Jazz ’Round the Clock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1: Morning
#TitleArtistRatingLength
1You Are My Sunshine
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
bass:
Ray Brown (jazz bassist) (in 1963-02)
drums (drum set):
Ed Thigpen (in 1963-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-02)
vocals:
Bill Henderson (US jazz vocalist & actor) (in 1963-02)
recording of:
You Are My Sunshine (in 1963-02)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Bill Henderson4:39
2Good Morning Blues
recorded in:
New York, New York, United States (in 1955)
bass:
Bill Anthony (bass) (in 1955)
drums (drum set):
Jack Edie (in 1955)
piano:
John Williams (American jazz pianist) (in 1955)
recording of:
Good Morning Blues (in 1955)
writer:
Count Basie (pianist), Eddie Durham (American guitarist, trombonist, composer and arranger.) and Jimmy Rushing
John Williams4:24
3I Can’t Get Started
recorded in:
New York, New York, United States (on 1952-03-25)
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-03-25) and Harry Terrill (Musician - Saxophone Player) (on 1952-03-25)
baritone saxophone and bass saxophone:
Danny Bank (reeds) (on 1952-03-25)
double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (Jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Pool (big-band era trumpet player) (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Don Lamond (on 1952-03-25) and Joe Lipman (Joseph P. Lippman) (on 1952-03-25)
arranger:
Don Lamond and Joe Lipman (Joseph P. Lippman)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental recording of:
I Can’t Get Started (on 1952-03-25)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Charlie Parker3:10
4Good Morning Heartache
recorded in:
New York, New York, United States (on 1956-06-07)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-07)
double bass:
Aaron Bell (on 1956-06-07)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trombone:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recording of:
Good Morning Heartache (on 1956-06-07)
lyricist:
Ervin Drake (Songwriter)
composer:
Dan Fisher and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
Billie Holiday43:32
5Volare (Nel blu dipinto di blu)
recorded in:
France (in 1993-02)
bass:
Furio Di Castri (in 1993-02)
drums (drum set):
Aldo Romano (in 1993-02)
piano:
Franco D'Andrea (in 1993-02)
trumpet:
Paolo Fresu (in 1993-02)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (in 1993-02)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
Aldo Romano2:37
6Mon homme
recorded in:
Paris, Île-de-France, France (in 1992-05)
engineer:
Claude Hermelin
producer:
Michel Legrand
bass:
Marc-Michel Le Bévillon (in 1992-05)
drums (drum set):
André Ceccarelli (in 1992-05)
piano:
Michel Legrand (in 1992-05)
violin:
Stéphane Grappelli (jazz violinist) (in 1992-05)
arranger:
Michel Legrand
recording of:
Mon homme (in 1992-05)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
Stéphane Grappelli & Michel Legrand3:58
7First Song
assistant engineer:
Kevin Thomas (engineer)
engineer:
Jon Rosenberg (engineer)
producer:
Stefan F. Winter
double bass [bass]:
Charlie Haden (American jazz bassist) (in 1989-03)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1989-03)
piano:
Geri Allen (jazz pianist) (in 1989-03)
recorded at and mixed at:
Sound Ideas Studios in New York, New York, United States (in 1989-03)
recording of:
First Song (in 1989-03)
composer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music Co. (BMI)
Geri Allen5:41
8In the Wee Small Hours of the Morning
recorded in:
New York, New York, United States (in 1956-03)
guitar:
Al Caiola or Mundell Lowe (in 1956-03)
piano:
