Jazz From A To Z 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1Secret Love
recording engineer:
Malcolm Chisholm
executive producer:
Dave Grusin (American score composer) and Larry Rosen
producer:
Orrin Keepnews and Dave Usher
double bass:
Israel Crosby (on 1958-09-06)
drums (drum set):
Vernell Fournier (on 1958-09-06)
piano:
Ahmad Jamal (on 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (on 1958-09-06)
live instrumental recording of:
Secret Love (song from “Calamity Jane”) (on 1958-09-06)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
Ahmad Jamal3:52
2Star Eyes
alto saxophone:
Art Pepper (in 1957)
double bass:
Paul Chambers (US jazz bassist) (in 1957)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1957)
piano:
Red Garland (in 1957)
recording of:
Star Eyes (in 1957)
composer:
Gene de Paul and Don Raye
publisher:
Red Cape Songs
Art Pepper5:16
3To Mario Bauzá
producer:
Paquito D’Rivera
bass:
Joe Santiago (latin composer, bassist and trombonist) (in 1994-11)
brass [trumpet, flugelhorn]:
Diego Urcola (Argentinian contemporary jazz musician) (in 1994-11)
guitar:
Carlos Emilio Morales (Cuban jazz guitarist) (in 1994-11)
percussion [congas, bongos]:
Gabriel Machado (in 1994-11) and Carlos “Patato” Valdés (in 1994-11)
percussion [guiro, maracas, congas]:
Gerardo Rosales (in 1994-11)
piano:
Bebo Valdés (in 1994-11)
reeds [alto saxophone, clarinet]:
Paquito D’Rivera (in 1994-11)
timbales:
Amadito Valdés (in 1994-11)
trombone:
Juan Pablo Torres (in 1994-11)
recorded at:
Bauer Studios (Tonstudio Bauer) in Ludwigsburg, Baden-Württemberg, Germany (in 1994-11)
Bebo Valdés6:05
4Ritmo de Otoño
executive producer:
Scott Barber
producer:
Loren Harriet and Bernie Williams (jazz musician & baseball player)
recording of:
Ritmo de Otoño
writer:
Bernie Williams (jazz musician & baseball player)
Bernie Williams5:42
5Foul Play
alto saxophone:
Gigi Gryce (in 1958-02) and Jimmy Powell (Jazz saxophonist) (in 1958-02)
baritone saxophone:
Sahib Shihab (American jazz musician) (in 1958-02)
double bass:
Sam Jones (jazz bassist) (in 1958-02)
drums (drum set):
Specs Wright (in 1958-02)
piano:
Wynton Kelly (in 1958-02)
tenor saxophone:
Benny Golson (in 1958-02)
trombone:
Melba Liston (in 1958-02)
trumpet:
Ray Copeland (in 1958-02) and Kenny Dorham (in 1958-02)
lead vocals:
Betty Carter (in 1958-02)
recording of:
Foul Play (in 1958-02)
writer:
Norman Mapp
Betty Carter2:25
6I've Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Billie Holiday3:59
7Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:18
8Outa-Space
recording of:
Outa Space
composer:
Joe Greene (American songwriter) and Billy Preston
Billy Preston4:11
9Space Race
engineer:
Tommy Vicari
producer:
Billy Preston
instrumental recording of:
Space Race
composer:
Billy Preston
publisher:
Irving Music (BMI) and W.E.P. Music Corp.
Billy Preston3:27
10X-Ray Hip
Bona Fide4:19
11Soul-Limbo
producer:
Booker T. Jones
recording of:
Soul Limbo
writer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
Booker T. & the MG’s52:27
12Time Is Tight
recording of:
Time Is Tight
writer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
Booker T. & the MG’s44:19
13Groovin'
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (in 1967)
keyboard [organ, electric piano]:
Booker T. Jones (in 1967)
cover recording of:
Groovin’ (in 1967)
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
Booker T. & the MG’s2:44
14Mrs. Robinson
instrumental cover recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Booker T. & the MG’s3:41
15Green Onions
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s2:56
16The Theme From 'Electric Surfboard"
“Brother” Jack McDuff2:35
17Very Saxy
Buddy Tate8:19
18Heads Up! Feet Down!
