Ashes to Ashes: Series 2

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Under Pressure
producer:
David Bowie, Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass guitar and guitar:
John Deacon (from 1981-06 until 1982-03)
drums (drum set):
Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
electric guitar:
Brian May (Queen guitarist) (from 1981-06 until 1982-03)
finger snaps and handclaps:
John Deacon (from 1981-06 until 1982-03), Brian May (Queen guitarist) (from 1981-06 until 1982-03), Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
finger snaps and handclaps:
David Bowie (from 1981 until 1982-03)
keyboard:
John Deacon (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
piano:
Freddie Mercury (from 1981-06 until 1982-03)
synthesizer:
David Bowie (from 1981-06 until 1982-03)
background vocals:
Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
lead vocals:
David Bowie (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
performer:
David Bowie and Queen (UK rock group)
phonographic copyright (℗) by:
David R. Jones (Jones Music subsidiary) (in 1981), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) and Raincloud Productions Ltd. (in 1981)
recorded at:
Mountain Studio in Montreux, Vaud, Switzerland (from 1981-06 until 1982-03) and Musicland Studios (Munich) in München, Bayern, Germany (from 1981-06 until 1982-03)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 429)
recording of:
Under Pressure (from 1981-06 until 1982-03)
writer:
David Bowie, Brian May (Queen guitarist), John Deacon, Freddie Mercury and Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), EMI Music Publishing Ltd. (PRS-affiliated) (in 1981), Tintoretto Music (in 1981) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen & David Bowie4.34:04
2Alex Drake
[dialogue]0:15
3Opening Titles
Edmund Butt0:54
4Planet Earth
engineer and producer:
Colin Thurston
recording of:
Planet Earth
writer:
Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4.653:55
5In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
guitar:
Daryl Stuermer (in 1980)
Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder:
Phil Collins (of Genesis) (in 1980)
violin:
Sharokav (in 1980)
lead vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980) and Hit & Run Music (Publishing) Ltd (in 1980)
part of:
Risky Business (film soundtrack)
Phil Collins4.35:29
6Rat Race
producer:
Dave Jordan (UK producer/remixer)
recording of:
Rat Race
composer:
Roderick James Byers
The Specials3.353:08
7Vindaloo
[dialogue]0:16
8Mirror ManThe Human League23:48
9The Look of Love, Part 1
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
ABC4.13:28
10Going Back to My Roots
producer:
Steve Tyrell (American producer and vocalist)
cover recording of:
Going Back to My Roots
lyricist and composer:
Lamont Dozier
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and フジパシフィックミュージック SBK事業部
Odyssey55:25
11The Strangest Day
[dialogue]0:47
12Alex's Theme
Edmund Butt1:51
13Funeral Pyre
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (in 1981-04)
recording of:
Funeral Pyre (in 1981-04)
lyricist:
Paul Weller
composer:
Rick Buckler, Bruce Foxton and Paul Weller
publisher:
Complete Music Ltd., Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam3:28
14Temptation
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
New Order5:22
15The Lunatics (Have Taken Over the Asylum)Fun Boy Three4.353:13
16Back of Love
engineer:
David Bascombe, Colin Fairley, Paul Cobald, Steve Prestige, Steve Short (sound engineer & producer) and Dave Wooley
producer:
Kingbird and Kingbird
recording of:
The Back of Love
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen53:13
17Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (English guitarist from A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc.
A Flock of Seagulls4:10
18Love Plus One
producer:
Bob Sargeant
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred4.53:33
19Felicity Kendal
[dialogue]0:28
20Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (Producer. aka Merrick)
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:07
21Lies
engineer:
Phil Thornalley
producer:
Alex Sadkin
recording of:
Lies
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
CD Baby Publishing and Point Music Ltd.
Thompson Twins3.93:11
22Streets of LondonAnti-Nowhere League43:16
23I Second That EmotionJapan53:45
24Everybody's Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:06
25Atomic
engineer:
Peter Coleman (British Engineer & Producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS-affiliated)
Blondie43:47
26Tea & Sympathy
[dialogue]0:24
27Hunt's Theme
Edmund Butt1:04