Hank Jones (piano) (in 1956-03)
trombone:
Chauncey Welsch (in 1956-03)
vocals:
Morgana King (in 1956-03)
arranger:
Richard Hayman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recording of:
In the Wee Small Hours of the Morning (in 1956-03)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Morgana King2:30
9There Is No Greater Love
recorded in:
Chicago, Illinois, United States (on 1961-08-27)
bass:
Buster Williams (on 1961-08-27)
drums (drum set):
George Brown (jazz drummer) (on 1961-08-27)
piano:
John Houston (jazz pianist) (on 1961-08-27)
tenor saxophone:
Gene Ammons (on 1961-08-27) and Sonny Stitt (on 1961-08-27)
recording of:
There Is No Greater Love (on 1961-08-27)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Gene Ammons & Sonny Stitt6:33
10Early in the Mornin’
recorded in:
New York, New York, United States (on 1956-10-29)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1956-10-29)
baritone saxophone and tenor saxophone:
Budd Johnson (on 1956-10-23)
bass:
Wendell Marshall (on 1956-10-29)
bass saxophone:
Budd Johnson (on 1956-10-29)
bongos:
Francisco Pozo (on 1956-10-29)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1956-10-29)
guitar:
Mickey Baker (on 1956-10-29)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1956-10-29)
tenor saxophone:
Budd Johnson (on 1956-10-29) and Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1956-10-29)
trombone:
Jimmy Cleveland (on 1956-10-29)
trumpet:
Ernie Royal (on 1956-10-29)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1956-10-29)
conductor:
Quincy Jones (on 1956-10-29)
arranger:
Quincy Jones (on 1956-10-29)
recording of:
Early in the Morning (on 1956-10-29)
writer:
Dallas Bartley, Leo Hickman and Louis Jordan (US jazz, blues and r&b musician and songwriter)
publisher:
Cherio Corp.
Louis Jordan3:25
11Alone Together
bass:
Paul Chambers (US jazz bassist) (on 1962-11-01)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-11-01)
piano:
Wynton Kelly (on 1962-11-01)
tenor saxophone:
Benny Golson (on 1962-11-01)
recording of:
Alone Together (on 1962-11-01)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Benny Golson7:35
12Softly as in a Morning Sunrise
recorded in:
Stockholm, Stockholms län, Sweden (on 1992-02-15)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1992-02-15)
guitar:
Joe Pass (jazz guitarist) (on 1992-02-15)
recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1992-02-15)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
Joe Pass & Red Mitchell6:09
13Toll Bridge
recorded in:
New York, New York, United States (on 1954-09-08)
bass:
Jimmy Schenck (on 1954-09-08)
drums (drum set):
Art Blakey (on 1954-09-08)
piano:
Junior Mance (on 1954-09-08)
tenor saxophone:
Charlie Rouse (on 1954-09-08)
trumpet:
Joe Gordon (jazz trumpeter) (on 1954-09-08)
recording of:
Toll Bridge (on 1954-09-08)
composer:
Joe Gordon (jazz trumpeter)
Joe Gordon6:28
14Jam with Sam
alto saxophone:
Johnny Hodges (on 1959-07-04) and Russell Procope (on 1959-07-04)
bass:
Jimmy Woode (on 1959-07-04)
bass saxophone:
Harry Carney (on 1959-07-04)
drums (drum set):
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1959-07-04) and Sam Woodyard (on 1959-07-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-07-04)
tenor saxophone:
Paul Gonsalves (on 1959-07-04) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1959-07-04)
trombone:
Quentin Jackson (on 1959-07-04), John Sanders (US jazz trombonist) (on 1959-07-04) and Britt Woodman (on 1959-07-04)
trumpet:
Cat Anderson (on 1959-07-04), Fats Ford (trumpeter) (on 1959-07-04), Harold Baker (on 1959-07-04), Ray Nance (on 1959-07-04) and Clark Terry (American swing trumpeter) (on 1959-07-04)
