Bach 333: Sacred Cantatas III

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

| |
▼CD 1: Cantatas 20, 2, 7, 135 (1724)
#TitleRatingLength
1"O Ewigkeit, du Donnerwort", BWV 20: 1. [Chorale:] "O Ewigkeit, du Donnerwort"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
choir vocals:
Collegium Vocale Gent (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
4:47
2"O Ewigkeit, du Donnerwort", BWV 20: 2. Recitative: "Kein Unglück ist in aller Welt zu finden"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
tenor vocals:
Jan Kobow (tenor) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, II. Recitativo (Tenore) "Kein Unglück ist in aller Welt zu finden" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
0:49
3"O Ewigkeit, du Donnerwort", BWV 20: 3. Aria: "Ewigkeit, du machts mir bange"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
tenor vocals:
Jan Kobow (tenor) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, III. Aria (Tenore) "Ewigkeit, du machst mir bange" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
3:13
4"O Ewigkeit, du Donnerwort", BWV 20: 4. Recitative: "Gesetzt es dau'rte der Verdammten Qual"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
bass vocals:
Peter Kooij (baritone) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, IV. Recitativo (Basso) "Gesetzt, es dau'rte der Verdammten Qual" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:19
5"O Ewigkeit, du Donnerwort", BWV 20: 5. Aria: "Gott ist gerecht in seinen Werke"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
bass vocals:
Peter Kooij (baritone) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, V. Aria (Basso) "Gott ist gerecht in seinen Werken" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
4:25
6"O Ewigkeit, du Donnerwort", BWV 20: 6. Aria: "O Mensch, errette deine Seele"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VI. Aria (Alto) "O Mensch, errette deine Seele" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
2:02
7"O Ewigkeit, du Donnerwort", BWV 20: 7. Chorale: "Solang ein Gott im Himmel lebt"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
choir vocals:
Collegium Vocale Gent (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VII. Chorale "Solang ein Gott im Himmel lebt" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:08
8"O Ewigkeit, du Donnerwort", BWV 20: 8. Aria: "Wacht auf, wacht auf, verlornen Schafe"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
bass vocals:
Peter Kooij (baritone) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, VIII. Aria (Basso) "Wacht auf, wacht auf, verlorne Schafe" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
2:29
9"O Ewigkeit, du Donnerwort", BWV 20: 9. Recitative: "Verlass, o Mensch, die Wollust dieser Welt"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, IX. Recitativo (Alto) "Verlaß, o Mensch, die Wollust dieser Welt" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:17
10"O Ewigkeit, du Donnerwort", BWV 20: 10. Duet: "O Menschenkind"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-05)
tenor vocals:
Jan Kobow (tenor) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, X. Aria (Duetto: Alto, Tenore) "O Menschenkind, hör auf geschwind" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
3:10
11"O Ewigkeit, du Donnerwort", BWV 20: 11. Chorale: "O Ewigkeit, du Donnerwort"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
choir vocals:
Collegium Vocale Gent (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, XI. Chorale "O Ewigkeit, du Donnerwort" (in 2002-05)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 276)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:10
12"Ach Gott, vom Himmel sieh darein", BWV 2: 1. Chorale: "Ach Gott, vom Himmel sieh darein"
choir vocals:
Monteverdi Choir (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
3:54
13"Ach Gott, vom Himmel sieh darein", BWV 2: 2. Recitative: "Sie lehren eitel falsche List"
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:07
14"Ach Gott, vom Himmel sieh darein", BWV 2: 3. Aria: "Tilg, o Gott, die Lehren"
alto vocals:
Daniel Taylor (Canadian countertenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
3:26
15"Ach Gott, vom Himmel sieh darein", BWV 2: 4. Recitative: "Die Armen sind verstoert"
bass vocals:
Stephen Varcoe (bass-baritone) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:46
16"Ach Gott, vom Himmel sieh darein", BWV 2: 5. Aria: "Durchs Feuer wird das Siber rein"
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
5:05
17"Ach Gott, vom Himmel sieh darein", BWV 2: 6. Chorale: "Das wollst du, Gott bewahren rein"
choir vocals:
Monteverdi Choir (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:10
18"Christ unser Herr zum Jordan kam", BWV 7: 1. [Chorale:] "Christ unser Herr zum Jordan kam"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
7:49
19"Christ unser Herr zum Jordan kam", BWV 7: 2. Aria: "Merkt und hört, ihr Menschenkinder"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
5:40
20"Christ unser Herr zum Jordan kam", BWV 7: 3. Recitative: "Dies hat Gott klar"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:16
21"Christ unser Herr zum Jordan kam", BWV 7: 4. Aria: "Des Vaters Stimme ließ sich hören"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
4:58
22"Christ unser Herr zum Jordan kam", BWV 7: 5. Recitative: "Als Jesus dort nach seinen Leiden"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:01
