L.A. Get-Together!

~ Release by Stan Getz & Chet Baker (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Yardbird Suite
recording engineer:
Dick Block
bass:
Carson Smith (on 1953-06-16)
drums (drum set):
Larry Bunker (on 1953-06-16)
tenor saxophone:
Stan Getz (on 1953-06-16)
trumpet:
Chet Baker (on 1953-06-16)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (on 1953-06-16)
live recording of:
Yardbird Suite (instrumental version) (on 1956-06-16)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1946)
4:54
2The Way You Look Tonight
recording engineer:
Dick Block
bass:
Carson Smith (on 1953-06-16)
drums (drum set):
Larry Bunker (on 1953-06-16)
tenor saxophone:
Stan Getz (on 1953-06-16)
trumpet:
Chet Baker (on 1953-06-16)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (on 1953-06-16)
live instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1956-06-16)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
6:22
3Half Nelson
recording engineer:
Dick Block
bass:
Carson Smith (on 1953-06-16)
drums (drum set):
Larry Bunker (on 1953-06-16)
tenor saxophone:
Stan Getz (on 1953-06-16)
trumpet:
Chet Baker (on 1953-06-16)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (on 1953-06-16)
live recording of:
Half Nelson (on 1956-06-16)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:37
4Move
recording engineer:
Dick Block
bass:
Carson Smith (on 1953-06-16)
drums (drum set):
Larry Bunker (on 1953-06-16)
tenor saxophone:
Stan Getz (on 1953-06-16)
trumpet:
Chet Baker (on 1953-06-16)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (on 1953-06-16)
live recording of:
Move (on 1956-06-16)
composer:
Denzil Best
4:35
5Strike Up the Band
recording engineer:
Dick Block
bass:
Carson Smith (on 1953-06-16)
drums (drum set):
Larry Bunker (on 1953-06-16)
tenor saxophone:
Stan Getz (on 1953-06-16)
trumpet:
Chet Baker (on 1953-06-16)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (on 1953-06-16)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (on 1956-06-16)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway Musical)
part of:
Strike up the Band (1927 Gershwin musical)
4:42
6Come Out Wherever You Are
recording engineer:
Dick Block
bass:
Carson Smith (on 1953-06-16)
drums (drum set):
Larry Bunker (on 1953-06-16)
tenor saxophone:
Stan Getz (on 1953-06-16)
trumpet:
Chet Baker (on 1953-06-16)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (on 1953-06-16)
5:33
7All the Thing You Are
recording engineer:
Dick Block
bass:
Joe Mondragon (in 1953-12)
drums (drum set):
Shelly Manne (in 1953-12)
piano:
Russ Freeman (pianist) (in 1953-12)
tenor saxophone:
Stan Getz (in 1953-12)
trumpet:
Chet Baker (in 1953-12)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
The Haig in Los Angeles, California, United States (in 1953-12)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1953-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
11:44
8Lover Come Back to Me
bass:
Gene Englund (bass) (on 1952-09-14)
drums (drum set):
Jimmy Pratt (on 1952-09-14)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (on 1952-09-14)
tenor saxophone:
Stan Getz (on 1952-09-14)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
Tiffany Club in Los Angeles, California, United States (on 1952-09-14)
live instrumental recording of:
Lover, Come Back to Me (The New Moon) (on 1952-09-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
6:03
9Yesterdays
bass:
Gene Englund (bass) (on 1952-09-14)
drums (drum set):
Jimmy Pratt (on 1952-09-14)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (on 1952-09-14)
tenor saxophone:
Stan Getz (on 1952-09-14)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
Tiffany Club in Los Angeles, California, United States (on 1952-09-14)
live instrumental recording of:
Yesterdays (on 1952-09-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:23
10There'll Never Be Another You
bass:
Gene Englund (bass) (on 1952-09-14)
drums (drum set):
Jimmy Pratt (on 1952-09-14)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (on 1952-09-14)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
Tiffany Club in Los Angeles, California, United States (on 1952-09-14)
live instrumental recording of:
There Will Never Be Another You (on 1952-09-14)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:54
11How High the Moon
bass:
Gene Englund (bass) (on 1952-09-14)
drums (drum set):
Jimmy Pratt (on 1952-09-14)
piano:
Donn Trenner (piano, jazz cat who emerged during the 40s, also musical director) (on 1952-09-14)
tenor saxophone:
Stan Getz (on 1952-09-14)
phonographic copyright (℗) by:
Camarillo Music Ltd.
recorded at:
Tiffany Club in Los Angeles, California, United States (on 1952-09-14)
live instrumental recording of:
How High the Moon (on 1952-09-14)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:04