recorded at:
Newport Jazz Festival (1959)
recording of:
Jam With Sam (on 1959-07-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:48
15Have a Nice Day
piano:
Count Basie (pianist) (in 1972)
vocals:
Bing Crosby (from 1972-03-14 until 1972-03-16)
orchestra:
The Count Basie Orchestra (in 1972)
recording of:
Have a Nice Day
writer:
Johnny Mercer and Sammy Nestico
Bing Crosby & Count Basie & His Orchestra2:55
▼CD 2: Noon
#TitleArtistRatingLength
1Day in, Day Out
bass:
Bill Yancey (in 1964-07)
drums (drum set):
Gus Johnson (drums) (in 1964-07)
piano:
Tommy Flanagan (in 1964-07)
trumpet:
Roy Eldridge (in 1964-07)
vocals:
Ella Fitzgerald (in 1964-07)
recording of:
Day In, Day Out (in 1964-07)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Ella Fitzgerald2:54
2On a Clear Day You Can See Forever
bass:
Sam Jones (jazz bassist)
drums (drum set):
Bobby Durham
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
Oscar Peterson4:21
3It Don’t Mean a Thing
recorded in:
New York, New York, United States (on 1954-02-06)
bass:
Porter Kilbert (on 1954-02-06)
drums (drum set):
Art Blakey (on 1954-02-06)
piano:
Horace Silver (on 1954-02-06)
tenor saxophone:
Paul Gonsalves (on 1954-02-06)
trumpet:
Clark Terry (American swing trumpeter) (on 1954-02-06)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1954-02-06)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy "Duke" Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Clark Terry3:17
4Jive at Five
recorded in:
New York, New York, United States (in 1959-05)
bass:
Tommy Bryant (in 1959-05)
drums (drum set):
Jo Jones (US jazz drummer) (in 1959-05)
piano:
Ray Bryant (in 1959-05)
recording of:
Jive at Five (in 1959-05)
composer:
Count Basie (pianist) and Harry “Sweets” Edison
Jo Jones3:49
5Everything Happens to Me
recorded in:
Chicago, Illinois, United States (on 1946-05-06)
bass:
Chubby Jackson (on 1946-05-06)
bass clarinet:
Mickey Folus (on 1946-05-06)
clarinet:
Salvatore Delegge (on 1946-05-06) and John LaPorta (on 1946-05-06)
drums (drum set):
Barrett Deems (on 1946-05-06)
flute:
Ted Wheeler (musician) (on 1946-05-06)
guitar:
George Barnes (on 1946-05-06)
piano:
Ralph Burns (on 1946-05-06)
valve trombone:
Bill Harris (Jazz trombonist) (on 1946-05-06)
arranger:
Ralph Burns
recording of:
Everything Happens to Me (on 1946-05-06)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Bill Harris3:12
6Lazy Afternoon
engineer:
Johnny Cue
vocals:
Ernestine Anderson (in 1960)
orchestra:
Ernie Wilkins Orchestra (in 1960)
recording of:
Lazy Afternoon (The Golden Apple, 1954) (in 1960)
lyricist:
John Latouche
composer:
Jerome Moross (composer and conductor)
publisher:
Chappell & Co., Inc. (USA) and Sony/ATV Tunes LLC
part of:
The Golden Apple (musical)
Ernestine Anderson2:49
7Day Danse
recorded in:
Burbank, California, United States (in 1976-10)
engineer:
Bernie Kirsh
producer:
Chick Corea (jazz pianist)
cello:
David Speltz (in 1976-10)
foot stomps [foot stomping, hand clapping] and piano:
Chick Corea (jazz pianist) (in 1976-10)
viola:
Carole Mukogawa (in 1976-10)
violin:
Connie Kupka (in 1976-10) and Barry Socher (in 1976-10)
arranger:
Chick Corea (jazz pianist)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1976-10)
recording of:
Day Danse (in 1976-10)
composer:
Chick Corea (jazz pianist)
Chick Corea4:31
8Air Conditioned
recorded in:
New York, New York, United States (in 1960-10)
bass:
Ed Jones (US jazz double bassist) (in 1960-10)
drums (drum set):
Charlie Persip (American jazz drummer) (in 1960-10)
piano:
Hank Jones (piano) (in 1960-10)
trombone:
Bob Brookmeyer (in 1960-06) and Curtis Fuller (in 1960-10)
trumpet:
Thad Jones (in 1960-10) and Joe Newman (US jazz trumpeter) (in 1960-10)