23"Christ unser Herr zum Jordan kam", BWV 7: 6. Aria: "Menschen, glaubt doch dieser Gnade"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
4:00
24"Christ unser Herr zum Jordan kam", BWV 7: 7. Chorale: "Das Aug allein das Wasser sieht"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Breitkopf 389 Choralgesänge (number: 44)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:20
25"Ach Herr, mich armen Sünder", BWV 135: 1. [Chorale:] "Ach Herr, mich armen Sünder"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": I. Coro "Ach Herr, mich armen Sünder" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
4:55
26"Ach Herr, mich armen Sünder", BWV 135: 2. Recitative: "Ach heile mich, du Arzt der Seelen"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
tenor vocals:
Gerd Türk (German tenor) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": II. Recitativo (Tenor) "Ach heile mich, du Arzt der Seelen" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:16
27"Ach Herr, mich armen Sünder", BWV 135: 3. Aria: "Tröste mir, Jesu, mein Gemüte"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
tenor vocals:
Gerd Türk (German tenor) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": III. Aria (Tenor) "Tröste mir, Jesu, mein Gemüte" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
2:59
28"Ach Herr, mich armen Sünder", BWV 135: 4. Recitative: "Ich bin von Seufzen müde"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Pascal Bertin (counter-tenor) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": IV. Recitativo (Alt) "Ich bin von Seufzen müde" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:07
29"Ach Herr, mich armen Sünder", BWV 135: 5. Aria: "Weicht, all ihr Übeltäter"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": V. Aria (Bass) "Weicht, all ihr Übeltäter" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
2:51
30"Ach Herr, mich armen Sünder", BWV 135: 6. Chorale: "Ehr sei ins Himmels Throne"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": VI. Choral "Ehr sei ins Himmels Throne" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Breitkopf 389 Choralgesänge (number: 156)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:05
▼CD 2: Cantatas 10, 93, 107, 178 (1724)
#TitleRatingLength
1"Meine Seel erhebt deb Herren", BWV 10: 1. [Chorale:] "Meine Seel erhebt den Herren"
choir vocals:
Monteverdi Choir (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
3:26
2"Meine Seel erhebt deb Herren", BWV 10: 2. Aria: "Herr, der du stark und mächtig bist"
soprano vocals:
Lisa Larsson (soprano) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
5:40
3"Meine Seel erhebt deb Herren", BWV 10: 3. Recitative: "Des Hösten Güt und Treu"
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
1:10
4"Meine Seel erhebt deb Herren", BWV 10: 4. Aria: "Gewaltige stößt Gott vom Stuhl"
bass vocals:
Stephen Varcoe (bass-baritone) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:17
5"Meine Seel erhebt deb Herren", BWV 10: 5. Duet & Chorale: "Er denket der Barmherzigkeit"
alto vocals:
Daniel Taylor (Canadian countertenor) (from 2007-07-02 until 2007-02-03)
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:24
6"Meine Seel erhebt deb Herren", BWV 10: 6. Recitative: "Was Gott den Vätern alter Zeiten"
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:23
7"Meine Seel erhebt deb Herren", BWV 10: 7. Chorale: "Lob und Preis sei Gott dem Vater und dem Sohn"
choir vocals:
Monteverdi Choir (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (from 2007-07-02 until 2007-02-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
1:09
8"Wer nur den lieben Gott läßt walten", BWV 93: 1. Chorus: "Wer nur den lieben Gott lässt walten"
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
5:55
9"Wer nur den lieben Gott läßt walten", BWV 93: 2. Recitative [& Chorale]: "Was helfen uns die schweren Sorgen?"
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (baritone) (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
1:50
10"Wer nur den lieben Gott läßt walten", BWV 93: 3. Aria: "Man halte nur ein wenig stille"
producer:
Thore Brinkmann
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
3:00
11"Wer nur den lieben Gott läßt walten", BWV 93: 4. Aria Duet: "Er kennt die rechten Freudesstunden"
producer:
Thore Brinkmann
countertenor vocals:
Matthew White (countertenor) (from 2002-05-31 until 2002-06-04)
soprano vocals:
Yukari Nonoshita (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
2:34
12"Wer nur den lieben Gott läßt walten", BWV 93: 5. Recitative [& Choral]: "Denk nicht in deiner Drangsalshitze"
producer:
Thore Brinkmann
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
2:43
13"Wer nur den lieben Gott läßt walten", BWV 93: 6. Aria: "Ich will auf den Herren schaun"
producer:
Thore Brinkmann
soprano vocals:
Yukari Nonoshita (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
2:32
14"Wer nur den lieben Gott läßt walten", BWV 93: 7. Chorale: "Sing, bet und geh auf Gottes Wegen"
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (from 2002-05-31 until 2002-06-04)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
0:59
15"Was willst du dich betrüben", BWV 107: 1. [Chorale:] "Was willst du dich betrüben"
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": I. Coro "Was willst du dich betrüben" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
3:47
16"Was willst du dich betrüben", BWV 107: 2. Recitative: "Denn Gott verlässet keinen"
