Blues Del Futuro (estereo)

~ Release by Canned Heat (see all versions of this release, 29 available)

Tracklist

▼12" Vinyl 1
#TitleRatingLength
A1Dulce Bee (Sugar Bee)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Sugar Bee
writer:
Eddie Shuler
publisher:
Fort Knox Music Inc., Intersong Musikverlag GmbH (publisher), Kaymar Publishing, Lark Music Ltd. and Tek Publishing
?:??
A2Sacudelo Y Rompelo (Shake It and Break It)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Shake It and Break It
writer:
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc. and Unart Music Corp.
?:??
A3Esta Bien Mama (That’s All Right Mama)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc., Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
?:??
A4No Tengo Mucho Tiempo (My Time Ain’t long)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
My Time Ain’t Long
writer:
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
?:??
A5Scat
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
piano:
Dr. John (New Orleans blues pianist, singer and songwriter)
horn arranger:
Dr. John (New Orleans blues pianist, singer and songwriter)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Skat
writer:
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., Unart Music Corp. and United Artists Musik GmbH
?:??
A6Trabajemos Juntos (Let’s Work Together)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Let’s Work Together
lyricist:
Wilbert Harrison
publisher:
EMI Longitude Music, EMI Music Publishing Ltd. (PRS-affiliated), Mozella Music Inc., SBK United Partnership Ltd. and United Artists Musik GmbH
4.5?:??
B1El Blues de Londres (London Blues)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
piano:
Dr. John (New Orleans blues pianist, singer and songwriter)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
London Blues
writer:
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., Unart Music Corp. and United Artists Musik GmbH
?:??
B2Tan Triste (So Sad)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
So Sad (The World’s in a Tangle)
writer:
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) and Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
?:??
B3Blues Del Futuro (Future Blues)
recording engineer and mixer:
Tommy Oliver
producer:
Canned Heat and Skip Taylor
piano:
Ernest Lane
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Future Blues
writer:
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) and Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
?:??

Credits

Release

art direction:Ron Wolin
photography:Herb Green (U.S. Photographer and art director) (task: inside photography)
Herb Kravitz (photographer) (task: back cover photography)
Skip Taylor (task: album cover concept and front cover photography)
producer:Canned Heat
Skip Taylor
bass:Samuel Larry Taylor (US bassist)
drums (drum set):Adolfo "Fito" De La Parra
guitar [lead guitar]:Harvey Mandel (American guitarist)
guitar [rhythm guitar] and harmonica:Alan Wilson (Canned Heat member)
vocals:Bob Hite
Alan Wilson (Canned Heat member)
Discogs:https://www.discogs.com/release/4944638 [info]