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recording of:
Heads Up! Feet Down! (in 1967-03)
composer:
Jimmy Heath
The Cannonball Adderley Quintet7:00
19Was Dog a Donut?
Cat Stevens5:16
20Give It All You Got
recording of:
Give It All You Got
composer:
Chuck Mangione
Chuck Mangione6:11
21Jordu
double bass:
George Morrow (on 1954-08-03)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-03)
piano:
Richie Powell (on 1954-08-03)
tenor saxophone:
Harold Land (on 1954-08-03)
trumpet:
Clifford Brown (trumpet) (on 1954-08-03)
recording of:
Jordu (on 1954-08-03)
composer:
Duke Jordan (in 1953)
Clifford Brown & Max Roach7:50
22What Is This Thing Called Love?
double bass:
George Morrow
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Richie Powell
tenor saxophone:
Sonny Rollins
trumpet:
Clifford Brown (trumpet)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Clifford Brown & Max Roach7:40
23Machine Gun
recording of:
Machine Gun
composer:
Milan Williams
publisher:
Jobete Music Co., Inc.
Commodores2:39
24April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:49
25Corner Pocket
instrumental recording of:
Corner Pocket (from 1955-07-26 until 1955-07-27)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
recording of:
Corner Pocket
writer:
Count Basie (pianist)
publisher:
Bregman, Vocco & Conn, Inc.
Count Basie5:19
26Bright Mississippi
assistant recording engineer:
Chris Albert (US engineer)
recording engineer:
Al Schmitt (from 1996-01-03 until 1996-01-04)
producer:
Tommy LiPuma
assistant mixer:
Mike Krowiak
mixer:
Al Schmitt
bass:
Avishai Cohen (Israeli jazz bassist) (from 1996-01-03 until 1996-01-04)
drums (drum set):
Terri Lyne Carrington (from 1996-01-03 until 1996-01-04)
piano:
Danilo Pérez (from 1996-01-03 until 1996-01-04)
recorded at:
Power Station Studios in Manhattan, New York, New York, United States (from 1996-01-03 until 1996-01-04)
cover recording of:
Bright Mississippi (from 1996-01-03 until 1996-01-04)
composer:
Thelonious Monk
Danilo Pérez5:40
27Scorpio
Dennis Coffey4:21
28Taurus
engineer:
Milan Bogdan
bass:
Bob Babbitt
guitar:
Dennis Coffey
conductor:
Mike Theodore
arranger:
Dennis Coffey
recording of:
Taurus
writer:
Dennis Coffey
Dennis Coffey3:01
29Whistle Bump
Eumir Deodato7:43
30God Bless the Child
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
God Bless the Child
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Diana Ross2:43
31Chant
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Chant
composer:
Duke Pearson
Donald Byrd7:32
32Dance Hall
Donald Harrison6:42
33Sweet Sixteen Bars
Earl Grant4:49
34Mack the Knife
Ella Fitzgerald5:06
35Music Box Dancer
Frank Mills3:22
36Straight Life
Freddie Hubbard17:30
37The Battle Scene (From "The Final Comedown")
Grant Green6:45
38This I Dig of You
Hank Mobley6:29
39Axel F
Harold Faltermeyer6:35
40Delirium
Harold Land6:40
41Rotation
Herb Alpert6:58
42Autodrive
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
recording of:
Autodrive (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell
Herbie Hancock6:28
43Rockit
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
performer:
DXT (US 80s hip hop, aka Grandmixer D.ST)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
music videos:
Rockit by Herbie Hancock
recording of:
Rockit (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell
Herbie Hancock45:29
44Hold On, I'm Coming
recording engineer and producer:
Tom Dowd
bass [electric bass]:
Mike Leach (on 1968-08-23)
drums (drum set):
Gene Chrisman (on 1968-08-23)
electric piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1968-08-23)
flute:
Herbie Mann (on 1968-08-23)
guitar:
Reggie Young (guitarist and songwriter) (on 1968-08-23)
organ:
Bobby Emmons (on 1968-08-23)
vibraphone:
Roy Ayers (on 1968-08-23)
recorded at:
American Sound Studios ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1968-08-23)
instrumental cover recording of:
Hold On, I’m Comin’ (on 1968-08-23)
writer:
David Porter (US soul musician, producer & songwriter) and Isaac Hayes
publisher:
Cotillion Music Inc. (BMI), East Memphis Music, Irving Music, Inc., Pronto Music, Warner Bros. Music (publisher; do NOT use as release label), ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Herbie Mann8:57
45Popcorn
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
