All‐Time Classics

~ Release by The London Symphony Orchestra conducted by Ezra Rachlin (see all versions of this release, 1 available)

Tracklist

12" Vinyl 1
#TitleArtistRatingLength
A1Ride of the Valkyries
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner?:??
A2Slavonic Dance in G minor
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Slavonic Dances, op. 46, B. 83: No. 8 in G minor (Furiant) (for orchestra)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonin Dvorak?:??
A3The “Beautiful Blue Danube” Waltz
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss?:??
A4Prelude to Act 1 From Carmen
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Carmen : Prélude
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (italian lyrics)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet?:??
A5Danse Boheme
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet?:??
A6Flight of the Bumble Bee
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Полёт шмеля (Flight of the Bumblebee; original for orchestra)
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan
Rimsky-Korsakov?:??
B1Overture‐Fantasy: Romeo and Juliet
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Peter Ilyitch Tchaikovsky?:??
B2Overture: The Marriage of Figaro
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart?:??
B3Sabre Dance
miscellaneous support:
Harold Lawrence (task: studio musical co-ordination)
engineer:
Bob Auger (audio)
producer:
Irving Martin
orchestra:
London Symphony Orchestra
conductor:
Ezra Rachlin (conductor)
recorded at:
All Hallows (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khatchaturian?:??

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