The Rock and Roll Decades: The Seventies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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CD 1
Nr.TitelKünstlerBewertungLänge
1Don’t Leave Me This Way
Produzent(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
Teddy Pendergrass
Bearbeitung von:
Don’t Leave Me This Way von Harold Melvin & The Blue Notes
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble, Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin53:56
2Best of My Love
Produzent(in):
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
Emotions4.153:42
3Ain’t No Stoppin’ Us Now
Bearbeitung von:
Ain't No Stopping Us Now (LP version) von McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
Verfasser(in):
Jerry Cohen, Gene McFadden und John Whitehead
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:36
4Too Much Too Little Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis und Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Johnny Mathis / Deniece Williams43:00
5I Don’t Believe in Miracles
recording of:
I Don’t Believe in Miracles
Verfasser(in):
Russ Ballard
Colin Blunstone32:57
6Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing und Pathe Publications (Far East) Limited
Labelle3.353:56
7Love Train
Produzent(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
O’Jays4.152:56
8Only You
recording of:
Only You
Verfasser(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass3:32
9Take Good Care of Yourself
vocals:
Sheila Ferguson, Valerie Holiday und Fayette Pinkney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Bearbeitung von:
Take Good Care of Yourself (Ferguson, Holiday, Pinkney) von The Three Degrees
recording of:
Take Good Care of Yourself
Verfasser(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
Three Degrees43:05
10Rosetta
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1971)
recording of:
Rosetta
Texter und Komponist(in):
Michael Snow (songwriter of "Rosetta")
publisher:
St. Georges Music Ltd.
Fame & Price2:46
11Love Really Hurts Without You
vocals:
Billy Ocean
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
Texter und Komponist(in):
Ben Findon (songwriter and producer) und Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher) und EMI Music Publishing Ltd. (PRS-affiliated)
Billy Ocean3.53:02
12Kiss & Say Goodbye
Instrumente:
MFSB
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for "Kiss and Say Goodbye")
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) und EMI Songs Ltd.
Manhattans3.54:25
13No Regrets
cover recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI), Essex International und Tubbs Hill Music
Walker Brothers5:40
14Me & Mrs Jones
recording of:
Me and Mrs. Jones
Verfasser(in):
Kenneth Gamble, Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4:39
15Sylvia’s Mother
Produzent(in):
Ron Haffkine
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr Hook43:49
16TSOP
vocals:
The Three Degrees
recording of:
TSOP (The Sound of Philadelphia)
Verfasser(in):
Kenneth Gamble und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music
MFSB43:17
17I Can See Clearly Now
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
recording of:
I Can See Clearly Now
Texter und Komponist(in):
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Johnny Nash42:56
18Do It Any Way You Wanna
Produzent(in):
Gamble-Huff
arranger:
Frank Brunson und Leon Huff (Philly soul producer, of Gamble & Huff)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1974)
recording of:
Do It Any Way You Wanna (in 1974)
Texter und Komponist(in):
Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), MDW (publisher) (in 1988) und Mighty Three Music (in 1988)
Peoples Choice3:14
19Midnight Train to Georgia
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight4.84:40
20Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (in 1977)
vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Bill Withers4.754:06
CD 2
Nr.TitelKünstlerBewertungLänge
1In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC und Universal Music Publishing (use ONLY if no country-specific information is available)
Mungo Jerry3.53:33
2Free Electric BandAlbert Hammond53:23
3Dance to the Music
Sly & the Family Stone2:58
4Boogie Nights
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
Bearbeitung von:
Boogie Nights von Heatwave
recording of:
Boogie Nights (in 1976)
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Heatwave4.83:34
5All the Young Dudes
Produzent(in):
David Bowie
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
cover recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (vom 2015-01-01 bis heute)
Mott the Hoople4.353:31
6More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge
Akustikgitarre, Bass, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (vom 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (vom 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (vom 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (vom 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Pure Songs (in 1976)
Boston3.854:44
7Bat out of Hell
Bassgitarre:
Kasim Sulton
Gitarre und Gitarre [Motorcycle guitar]:
Todd Rundgren
Keyboard:
Roy Bittan, Todd Rundgren und Jim Steinman
Klavier:
Roy Bittan
Perkussion:
Jim Steinman
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Todd Rundgren und Kasim Sulton
Sologesang:
Meat Loaf
zusätzlich Hintergrundgesang:
Rory Dodd und Ellen Foley
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Bat Out of Hell von Meat Loaf
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation
Meatloaf4.54:54
8Don’t Fear the Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 397) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 449)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., ソニー・ミュージックパブリッシング A事業部 und Sony/ATV Tunes LLC (in 1976)
Blue Oyster Cult4.43:50
9Down the Dustpipe
Produzent(in):
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
phonographic copyright (℗) by:
PRT (UK label) (in 1970)
recording of:
Down the Dustpipe
Texter und Komponist(in):
Carl Groszman
publisher:
Valley Music Ltd (publisher)
Status Quo2:03
10She’s a Winner
Intruders2:25
11Samba Pa Ti
Techniker(in):
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-19)
Conga und Perkussion:
Michael Carabello (am 1970-07-19)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-19)
Gitarre:
Carlos Santana (am 1970-07-19)
Keyboard:
Gregg Rolie (am 1970-07-19)
Perkussion:
Rico Reyes (am 1970-07-19)
Schlagzeug:
Michael Shrieve (am 1970-07-19)
Tabla:
Steven Saphore (am 1970-07-19)
arranger:
Gregg Rolie und Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios in San Francisco, California, Vereinigte Staaten (am 1970-07-19)
recording of:
Samba pa ti (am 1970-07-19)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana44:45
12Eve of the War
Jeff Wayne4:42
13Livin’ Thing
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Hintergrundgesang:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) und Patti Quatro (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
Dirigent(in):
Louis Clark (in 1976-07)
Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy
Orchestrator(in):
Louis Clark, Jeff Lynne und Richard Tandy
phonographic copyright (℗) by:
Jet Records (in 1976), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Livin’ Thing (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
ELO4.153:32
14Lost in France
Bonnie Tyler3:55
15Forever AutumnJustin Hayward4:08
16Automatic Lover
recording of:
Automatic Lover
Texter und Komponist(in):
Ian Carnochan
Vibrators3:03
17Carry On Wayward Son
recording of:
Carry On Wayward Son
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, フジパシフィックミュージック SBK事業部, Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (1989-07-24–present) (vom 1976 bis heute)
Kansas43:27
18I Want You to Want Me
Techniker(in):
Antonio Reale
Produzent(in):
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kendun Recorders in Burbank, California, Vereinigte Staaten (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Vereinigte Staaten (in 1977)
recording of:
I Want You to Want Me (in 1977)
Texter und Komponist(in):
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
Teil von:
10 Things I Hate About You
Cheap Trick4.63:08
19Arms of MarySutherland Brothers52:35
20Summer Breeze
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und T-Neck Records, Inc. (for copyrights use only; for release labels, use “T-Neck”) (in 1973)
Bearbeitung von:
Summer Breeze von The Isley Brothers
cover recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc., Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Isley Brothers43:07

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