music quoted on:
2 Die 4
recording of:
Popcorn
composer:
Gershon Kingsley
music quoted on:
2 Die 4
Hot Butter4.42:34
46Riot
Hugh Masekela2:00
47Up, Up and Away
Hugh Masekela5:33
48Jackie's Hat
Jackie McLean5:03
49The Plain but the Simple Truth
recording engineer:
James Farber (sound engineer) (on 1997-01-02)
producer:
Matt Pierson
mixer:
James Farber (sound engineer)
bass:
Ben Wolfe (on 1997-01-02)
drums (drum set):
Clarence Penn (on 1997-01-02)
piano:
Larry Goldings (on 1997-01-02)
tenor saxophone:
James Moody (jazz saxophonist) (on 1997-01-02) and Mark Turner (saxophone) (on 1997-01-02)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
James Moody & Mark Turner8:31
50The Theme From "Miami Vice"
recording of:
Miami Vice Theme
composer:
Jan Hammer
Jan Hammer6:53
51Tell Me
producer:
Branford Marsalis (saxophonist)
bass:
Orlando Le Fleming (from 2005-03-07 until 2005-03-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 2005-03-07 until 2005-03-08)
piano:
Ellis Marsalis (American jazz pianist) (from 2005-03-07 until 2005-03-08)
saxophone:
Andrew Speight (from 2005-03-07 until 2005-03-08)
recorded at:
UNC Greensboro School of Music in Greensboro, North Carolina, United States (from 2005-03-07 until 2005-03-08)
Jimmy Cobb & Ellis Marsalis5:18
52The Worm
Jimmy McGriff3:25
53Hobo Flats
recorded in:
New York, New York, United States (on 1963-03-20)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-20) and Phil Woods (US jazz woodwind player) (on 1963-03-20)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-20)
double bass:
George Duvivier (on 1963-03-20)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1963-03-20)
flute:
Danny Bank (reeds) (on 1963-03-20) and George Dorsey (on 1963-03-20)
harmonica:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1963-03-20)
organ:
Jimmy Smith (US jazz organist) (on 1963-03-20)
tenor saxophone:
Al Cohn (on 1963-03-20) and Zoot Sims (US jazz saxophonist) (on 1963-03-20)
trombone:
Jimmy Cleveland (on 1963-03-20), Urbie Green (on 1963-03-20) and Quentin Jackson (on 1963-03-20)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-20), Ernie Royal (on 1963-03-20) and Clark Terry (American swing trumpeter) (on 1963-03-20)
orchestra:
Oliver Nelson's Orchestra (on 1963-03-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Hobo Flats (from 1963-03-15 until 1963-03-20)
composer:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Hobo Flats (on 1963-03-20)
composer:
Oliver Nelson (saxophone, arranger, composer)
Jimmy Smith4:47
54Walk on the Wild Side
recorded in:
New Jersey, United States (on 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and alto saxophone, flute and tenor saxophone:
Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
baritone saxophone and baritone saxophone, flute and tenor saxophone:
George Barrow (on 1962-03-28)
bass trombone:
Thomas Mitchell (US jazz trombonist) (on 1962-03-28)
double bass:
George Duvivier (on 1962-03-28) and Milt Hinton (on 1962-03-28)
drums (drum set) and drums (drum set) and percussion:
Ed Shaughnessy (on 1962-03-28)
flute and tenor saxophone:
Robert Ashton (saxophonist) (on 1962-03-28) and Babe Clark (saxophonist) (on 1962-03-28)
guitar:
Barry Galbraith (on 1962-03-28)
Hammond organ and organ:
Jimmy Smith (US jazz organist) (on 1962-03-28)
tenor saxophone:
Bob Ashton (on 1962-03-28) and Arthur Clarke (baritone saxophonist) (on 1962-03-28)
trombone:
Jimmy Cleveland (on 1962-03-28), Urbie Green (on 1962-03-28) and Britt Woodman (on 1962-03-28)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-28), Ernie Royal (on 1962-03-28), Doc Severinsen (on 1962-03-28) and Joe Wilder (on 1962-03-28)
orchestra:
Oliver Nelson's Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1962-03-28)
arranger and orchestrator:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Walk on the Wild Side (on 1962-03-28)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Elmer Bernstein (American score composer)
publisher:
Columbia Pictures
Jimmy Smith5:59
55Back at the Chicken Shack
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1960-04-25)
recording of:
Back at the Chicken Shack (on 1960-04-25)
composer:
Jimmy Smith (US jazz organist)
publisher:
Edmy Music
Jimmy Smith, Stanley Turrentine & Kenny Burrell8:06
56Why Am I Treated So Bad?