recording of:
Air Conditioned (in 1960-10)
composer:
Bob Brookmeyer
Bob Brookmeyer4:57
9Nevertheless
recorded in:
Los Angeles, California, United States (on 1956-05-07)
vocals:
Patti Page (on 1956-05-07)
orchestra:
Pete Rugolo and His Orchestra (on 1956-05-07)
recording of:
Nevertheless (I’m in Love With You) (on 1956-05-07)
lyricist:
Bert Kalmar
composer:
Harry Ruby
publisher:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc., Warner/Chappell, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Patti Page1:47
10The Lady’s in Love with You
recorded in:
New York, New York, United States (on 1954-09-13)
bass:
Ray Brown (jazz bassist) (on 1954-09-13)
drums (drum set):
Buddy Rich (on 1954-09-13)
guitar:
Herb Ellis (jazz guitarist) (on 1954-09-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-09-13)
tenor saxophone:
Flip Phillips (on 1954-09-13)
recording of:
The Lady’s in Love With You (on 1954-09-13)
lyricist:
Frank Loesser
composer:
Burton Lane
Flip Phillips5:52
11Bottle It
recorded in:
New York, New York, United States (on 1958-02-26)
alto saxophone:
Ben Richardson (jazz saxophonist) (on 1958-02-26)
bass and double bass:
Joe Benjamin (US jazz bassist) (on 1958-02-26)
drums (drum set):
Herbie Lovelle (on 1958-02-26)
guitar:
Everett Barksdale (on 1958-02-26)
piano:
Skip Hall (pianist, composer) (on 1958-02-26)
reeds and tenor saxophone:
Buddy Tate (on 1958-02-26)
trombone:
Eli Robinson (trombonist) (on 1958-02-26)
trumpet:
Pat Jenkins (trumpet) (on 1958-02-26)
recording of:
Bottle It (on 1956-02-26)
composer:
Skip Hall (pianist, composer)
Buddy Tate6:02
12Over the Rainbow
producer:
Maceo Parker
alto saxophone:
Maceo Parker
drums (drum set):
Bill Stuart (US jazz drummer)
guitar:
Rodney Jones
organ:
Don Pullen (pianist)
tenor saxophone:
Pee Wee Ellis
trombone:
Fred Wesley
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
Maceo Parker4:16
13On the Sunny Side of the Street
recorded in:
Paris, Île-de-France, France (on 1949-05-16)
cornet and trumpet:
Gérard Bayol (on 1949-05-16)
double bass:
Guy de Fatto (on 1949-05-16)
drums (drum set):
André Jourdan (on 1949-05-16)
guitar:
Jean-Pierre Sasson (on 1949-05-16)
piano:
Eddie Bernard (on 1949-05-16)
soprano saxophone:
Sidney Bechet (on 1949-05-16)
trombone:
Benny Vasseur (on 1949-05-16)
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-16)
recording of:
On the Sunny Side of the Street (on 1949-05-16)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS-affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Sidney Bechet2:43
14Perfidia
recorded in:
Los Angeles, California, United States (on 1959-04-02)
vocals:
Mel Tormé ("The Velvet Fog") (on 1959-04-02)
orchestra:
Billy May & His Orchestra (on 1959-04-02)
recording of:
Perfidia (on 1959-04-02)
lyricist and composer:
Alberto Domínguez
Mel Tormé2:08
15You’n Me
engineer:
GP
bass:
Major Holley (in 1960-06, from 1960-06-01 until 1960-06-03)
drums (drum set):
Osie Johnson (in 1960-06, from 1960-06-01 until 1960-06-03)
piano:
Mose Allison (in 1960-06) and George Handy (from 1960-06-01 until 1960-06-03)
tenor saxophone:
Al Cohn (in 1960-06, from 1960-06-01 until 1960-06-03) and Zoot Sims (US jazz saxophonist) (in 1960-06, from 1960-06-01 until 1960-06-03)
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (from 1960-06-01 until 1960-06-03)
recording of:
You’n Me (on 1960-06-06)
composer:
Al Cohn
Al Cohn & Zoot Sims4:44
16The Sheik of Araby
recording engineer and mixer:
Rudy van Gelder
assistant engineer:
Maureen Sickler
producer:
Jean-François Deiber
bass:
Ray Drummond (on 1991-03-04)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1991-03-04)
piano:
