In Classical Mood: Opera Favorites: Tragic Heroines

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1La traviata: Prelude
producer:
Victor Olof
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Preludio (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata (german lyrics)
part of:
La traviata (english lyrics)
part of:
La traviata
part of:
La traviata (french lyrics)
Giuseppe Verdi4:27
2La traviata: Act I. Un dì felice, eterea
producer:
Victor Olof
soprano vocals [Violetta]:
Victoria de los Ángeles (soprano) (in 1958)
tenor vocals [Alfredo]:
Carlo del Monte (tenor) (in 1958)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi3:37
3La traviata: Act I. Sempre libera
producer:
Victor Olof
soprano vocals [Violetta]:
Victoria de los Ángeles (soprano) (in 1958)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi3:43
4La traviata: Act II, Scene I. Pura siccome un angelo
producer:
Victor Olof
baritone vocals [Giorgio]:
Mario Sereni (baritone) (in 1958)
soprano vocals [Violetta]:
Victoria de los Ángeles (soprano) (in 1958)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Atto II, scena 1. Duetto “Pura siccome un angelo” (Germont, Violetta) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
Giuseppe Verdi3:58
5La traviata: Act II, Scene II. Alfredo, Alfredo, di questo core
producer:
Victor Olof
baritone vocals [Barone Douphol]:
Vico Polotto (bariton) (in 1958)
baritone vocals [Giorgio]:
Mario Sereni (baritone) (in 1958)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1958)
soprano vocals [Violetta]:
Victoria de los Ángeles (soprano) (in 1958)
tenor vocals [Alfredo]:
Carlo del Monte (tenor) (in 1958)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
chorus master:
Giuseppe Conca (chorus master) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Atto II, scena 2. “Alfredo, Alfredo, di questo core” (Violetta, Alfredo, Barone, Germont, Coro) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
Giuseppe Verdi4:25
6La traviata: Act III. Parigi, o cara, noi lasceremo
producer:
Victor Olof
soprano vocals [Violetta]:
Victoria de los Ángeles (soprano) (in 1958)
tenor vocals [Alfredo]:
Carlo del Monte (tenor) (in 1958)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
Giuseppe Verdi4:51
7La bohème: Act I, no. 6. Che gelida manina!
recording engineer:
John Mordler (producer) (in 1979-08)
tenor vocals [Rodolfo]:
Alfredo Kraus (tenor) (in 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as "Brown")
phonographic copyright (℗) by:
EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:59
8La bohème: Act I, no. 7. Sì. Mi chiamano Mimì
recording engineer:
John Mordler (producer) (in 1979-08)
soprano vocals [Mimì]:
Renata Scotto (soprano) (in 1979-08)
tenor vocals [Rodolfo]:
Alfredo Kraus (tenor) (in 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as "Brown")
phonographic copyright (℗) by:
EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1979-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini5:28
9La bohème: Act I, no. 9. O soave fanciulla
recording engineer:
John Mordler (producer) (in 1979-08)
baritone vocals [Marcello]:
Sherrill Milnes (baritone) (in 1979-08)
soprano vocals [Mimì]:
Renata Scotto (soprano) (in 1979-08)
tenor vocals [Rodolfo]:
Alfredo Kraus (tenor) (in 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as "Brown")
phonographic copyright (℗) by:
EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-08)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1979-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:36
10La bohème: Act II. no. 13. Quando me’n vo’
recording engineer:
John Mordler (producer) (in 1979-08)
baritone vocals [Marcello]:
Sherrill Milnes (baritone) (in 1979-08)
baritone vocals [Schaunard]:
Matteo Manuguerra (baritone) (in 1979-08)
bass vocals [Alcindoro]:
Renato Capecchi (baritone) (in 1979-08)
bass vocals [Colline]:
Paul Plishka (operatic bass) (in 1979-08)
soprano vocals [Mimì]:
Renata Scotto (soprano) (in 1979-08)
soprano vocals [Musetta]:
Carol Neblett (soprano) (in 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as "Brown")
phonographic copyright (℗) by:
EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-08)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1979-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini4:30
11La bohème: Act III. Mimì è tanto malata!
recording engineer:
John Mordler (producer) (in 1979-08)
baritone vocals [Marcello]:
Sherrill Milnes (baritone) (in 1979-08)
soprano vocals [Mimì]:
Renata Scotto (soprano) (in 1979-08)
soprano vocals [Musetta]:
Carol Neblett (soprano) (in 1979-08)
tenor vocals [Rodolfo]:
Alfredo Kraus (tenor) (in 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as "Brown")