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1991)
Cannonball Adderley7:03
57Silhouette
engineer:
Gerry “The Gov” Brown (engineer & producer) and Steve Smart (Australian mastering engineer)
producer:
Kenny G (saxophonist)
mixer:
Mick Guzauski
bass:
Vail Johnson
bass drum:
Peter Bunetta
keyboard:
Walter Afanasieff
recording of:
Silhouette
composer:
Kenny G (saxophonist)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), High Tech Music, Kenny G Music, Kuzu Music (publisher) and SBK Songs Ltd. (in 1988)
Kenny G5:32
58Everyday
Lambert, Hendricks & Ross5:23
59Ceora
recording engineer:
Rudy van Gelder (on 1965-09-18)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1965-09-18)
bass and double bass:
Larry Ridley (on 1965-09-18)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-09-18)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-09-18)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1965-09-18)
trumpet:
Lee Morgan (on 1965-09-18)
recording of:
Ceora (on 1965-09-18)
composer:
Lee Morgan
Lee Morgan6:24
60Zip Code
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1965-11-16)
bass:
Reggie Workman (on 1965-11-16)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-11-16)
piano:
Larry Willis (on 1965-11-16)
trumpet:
Lee Morgan (on 1965-11-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1965-11-16)
recording of:
Zip Code (on 1965-11-16)
composer:
Lee Morgan
Lee Morgan6:31
61Beaux J. Poo Boo
recording engineer:
Jimmy Douglass (engineer) (on 1971-05-04)
producer:
Joel Dorn
bass:
Jimmy Rowser (on 1971-05-04)
bass [electric bass]:
Bill Salter (on 1971-05-04)
electric guitar:
Cornell Dupree (on 1971-05-04)
electric piano:
Jodie Christian (on 1971-05-04)
guitar [guitar, electric guitar]:
David Spinozza (on 1971-05-04)
harp:
Corky Hale (on 1971-05-04)
keyboard [piano, electric piano, moog synthesizer]:
Les McCann (on 1971-05-04)
percussion:
Ralph MacDonald (on 1971-05-04)
percussion [african drums, percussion]:
William "Buck" Clarke (on 1971-05-04)
percussion [drums, percussion]:
Al Mouzon (on 1971-05-04), Bernard Purdie (on 1971-05-04) and Donald Dean (US jazz drummer) (on 1971-05-04)
woodwind [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (on 1971-05-04)
conductor:
Les McCann (on 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California, United States
recording of:
Beaux J. Poo Boo (on 1971-05-04)
composer:
Les McCann
Les McCann13:03
62Poo Pye McGoochie (And His Friends)
recording engineer:
Jimmy Douglass (engineer) (on 1971-05-04)
producer:
Joel Dorn
bass:
Jimmy Rowser (on 1971-05-04)
bass [electric bass]:
Bill Salter (on 1971-05-04)
electric guitar:
Cornell Dupree (on 1971-05-04)
electric piano:
Jodie Christian (on 1971-05-04)
guitar [guitar, electric guitar]:
David Spinozza (on 1971-05-04)
harp:
Corky Hale (on 1971-05-04)
keyboard [piano, electric piano, moog synthesizer]:
Les McCann (on 1971-05-04)
percussion:
Ralph MacDonald (on 1971-05-04)
percussion [african drums, percussion]:
William "Buck" Clarke (on 1971-05-04)
percussion [drums, percussion]:
Al Mouzon (on 1971-05-04), Bernard Purdie (on 1971-05-04) and Donald Dean (US jazz drummer) (on 1971-05-04)
woodwind [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (on 1971-05-04)
conductor:
Les McCann (on 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California, United States
