Jazz in the Charts 014 (1932–1933)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Louis Armstrong & His Sebastian New Cotton Club Orchestra3:22
2Shine
recorded in:
Los Angeles, California, United States (on 1931-03-09)
alto saxophone [alto sax]:
Les Hite (on 1931-03-09) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1931-03-09)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
clarinet and tenor saxophone [tenor sax]:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass [bass] and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set):
Lionel Hampton (on 1931-03-09)
piano:
Henry Prince (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McLure "Red Mac" Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
recording of:
Shine (on 1931-03-09)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
writer:
Lew Brown, Ford Dabney and Cecil Mack
composer:
Ford Dabney (in 1910)
Louis Armstrong & His Sebastian New Cotton Club Orchestra3:26
3Hot Toddy
double bass:
Al Morgan (jazz double-bassist) (on 1932-09-21)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1932-09-21)
guitar:
Morris White (jazz guitarist) (on 1932-09-21)
piano:
Benny Payne (jazz pianist and vocalist) (on 1932-09-21)
reeds:
Eddie Barefield (on 1932-09-21) and Arville Harris (on 1932-09-21)
saxophone:
Andrew Brown (jazz saxophonist) (on 1932-09-21)
trombone:
DePriest Wheeler (on 1932-09-21) and Harry White (jazz trombonist) (on 1932-09-21)
trumpet:
Doc Cheatham (on 1932-09-21), Edwin Swayze (on 1932-09-21) and Lammar Wright (on 1932-09-21)
woodwind:
Walter Thomas (on 1932-09-21)
vocals:
Cab Calloway (on 1932-09-21)
recording of:
Hot Toddy (on 1932-09-21)
writer:
Benny Carter
Cab Calloway & His Orchestra2:42
4I’ve Got the World on a String
double bass:
Al Morgan (jazz double-bassist) (on 1932-11-09)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1932-11-09)
guitar:
Morris White (jazz guitarist) (on 1932-11-09)
piano:
Benny Payne (jazz pianist and vocalist) (on 1932-11-09)
reeds:
Eddie Barefield (on 1932-11-09) and Arville Harris (on 1932-11-09)
saxophone:
Andrew Brown (jazz saxophonist) (on 1932-11-09)
trombone:
DePriest Wheeler (on 1932-11-09) and Harry White (jazz trombonist) (on 1932-11-09)
trumpet:
Doc Cheatham (on 1932-11-09), Edwin Swayze (on 1932-11-09) and Lammar Wright (on 1932-11-09)
woodwind:
Walter Thomas (on 1932-11-09)
vocals:
Cab Calloway (on 1932-11-09)
recording of:
I’ve Got the World on a String (on 1932-11-09)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., S.A. Music Co., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Cab Calloway & His Orchestra43:13
5Underneath the Harlem Moon
recording of:
Underneath the Harlem Moon (on 1932-10-06)
writer:
Mack Gordon and Harry Revel (British-born American composer)
Don Redman & His Orchestra3:05
6Underneath the Harlem Moon
recording of:
Underneath the Harlem Moon (on 1932-09-26)
writer:
Mack Gordon and Harry Revel (British-born American composer)
Chick Bullock & His Levee Loungers2:57
7After You’ve Gone
recorded in:
New York, New York, United States (on 1929-11-26)
alto saxophone:
Bert Curry (on 1929-11-26) and Crawford Wethington (on 1929-11-26)
banjo:
Mancy "Peck" Carr (on 1929-11-26)
clarinet and tenor saxophone:
Jimmy Strong (on 1929-11-26)
drums (drum set):
Zutty Singleton (on 1929-11-26)
piano:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (on 1929-11-26)
trombone:
Fred Robinson (American trombonist) (on 1929-11-26)
trumpet:
Louis Armstrong (on 1929-11-26) and Homer Hobson (on 1929-11-26)
tuba:
Pete Briggs (on 1929-11-26)
vocals:
Louis Armstrong (on 1929-11-26)
conductor:
Carroll Dickerson (on 1929-11-26)
recording of:
After You’ve Gone (on 1929-11-26)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Louis Armstrong & His Orchestra3:24