Harold Mabern (American jazz pianist) (on 1991-03-04)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1991-03-04)
phonographic copyright (℗) by:
J.F.D. Productions (in 1991)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1991-03-04)
mixed at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1991-03-04 until 1991-03-05)
instrumental recording of:
The Sheik of Araby (on 1991-03-04)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
George Coleman2:59
▼CD 3: Night
#TitleArtistRatingLength
1Moonlight Saving Time
recorded in:
New York, New York, United States (from 1958-09-12 until 1958-09-13)
engineer:
Tommy Nola
producer:
Norman Granz
bass and double bass:
Ray Brown (jazz bassist) (from 1958-09-12 until 1958-09-13)
drums (drum set):
Ed Thigpen (from 1958-09-12 until 1958-09-13)
guitar:
Mundell Lowe (from 1958-09-12 until 1958-09-13)
piano:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
vocals:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
recording of:
Moonlight Saving Time (from 1958-09-12 until 1958-09-13)
writer:
Irving Kahal and Harry Richman
Blossom Dearie2:02
2Summer Night
recorded in:
Pennsylvania, United States (in 1981-08)
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1981-08)
bass:
Steve Gilmore (jazz bassist) (in 1981-08)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1981-08)
piano:
Hal Galper (in 1981-08)
recording of:
Summer Night (in 1981-08)
writer:
Al Dubin and Harry Warren (US composer and lyricist)
Phil Woods6:45
3Blues After Dark
alto saxophone:
Gigi Gryce (on 1957-12-17)
baritone saxophone:
Pee Wee Moore (on 1957-12-17)
bass:
Tommy Bryant (on 1957-12-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-12-17)
piano:
Ray Bryant (on 1957-12-17)
tenor saxophone:
Benny Golson (on 1957-12-17)
trombone:
Henry Coker (on 1957-12-17)
trumpet:
Dizzy Gillespie (on 1957-12-17)
arranger:
Benny Golson
recording of:
Blues After Dark (on 1957-12-17)
composer:
Benny Golson
Dizzy Gillespie6:30
4More Than You Know
recorded in:
New York, New York, United States (on 1955-11-10)
bass:
Joe Comfort (on 1955-11-10)
drums (drum set):
Sid Bulkin (on 1955-11-10)
guitar:
Barney Kessel (on 1955-11-10)
piano:
Lou Levy (on 1955-11-10)
tenor saxophone:
Georgie Auld (on 1955-11-10)
trombone:
Quen Anderson (on 1955-11-10)
vocals:
Thelma Grayson (on 1955-11-10)
recording of:
More Than You Know (on 1955-11-10)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Thelma Grayson3:52
5Stardust
bass:
Doug Watkins (on 1958-10-22)
drums (drum set):
Art Taylor (on 1958-10-22)
piano:
Walter Davis Jr. (American hard bop pianist) (on 1958-10-22)
tenor saxophone:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1958-10-22)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1958-10-22)
recorded at:
L’Olympia in Paris, Île-de-France, France (on 1958-10-22)
recording of:
Stardust (the jazz standard) (on 1958-10-22)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS-affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Donald Byrd3:19
6Moon Song
bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Moon Song (on 1957-10-14)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Louis Armstrong4:35
7No Moon at All
bass:
Ruud Jacobs
drums (drum set):
Wim Overgaauw
piano:
Pim Jacobs
vocals:
Rita Reys
recording of:
No Moon at All
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
Rita Reys3:15
8You and the Night and the Music
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla (in 1989-09)
producer:
Stefan F. Winter
assistant mixer:
Michael Fossenkemper
double bass:
Charlie Haden (American jazz bassist) (in 1989-09)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1989-09)