recording of:
Poo Pye McGoochie (and his friends) (on 1971-05-04)
composer:
Les McCann
Les McCann12:30
63The Entertainer
Marvin Hamlisch3:05
64Tubular Bells ("The Exorcist" Theme)
partial recording of:
Tubular Bells, Part One
composer:
Mike Oldfield
Mike Oldfield5:00
65The Theme From "Hill Street Blues"
recording of:
Hill Street Blues: Theme
composer:
Mike Post
publisher:
MTM Music (in 1984)
Mike Post & Larry Carlton3:14
66Cloud Nine
Mongo Santamaría5:45
67El Pussy Cat
Mongo Santamaría2:43
68Signifyin' Monkey
Oscar Brown Jr.4:00
69My Heart Belongs to Daddy
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla
producer:
Stefan F. Winter
assistant mixer:
John Herman (engineer)
double bass:
Charlie Haden (American jazz bassist) (in 1988-11)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1988-11)
electric guitar:
Bill Frisell (in 1988-11)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1988-11)
instrumental cover recording of:
My Heart Belongs to Daddy (in 1988-11)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Paul Motian, Bill Frisell, Charlie Haden & Joe Lovano4:55
70You Can't Sit Down
Phil Upchurch4:15
71A Hard Day's Night
cover recording of:
A Hard Day’s Night
writer:
John Lennon (The Beatles) (from 1964-04-13 until 1964-04-14) and Paul McCartney (The Beatles) (from 1964-04-13 until 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC and Unart Music Corp.
Ramsey Lewis4:59
72Money in the Pocket
Ramsey Lewis2:58
73Wade in the Water
Ramsey Lewis3:50
74Little Susie
Ray Bryant, Bobby Henderson & Sir Charles Thompson5:21
75Baby It's Cold Otside
engineer:
Steve Hoffman (mastering engineer)
producer:
Sid Feller
flugelhorn and trumpet:
Freddie Hubbard
guitar:
Jeff Pevar and Kevin Turner
tenor saxophone:
Rudy Johnson (1970s jazz saxophone player)
background vocals:
The Raeletts
vocals:
Betty Carter and Ray Charles (soul musician, singer and songwriter)
conductor:
Marty Paich
performer:
Betty Carter
arranger:
Marty Paich
cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Academy Award for Best Original Song (number: 22)
Ray Charles & Betty Carter4:13
76Everybody Loves the Sunshine
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
lyrics quoted on:
Tattoo Tears (Still I Rise mix)
Roy Ayers Ubiquity44:01
77I'm an Old Cowhand (From the Rio Grande)
Sonny Rollins & Ray Brown10:12
78Don't Stop the Carnival
producer:
Orrin Keepnews
drums (drum set):
Tony Williams (American jazz drummer) (from 1978-04-13 until 1978-04-15)
electric bass guitar:
Jerome Harris (jazz bassist/guitarist) (in 1978-04)
electric guitar:
Aurell Ray (from 1978-04-13 until 1978-04-15)
piano:
Mark Soskin (from 1978-04-13 until 1978-04-15)
saxophone:
Sonny Rollins (from 1978-04-13 until 1978-04-15)
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-04-13 until 1978-04-15)
recording of:
Don’t Stop the Carnival (in 1978-04)
composer:
Sonny Rollins
Sonny Rollins8:46
79Brain Training
Stanley Clarke4:53
80EJ
Steve Turre5:11
81A Tisket a Tasket
Take 6 & Ella Fitzgerald2:41
82Over There
assistant recording engineer:
Glen Pittman
engineer:
Don Murray (Producer and engineer)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
assistant mixer:
Seth Presant
bass:
Derrick Hodge (from 2004-12-11 until 2004-12-14)
guitar:
