Tracklist

CD 1
#TitleRatingLength
1The Sea Hawk: Main Title / The Albatross / The Throne Room of Elizabeth I / Entrance of the Sea Hawks / Rose Garden / The Orchid / Panama March / Escape From the Galley / Sword Fight / Strike for the Shores of Dover / Reunion / “Rise, Sir Geoffrey Thorpe!” / End Title
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
edit of:
The Sea Hawk (Main Title; Reunion; Finale) by National Philharmonic Orchestra, Charles Gerhardt
recording of:
Finale (The Sea Hawk)
composer:
Erich Wolfgang Korngold
part of:
The Sea Hawk
recording of:
Main Title (The Sea Hawk)
composer:
Erich Wolfgang Korngold
part of:
The Sea Hawk
recording of:
Reunion (The Sea Hawk)
composer:
Erich Wolfgang Korngold
part of:
The Sea Hawk
15:39
2Of Human Bondage: Main Title / Christmas / Sally / Nora / Lullaby / Finale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
edit of:
Of Human Bondage (Nora's Theme) by National Philharmonic Orchestra, Charles Gerhardt
recording of:
Nora’s Theme (Of Human Bondage)
composer:
Erich Wolfgang Korngold
12:30
3Between Two Worlds: Main Title / Mother and Son / Piano Rhapsody
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
edit of:
Between Two Worlds (Main Title; Mother and Son) by National Philharmonic Orchestra, Charles Gerhardt
recording of:
Main Title (Between Two Worlds)
composer:
Erich Wolfgang Korngold
part of:
Between Two Worlds
7:35
4The Sea Wolf: Main Title / Escape in the Fog / Love Scene / Finale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
harmonica:
Harry Pitch
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
partial recording of:
The Sea Wolf: Escape And Storm / Fog / Cooky / Asleep / Johnson Is Gone
composer:
Erich Wolfgang Korngold (in 1941)
part of:
The Sea Wolf
partial recording of:
The Sea Wolf: Finale / End Cast
composer:
Erich Wolfgang Korngold (in 1941)
part of:
The Sea Wolf
recording of:
The Sea Wolf: Love Scene
composer:
Erich Wolfgang Korngold (in 1941)
part of:
The Sea Wolf
partial recording of:
The Sea Wolf: Main Title / Street
composer:
Erich Wolfgang Korngold (in 1941)
part of:
The Sea Wolf
7:32
5The Constant Nymph: Tomorrow
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
contralto vocals:
Norma Procter
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Tomorrow: Tone Poem For Contralto, Women's Chorus And Orchestra, op. 33
composer:
Erich Wolfgang Korngold (in 1942)
part of:
Works of Erich Wolfgang Korngold by opus number (number: op. 33)
6:07
6Kings Row: Main Title
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Main Title (Kings Row)
composer:
Erich Wolfgang Korngold
1:42
7Anthony Adverse: No Father, No Mother, No Name / In the Forest
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
edit of:
Anthony Adverse: No Father, No Mother, No Name by National Philharmonic Orchestra, Charles Gerhardt
recording of:
No Father, No Mother, No Name (Anthony Adverse)
composer:
Erich Wolfgang Korngold
4:57
8Deception: Main Title
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Main Title (Deception)
composer:
Erich Wolfgang Korngold
1:38
9Devotion: The Death of Emily Brontë
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
The Death of Emily Bronte (Devotion)
composer:
Erich Wolfgang Korngold
4:10
10Escape Me Never: Main Title / Venice / March / Lover Scene / Finale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
George Korngold (producer)
solo violin:
Sidney Sax (violinist)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Main Title / Venice / March / Love Scene / Finale (Escape Me Never)
composer:
Erich Wolfgang Korngold
8:15

Credits

Release

ASIN:US: B00000E6G0 [info]