Fan des 60 - 1967

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Good Vibrations
producer:
Brian Wilson (Beach Boys co-founder)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co-founder)
composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country-specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:38
2Happy Together
performer:
The Turtles (late 60s US rock band)
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.652:56
3Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.82:28
4Mellow Yellow
recording of:
Mellow Yellow
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan3:36
5Harley Davidson
vocals:
Brigitte Bardot
conductor:
Michel Colombier (French composer, arranger & conductor)
arranger:
Michel Colombier (French composer, arranger & conductor)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1967-10-19)
music videos:
Harley Davidson by Brigitte Bardot
recording of:
Harley Davidson (on 1967-10-19)
lyricist and composer:
Serge Gainsbourg
recording of:
Harley Davidson (in 1967)
lyricist and composer:
Serge Gainsbourg
Brigitte Bardot52:31
6Puppet on a String
vocals:
Sandie Shaw (in 1967)
part of:
United Kingdom in the Eurovision Song Contest (number: 1967) and Winners of the Eurovision Song Contest (number: 1967)
recording of:
Puppet on a String (in 1967)
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:23
7Aranjuez, mon amour
vocals:
Richard Anthony (French-Egyptian pop singer)
conductor:
Tony Osborne
recording of:
Aranjuez, mon amour (in 1967)
lyricist:
Guy Bontempelli
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
is based on:
Concierto de Aranjuez
is based on:
Concierto de Aranjuez: II. Adagio
Richard Anthony4:55
8The Beat Goes On
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Sonny Bono
conductor:
Harold Battiste
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States
recording of:
The Beat Goes On (in 1967)
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sonny & Cher4.653:28
9Je n'aurai pas le temps
vocals:
Michel Fugain
conductor:
Jean Bouchéty
arranger:
Jean Bouchéty
recording of:
Je n’aurai pas le temps (in 1967)
lyricist:
Pierre Delanoë
composer:
Michel Fugain
publisher:
Barclay S.A. (in 1967) and Warner Chappell Music France (in 1967)
Michel Fugain2:48
10There's a Kind of Hush
engineer:
Dave Siddle (engineer)
producer:
Mickie Most (English record producer)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1966-12-07)
cover recording of:
There’s a Kind of Hush (on 1966-12-07)
writer:
Les Reed and Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Herman’s Hermits4.52:37
11Matthew & Son
recording engineer:
Vic Smith (on 1966-12-01)
producer:
Mike Hurst (musician and record producer from London, England)
arranger:
Mike Hurst (musician and record producer from London, England) and Alan Tew (British composer and arranger)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Ltd. (for copyrights use only!) (in 1966)
recorded at:
Decca Studios in West Hampstead, Camden, London (Greater London), England, United Kingdom (on 1966-12-01)
recording of:
Matthew and Son (on 1966-12-01)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd.
Cat Stevens3.52:42
12Soul Man
recording of:
Soul Man
writer:
David Porter (US soul musician, producer & songwriter) (in 1967) and Isaac Hayes (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave2:39
13Comme d'habitude
vocals:
Claude François (in 1967-11)
orchestra:
David Whitaker et son orchestre (in 1967-11)
recording of:
Comme d’habitude (in 1967-11)
lyricist:
Claude François and Gilles Thibaut
composer:
Claude François and Jacques Revaux
Claude François4:13
14Ode to Billy Joe
phonographic copyright (℗) by:
Capitol Records Nashville (in 1967)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 191) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 412)
recording of:
Ode to Billie Joe
lyricist and composer:
Bobbie Gentry
publisher:
Larry Shayne Music, Inc.
Bobbie Gentry54:17
15Nights in White Satin
recording of:
Nights in White Satin
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4:28
16Le Téléphon
vocals:
Nino Ferrer (in 1966)
orchestra:
La Bande à Ferrer (in 1966)
recording of:
Le Téléfon (in 1966)
lyricist and composer:
Nino Ferrer
Nino Ferrer2:50
17A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Procol Harum4.14:02
18Amour d'été
vocals:
Johnny Hallyday
recording of:
Amour d’été (Love Me Tender) (in 1967)
lyricist:
Georges Aber
translated version of:
Love Me Tender
Johnny Hallyday53:14

Credits

Release Group

part of:Fan des 60 (order: 8)