Lionel Loueke (from 2004-12-11 until 2004-12-14)
membranophone:
Kendrick Scott (American jazz drummer, bandleader and composer) (from 2004-12-11 until 2004-12-14)
piano:
Aaron Parks (jazz pianist) (from 2004-12-11 until 2004-12-14)
saxophone:
Brice Winston (from 2004-12-11 until 2004-12-14)
trumpet:
Terence Blanchard (American trumpeter and score composer) (from 2004-12-11 until 2004-12-14)
vocals:
Gretchen Parlato (from 2004-12-11 until 2004-12-14)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note")
recorded at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States (from 2004-12-11 until 2004-12-14)
mixed at:
G Studio Digital in Studio City, Los Angeles, California, United States
Terence Blanchard7:32
83Paraty
Brazilian Trio5:57
84Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Virgin Songs, Inc., Hierophant Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Edgar Winter Group4.54:45
85Street Dance
Fatback Band3:15
86This Is What It Is
double bass:
Percy Heath (in 1997-02)
drums (drum set):
Albert “Tootie” Heath (in 1997-02)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1997-02)
saxophone:
Jimmy Heath (in 1997-02)
trombone:
Slide Hampton (in 1997-02)
trumpet:
Jon Faddis (in 1997-02)
The Heath Brothers8:20
87On the Subway
The Last Poets1:35
88Cissy Strut
recording of:
Cissy Strut
composer:
Joseph Modeliste, Art Neville, Leo Nocentelli and George Porter, Jr.
The Meters3:07
89Afro Strut
The Nite-Liters2:53
90K-Jee
recording of:
K-Jee
writer:
Charles Edward Hearndon (Guitarist from Detroit) and Harvey Fuqua
The Nite-Liters4:06
91Hole in the Wall
recording of:
Hole in the Wall
writer:
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
The Packers2:47
92Soulful Strut
recording of:
Soulful Strut
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
version of:
Am I the Same Girl
Young–Holt Unlimited3:02
93Humph
Thelonious Monk2:55
94Summer Samba
cover recording of:
Samba de Verão
lyricist:
Paulo Sérgio Valle
composer:
Marcos Valle
publisher:
Costa & Valle Gestão de Direitos Autorais e Produções Artisticas Ltda., Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 渡辺音楽出版 CM事業部
Walter Wanderley3:07
95Ain't No Stoppin' Us Now
cover recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wayman Tisdale54:06
96Nu Soul
engineer:
Nick O’Toole (engineer at jazz label Posi-Tone)
producer:
Marc Free
drums (drum set):
Jason Brown (jazz drummer) (on 2008-10-20)
guitar:
Avi Rothbard (on 2008-10-20)
organ:
Gary Versace (on 2008-10-20)
saxophone:
Wayne Escoffery (on 2008-10-20)
phonographic copyright (℗) by:
Posi‐Tone Records
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (on 2008-10-20)
mixed at:
Studio 507 in Los Angeles, California, United States
recording of:
Nu Soul (on 2008-10-20)
composer:
Wayne Escoffery
Wayne Escoffery4:42
97Bumpin'
Wes Montgomery6:50
98Tequila
Wes Montgomery3:21
99New Orleans Bump
Wynton Marsalis4:36
100Quarantine
recording engineer:
Jack Higgins (recording engineer) (on 1960-05-09)
producer:
Orrin Keepnews
double bass:
Herman Wright (Jazz bassist) (on 1960-05-09)
drums (drum set):
Lex Humphries (on 1960-05-09)
tenor saxophone:
Yusef Lateef (on 1960-05-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-05-09)
recording of:
Quarantine (on 1960-05-09)
composer:
Abe Woodley
Yusef Lateef7:03