Die schönsten Weihnachtsmärkte (The Most Beautiful Christmas Markets)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	In Dulci Jubilo organ: Franz Lehrndorfer (organist) recording of: In Dulci Jubilo composer: Fridolin Sicher (composer)	Fridolin Sicher		1:42
2	Magnificat in D major, BWV 243: Magnificat flute: Konrad Hampe (flautist) and Helmut Steinkraus (flautist) oboe: Willy Schnell (oboist) alto vocals: Hildegard Rüttgers (alto) bass vocals: Erich Wenk (bass-baritone) choir vocals: Stuttgart Figural Choir soprano vocals: Romy Gundermann (soprano) tenor vocals: Kurt Equiluz (tenor) orchestra: Bach Orchestra conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		3:29
3	Magnificat in D major, BWV 243: Et exultavit spiritus meus soprano vocals: Romy Gundermann (soprano) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		2:48
4	Magnificat in D major, BWV 243: Quia respexit oboe: Willy Schnell (oboist) soprano vocals: Romy Gundermann (soprano) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		3:04
5	Magnificat in D major, BWV 243: Omnes generationes flute: Konrad Hampe (flautist) and Helmut Steinkraus (flautist) oboe: Willy Schnell (oboist) choir vocals: Stuttgart Figural Choir orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		1:30
6	Magnificat in D major, BWV 243: Quia fecit mihi magni bass vocals: Erich Wenk (bass-baritone) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		2:08
7	Magnificat in D major, BWV 243: Et misericordia flute: Konrad Hampe (flautist) and Helmut Steinkraus (flautist) oboe: Willy Schnell (oboist) alto vocals: Hildegard Rüttgers (alto) tenor vocals: Kurt Equiluz (tenor) orchestra: Bach‐Collegium Stuttgart recording of: Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		3:54
8	Magnificat in D major, BWV 243: Fecit potentiam flute: Konrad Hampe (flautist) and Helmut Steinkraus (flautist) oboe: Willy Schnell (oboist) choir vocals: Stuttgart Figural Choir orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		2:13
9	Magnificat in D major, BWV 243: Deposuit potentes tenor vocals: Kurt Equiluz (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		2:12
10	Magnificat in D major, BWV 243: Esurientes implevit bonis flute: Konrad Hampe (flautist) and Helmut Steinkraus (flautist) alto vocals: Hildegard Rüttgers (alto) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		3:11
11	Magnificat in D major, BWV 243: Suscepit Israel oboe: Willy Schnell (oboist) alto vocals: Hildegard Rüttgers (alto) soprano vocals: Romy Gundermann (soprano) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		2:30
12	Magnificat in D major, BWV 243: Sicut iocutus est choir vocals: Stuttgart Figural Choir orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		1:59
13	Magnificat in D major, BWV 243: Gloria patri flute: Konrad Hampe (flautist) and Helmut Steinkraus (flautist) oboe: Willy Schnell (oboist) choir vocals: Stuttgart Figural Choir orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach		2:45
14	Sonata in D major harpsichord: Hugo Ruf (harpsichordist) viola da gamba: Johannes Koch (viola da gamba player) violin: Susanne Lautenbacher (violinist) recording of: Sonata in D major, op. 9 no. 3 composer: Jean‐Marie Leclair (composer and violinist) part of: Quatrième livre de sonates, op. 9	Jean‐Marie Leclair		14:53
15	Vater unser im Himmlereich organ: Helmuth Rilling (conductor) recording of: Vater unser im Himmlereich composer: Samuel Scheidt (composer)	Samuel Scheidt		17:37