8Underneath the Harlem Moon
recording of:
Underneath the Harlem Moon (on 1932-12-09)
writer:
Mack Gordon and Harry Revel (British-born American composer)
Fletcher Henderson & His Orchestra3:14
9Hobo, You Can’t Ride This Train
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
alto saxophone and clarinet and clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
banjo and piano and guitar:
John Trueheart (on 1932-12-08)
bell:
Mezz Mezzrow (on 1932-12-08)
double bass [bass], double bass and tuba and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Bill Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (on 1932-12-08)
writer:
Louis Armstrong
Louis Armstrong & His Orchestra3:02
10I Gotta Right to Sing the Blues
double bass:
Al Morgan (jazz double-bassist) (on 1932-11-30)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1932-11-30)
guitar:
Morris White (jazz guitarist) (on 1932-11-30)
piano:
Benny Payne (jazz pianist and vocalist) (on 1932-11-30)
reeds:
Eddie Barefield (on 1932-11-30) and Arville Harris (on 1932-11-30)
saxophone:
Andrew Brown (jazz saxophonist) (on 1932-11-30)
trombone:
DePriest Wheeler (on 1932-11-30) and Harry White (jazz trombonist) (on 1932-11-30)
trumpet:
Doc Cheatham (on 1932-11-30), Edwin Swayze (on 1932-11-30) and Lammar Wright (on 1932-11-30)
woodwind:
Walter Thomas (on 1932-11-30)
vocals:
Cab Calloway (on 1932-11-30)
recording of:
I Gotta Right to Sing the Blues (on 1932-11-30)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Cab Calloway & His Orchestra3:16
11Honeysuckle Rose
recording of:
Honeysuckle Rose (on 1932-12-09)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Fletcher Henderson & His Orchestra3:12
12I Gotta Right to Sing the Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass and double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
guitar:
Big Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
I Gotta Right to Sing the Blues (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong & His Orchestra3:03
13(When It’s) Darkness on the Delta
recording of:
(When It's) Darkness on the Delta (on 1932-12-09)
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
Chick Bullock & His Levee Loungers3:00
14That’s My Home
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
Louis Armstrong & His Orchestra3:14
15California, Here I Come
recording of:
California Here I Come (on 1933-01-13)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
Claude Hopkins & His Orchestra3:12
16Drop Me Off at Harlem
recording of:
Drop Me Off in Harlem (on 1933-02-17)
lyricist:
Nick Kenny (in 1933)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
Duke Ellington & His Orchestra3:00
17Stormy Weather
recording of:
Stormy Weather (on 1933-05-03)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Ethel Waters3:11
18Sophisticated Lady
recording of:
Sophisticated Lady (on 1933-05-16)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:14
19Stormy Weather
instrumental recording of:
Stormy Weather (on 1933-05-16)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Duke Ellington & His Orchestra3:04
20Sophisticated Lady
recording of:
Sophisticated Lady (on 1933-04-26)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Don Redman & His Orchestra2:47
21Jig Saw Puzzle Blues
bass saxophone:
Adrian Rollini (on 1933-02-28)
guitar:
Eddie Lang (US jazz guitarist, also recordeded as Blind Willie Dunn) (on 1933-02-28)
piano:
Phil Wall (US jazz pianist, 1930s) (on 1933-02-28)
reeds:
Jimmy Dorsey (on 1933-02-28) and Adrian Rollini (on 1933-02-28)
violin:
Joe Venuti (on 1933-02-28)
Joe Venuti-Eddie Lang Blue Five3:25

Credits

Release

ASIN:DE: B000JBXNDQ [info]

Release Group

part of:Jazz in the Charts (number: 14) (order: 14)