Peter Vince (engineer, producer)
performer:
Brian Keith and Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
EMI Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Softly Whispering I Love You
writer:
Roger Cook (singer, songwriter, producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. NCB
The English Congregation23:02
CD 2
#TitleArtistRatingLength
1Spirit in the SkyNorman Greenbaum4.054:00
2See My Baby Jive
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.)
publisher:
Roy Wood Music Ltd.
Wizzard5:00
3School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician Vincent Damon Furnier), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
BMG Platinum Songs US, Carlin Music Corporation, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.253:29
4Stay With Me
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
recording of:
Stay With Me
writer:
Rod Stewart and Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
publisher:
Warner Bros. Music Co., Ltd.
Faces4.754:40
520th Century BoyT. Rex3:39
6Whole Lotta Love
producer:
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
additional lyricist:
Willie Dixon
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
You Need Love
C.C.S.53:30
7Can’t Get Enough
recording of:
Can’t Get Enough
lyricist and composer:
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company4:16
8Son of My Father
recording of:
Son of My Father
lyricist:
Michael Holm (German musician) (in 1971) and Pete Bellotte (English lyricist and producer) (in 1972)
composer:
Giorgio Moroder (in 1971)
publisher:
IQ Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
version of:
Nachts scheint die Sonne
Chicory Tip3:08
9Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd.
Suzi Quatro3:48
10Black Betty
producer:
Jerry Kasenetz and Jeff Katz (music producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 to present)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam4.52:30
11I Hear You Knocking
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher) and Francis, Day & Hunter Ltd.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds4.352:47
12Hit Me With Your Rhythm Stick
producer:
Laurie Latham
drums (drum set):
Charley Charles (UK drummer) (in 1978)
electric bass guitar:
Norman Watt-Roy (in 1978)
guitar:
John Turnbull (in 1978)
Hammond organ:
Mick Gallagher (UK hammond organ player) (in 1978)
piano:
Chaz Jankel (in 1978)
saxophone:
Davey Payne (UK saxophonist) (in 1978)
lead vocals:
Ian Dury (in 1978)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
lyricist:
Ian Dury
composer:
Chaz Jankel
Ian Dury & The Blockheads3.853:44
13Pop Muzik
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd. and Pop Muzik Limited
M4:55
14Kid
recording of:
Kid
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Hynde House of Hits Music, Modern Music Publishing Co., Inc., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Pretenders3:07
15Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Music Group) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.43:46
16Milk and Alcohol
recording of:
Milk and Alcohol
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
Dr. Feelgood2:50
17No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers53:29
18I Only Want to Be With You
cover recording of:
I Only Want to Be With You (Dusty Springfield song)
writer:
Mike Hawker and Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
The Tourists2:24
19Rock On
recording engineer:
Gary Martin (Sound Engineer)
producer:
Jeff Wayne (musician)
vocals:
David Essex
conductor:
Jeff Wayne (musician)
arranger:
Jeff Wayne (musician)
recording of:
Rock On
lyricist and composer:
David Essex
publisher:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. and Stage Three Songs
David Essex4.353:23
20Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:53
21Substitute
producer:
Grahame Beggs
recording of:
Substitute
lyricist and composer:
Willie Wilson
Clout43:25
22January
producer:
Alan Parsons (of The Alan Parsons Project)
recording of:
January
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
lyricist and composer:
David Paton
publisher:
EMI Music Publishing (do not use as a release label!) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:32
CD 3
#TitleArtistRatingLength
1You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:02
2Rivers of BabylonBoney M.4:00
3I Want Your Love
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic3:25
4Golden Years
recording of:
Golden Years
lyricist and composer:
David Bowie
publisher:
Bewlay Bros. Music, Chrysalis Music Ltd. (music publisher), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated), Mainman S.A. (not for release label use! © & ℗ rights use only), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie3:27
5You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:30
6I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
background vocals and lead vocals:
Chaka Khan
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
Chaka Khan3.54:05
7Rapper’s Delight
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards, Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang3.653:57
8Love Really Hurts Without You
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher) and EMI Music Publishing Ltd. (PRS-affiliated)
Billy Ocean3:04
9Give Me Just a Little More Time
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
writer:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Holland Group Productions Inc.
Chairmen of the Board2:43
10Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass guitar:
Scotty Edwards (bassist)
congas:
Eddie Bongo
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Jay Graydon and Ray Parker
keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) and Sonny Burke (soul/jazz/funk keyboardist)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
synthesizer:
Monty Stark
vibraphone:
Vic Feldman
background vocals:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells and June D. Williams
lead vocals:
Candi Staton
vocals:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton4.24:10
11Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
lyricist and composer:
Miles Gregory
publisher:
Sony/ATV Ballad and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce3:53
12We Are Family
recording of:
We Are Family
writer:
Bernard Edwards and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge4.43:37
13Black Is Black
cover recording of:
Black Is Black
writer:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) and Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Belle Epoque2:53
14The Hustle
recording of:
The Hustle
lyricist and composer:
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy4:09
15I’m Gonna Run Away From You
Tami Lynn2:48
16Dancing in the CityMarshall Hain3:47
17Tired of Being AloneAl Green2:42
18Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:14
19Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
lyricist and composer:
David Parton
publisher:
Mr & Mrs Music
Sweet Sensation3:23
20Hurt So Good
Susan Cadogan3:21
21Israelites
producer:
Leslie Kong
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc. and Sparta Music (publisher) (in 1978)
Desmond Dekker42:35
22A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
writer:
Dandy Livingstone and Lee “Scratch” Perry
The Specials42:53
23The Prince
recording of:
The Prince
lyricist and composer:
Lee “Kix” Thompson (Madness)
dedicated to:
Prince Buster
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
Madness2:34