phonographic copyright (℗) by:
EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-08)
recording of:
La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì) (in 1979-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini2:59
12La bohème: Act IV. Dorme? … Riposa
recording engineer:
John Mordler (producer) (in 1979-08)
baritone vocals [Marcello]:
Sherrill Milnes (baritone) (in 1979-08)
baritone vocals [Schaunard]:
Matteo Manuguerra (baritone) (in 1979-08)
bass vocals [Colline]:
Paul Plishka (operatic bass) (in 1979-08)
soprano vocals [Mimì]:
Renata Scotto (soprano) (in 1979-08)
soprano vocals [Musetta]:
Carol Neblett (soprano) (in 1979-08)
tenor vocals [Rodolfo]:
Alfredo Kraus (tenor) (in 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as "Brown")
phonographic copyright (℗) by:
EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-08)
recording of:
La bohème: Atto IV. “Dorme? … Riposa” (Musetta, Rodolfo, Marcello, Mimi) (in 1979-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini5:27
13Lucia di Lammermoor: Act I, Scene II. (no. 4d) Ah! Verrano a te sull’aure
producer:
Suvi Raj Grubb
soprano vocals [Lucia]:
Edita Gruberová (soprano) (from 1983-05-16 until 1983-05-26)
tenor vocals [Edgardo]:
Alfredo Kraus (tenor) (from 1983-05-16 until 1983-05-26)
orchestra:
Royal Philharmonic Orchestra (from 1983-05-16 until 1983-05-26)
conductor:
Nicola Rescigno (conductor) (from 1983-05-16 until 1983-05-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-05-16 until 1983-05-26)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1983-05-16 until 1983-05-26)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti5:06
14Lucia di Lammermoor: Act II, Scene II. (no. 9c) Chi mi frena in tal momento?
producer:
Suvi Raj Grubb
baritone vocals [Enrico]:
Renato Bruson (baritone) (from 1983-05-16 until 1983-05-26)
bass vocals [Raimondo]:
Robert Lloyd (operatic bass) (from 1983-05-16 until 1983-05-26)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1983-05-16 until 1983-05-26)
mezzo-soprano vocals [Alisa]:
Kathleen Kuhlmann (mezzo-soprano) (from 1983-05-16 until 1983-05-26)
soprano vocals [Lucia]:
Edita Gruberová (soprano) (from 1983-05-16 until 1983-05-26)
tenor vocals [Arturo]:
Bonaventura Bottone (tenor) (from 1983-05-16 until 1983-05-26)
tenor vocals [Edgardo]:
Alfredo Kraus (tenor) (from 1983-05-16 until 1983-05-26)
orchestra:
Royal Philharmonic Orchestra (from 1983-05-16 until 1983-05-26)
conductor:
Nicola Rescigno (conductor) (from 1983-05-16 until 1983-05-26)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1983-05-16 until 1983-05-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-05-16 until 1983-05-26)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1983-05-16 until 1983-05-26)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:51
15Lucia di Lammermoor: Act III, Scene I. no. 14. Oh giusto cielo
producer:
Suvi Raj Grubb
bass vocals [Raimondo]:
Robert Lloyd (operatic bass) (from 1983-05-16 until 1983-05-26)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1983-05-16 until 1983-05-26)
soprano vocals [Lucia]:
Edita Gruberová (soprano) (from 1983-05-16 until 1983-05-26)
tenor vocals [Normanno]:
Bruno Lazzaretti (italian tenor) (from 1983-05-16 until 1983-05-26)
orchestra:
Royal Philharmonic Orchestra (from 1983-05-16 until 1983-05-26)
conductor:
Nicola Rescigno (conductor) (from 1983-05-16 until 1983-05-26)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1983-05-16 until 1983-05-26)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-05-16 until 1983-05-26)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1983-05-16 until 1983-05-26)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti12:25

Credits

Release

mastered in:UK
photography:Clive Barda (photographer)
Jean-Loup Charmet (photographer)
Donald Cooper (photographer)
Giancarlo Costa (photographer)
Reg Wilson (theatre photographer)
illustration:Frank Dicksee (painter)
Egisto Lancerotto (painter)
Thomas Herbert Maguire (artist & engraver)
Georges Pilotell (caricaturist)
Thomas Miles Richardson (painter)
John See (illustrator)
John Simmons (painter)
William Allan (painter) (in 1844)
Giovanni Fattori (painter) (in 1854)
Vasili Maksimovich Maksimov (painter) (in 1868)
William Quiller Orchardson (painter) (in 1877)
John Everett Millais (in 1878)
John William Waterhouse (painter) (in 1889)
Alfred Augustus Glendening Jnr. (painter) (in 1898)
copyrighted (©) by and phonographic copyright (℗) by:International Masters Publishers BV (for copyrights use only!) (in 1998)
part of:Opera Favorites (In Classical Mood) (order: 1)

Release Group

part of:In Classical Mood (number: 50) (order: 50)