electric guitar:
Bill Frisell (in 1989-09)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1989-09)
recorded at:
RPM Sound Studios in New York, New York, United States (in 1989-09)
mixed at:
39th Street Music in New York, New York, United States (in 1989-09)
edited at:
Bauer Studios (Tonstudio Bauer) in Ludwigsburg, Baden-Württemberg, Germany
instrumental recording of:
You and the Night and the Music (in 1989-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
Paul Motian5:34
9Nuit sur ses Champs-Élysées
recorded in:
Paris, Île-de-France, France (in 1957-12)
bass:
Pierre Michelot (in 1957-12)
drums (drum set):
Kenny Clarke (in 1957-12)
piano:
René Urtreger (in 1957-12)
tenor saxophone:
Barney Wilen (in 1957-12)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1957-12)
recording of:
Florence sur les Champs-Élysées (in 1957-12)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis3:04
10Suppertime
recorded in:
Los Angeles, California, United States (in 1955-04)
alto saxophone:
Herb Geller (in 1955-04)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1955-04)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1955-04)
piano:
Lorraine Geller (in 1955-04)
recording of:
Suppertime (in 1955-04)
lyricist and composer:
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
Herb Geller & Lorraine Geller5:11
11When the World Was Young (Ah, the Apple Trees)
vocals:
Buddy Rich (in 1959)
orchestra:
Hal Mooney & His Orchestra (in 1959)
recording of:
When the World Was Young (in 1959)
lyricist:
Johnny Mercer
composer:
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) and Peter Maurice Music Co. Ltd.
version of:
Le Chevalier de Paris
Buddy Rich4:06
12Memories of You
recorded in:
Paris, Île-de-France, France (in 1993-07)
drums (drum set):
Steve Philips (in 1993-07)
organ:
Rhoda Scott (in 1993-07)
tenor saxophone:
Houston Person (in 1993-07)
recording of:
Memories of You (in 1993-07)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Rhoda Scott6:22
13You’re Mine, You
guitar:
Kenny Burrell (on 1965-01-20)
vocals:
Chet Baker (on 1965-01-20)
recording of:
You’re Mine, You (on 1957-10-29)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
Chet Baker3:13
14Good Bye
recorded in:
Los Angeles, California, United States (on 1957-10-29)
bass:
Leroy Vinnegar (on 1957-10-29)
clarinet:
Buddy DeFranco (on 1957-10-29)
drums (drum set):
Stan Levey (on 1957-10-29)
guitar:
Barney Kessel (on 1957-10-29)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (on 1957-10-29)
tenor saxophone:
Georgie Auld (on 1957-10-29)
trumpet:
Don Fagerquist (on 1957-10-29)
vibraphone:
Victor Feldman (jazz musician) (on 1957-10-29)
recording of:
Goodbye (on 1957-10-29)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
Buddy DeFranco2:30
15Hit the Road to Dreamland
recorded in:
New York, New York, United States (on 1957-11-26)
vocals:
Sarah Vaughan (on 1957-11-26)
orchestra:
Hal Mooney & His Orchestra (on 1957-11-26)
recording of:
Hit the Road to Dreamland (on 1957-11-26)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Sarah Vaughan2:54
16Tonight I Shall Sleep with a Smile on My Face
bass:
Gene Cherico (on 1964-10-09)
drums (drum set):
Joe Hunt (drums) (on 1964-10-09)
tenor saxophone:
Stan Getz (on 1964-10-09)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1964-10-09)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-10-09)
recording of:
Tonight I Shall Sleep (With a Smile on My Face)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Gordon (US songwriter)
Stan Getz2:44

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.) (in 1996)
Discogs:https://www.discogs.com/release/5521608 [info]
ASIN:US: B000PRTBVW [info]