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (baritone) (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": II. Recitativo (Bass) "Denn Gott verlässet keinen" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
1:02
17"Was willst du dich betrüben", BWV 107: 3. Aria: "Auf ihn magst du es wagen"
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (baritone) (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": III. Aria (Bass) "Auf ihn magst du es wagen" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
2:52
18"Was willst du dich betrüben", BWV 107: 4. Aria: "Wenn auch gleich aus der Höllen"
producer:
Thore Brinkmann
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": IV. Aria (Tenor) "Wenn auch gleich aus der Höllen" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
2:24
19"Was willst du dich betrüben", BWV 107: 5. Aria: "Er richt's zu seinen Ehren"
producer:
Thore Brinkmann
soprano vocals:
Yukari Nonoshita (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": V. Aria (Sopran) "Er richts zu seinen Ehren" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
2:22
20"Was willst du dich betrüben", BWV 107: 6. Aria: "Darum ich mich ihm ergebe"
producer:
Thore Brinkmann
tenor vocals:
Makoto Sakurada (from 2002-05-31 until 2002-06-04)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": VI. Aria (Tenor) "Drum ich mich ihm ergebe" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
2:37
21"Was willst du dich betrüben", BWV 107: 7. [Chorale:] "Herr, gib, daß ich dein Ehre"
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2002-05-31 until 2002-06-04)
performer:
Bach Collegium Japan (from 2002-05-31 until 2002-06-04)
balance engineer:
Dirk Lüdemann (from 2002-05-31 until 2002-06-04)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2002-05-31 until 2002-06-04)
recording of:
Kantate, BWV 107 "Was willst du dich betrüben": VII. Choral "Herr, gib, daß ich dein Ehre" (from 2002-05-31 until 2002-06-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 107 "Was willst du dich betrüben"
2:30
22"Wo Gott der Herr nicht bei uns hält", BWV 178: 1. [Chorale:] "Wo Gott der Herr nicht bei uns hält"
choir vocals:
Monteverdi Choir (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": I. Coro "Wo Gott der Herr nicht bei uns hält" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
5:33
23"Wo Gott der Herr nicht bei uns hält", BWV 178: 2. [Chorale &] Recitative: "Was Menschenkraft und -witz anfäht"
choir vocals:
Monteverdi Choir (on 2000-08-13)
contralto vocals:
Robin Tyson (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": II. Recitativo (Alt) "Was Menschenkraft und -witz anfäht" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
1:48
24"Wo Gott der Herr nicht bei uns hält", BWV 178: 3. Aria: "Gleichwie die wilden Meereswellen"
bass vocals:
Brindley Sherratt (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": III. Aria (Bass) "Gleichwie die wilden Meereswellen" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
3:29
25"Wo Gott der Herr nicht bei uns hält", BWV 178: 4. Chorale: "Sie stellen uns wie Ketzern nach"
choir vocals:
Monteverdi Choir (on 2000-08-13)
tenor vocals:
Christoph Genz (tenor) (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": IV. Choral (Tenor) "Sie stellen uns wie Ketzern nach" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
1:44
26"Wo Gott der Herr nicht bei uns hält", BWV 178: 5. Chorale & Recitative a tempo giusto: "Aufsperren sie den Rachen weit"
bass vocals:
Brindley Sherratt (on 2000-08-13)
choir vocals:
Monteverdi Choir (on 2000-08-13)
contralto vocals:
Robin Tyson (on 2000-08-13)
tenor vocals:
Christoph Genz (tenor) (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": V. Choral e Recitativo (Coro, Bass, Tenor, Alt) "Auf sperren sie den Rachen weit" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
1:20
27"Wo Gott der Herr nicht bei uns hält", BWV 178: 6. Aria: "Schweig, schweig nur, taumelnde Vernunft!"
tenor vocals:
Christoph Genz (tenor) (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VI. Aria (Tenor) "Schweig, schweig nur, taumelnde Vernunft" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
3:41
28"Wo Gott der Herr nicht bei uns hält", BWV 178: 7. Chorale: "Die Feind sind all in deiner Hand"
choir vocals:
Monteverdi Choir (on 2000-08-13)
orchestra:
English Baroque Soloists (on 2000-08-13)
conductor:
Sir John Eliot Gardiner (on 2000-08-13)
recorded at:
Christkirche in Rendsburg, Schleswig-Holstein, Germany (on 2000-08-13)
live recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VII. Choral "Die Feind sind all in deiner Hand" (on 2000-08-13)
premiered in:
Leipzig, Sachsen, Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 384)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
1:54
▼CD 3: Cantatas 94, 101, 113 (1724)
#TitleRatingLength
1"Was frag' ich nach der Welt", BWV 94: 1. [Chorale:] "Was frag' ich nach der Welt"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
2:42
2"Was frag' ich nach der Welt", BWV 94: 2. Aria: "Die Welt ist wie ein Rauch und Schatten"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
2:26
3"Was frag' ich nach der Welt", BWV 94: 3. Recitative [& Chorale]: "Die Welt sucht Ehr' und Ruhm - Ein Stolzer baut die prächtigste"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
3:01
4"Was frag' ich nach der Welt", BWV 94: 4. Aria: "Betörte Welt, betörte Welt"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
5:52
5"Was frag' ich nach der Welt", BWV 94: 5. Recitative [& Chorale]: "Die Welt bekümmert sich - Was muss wohl doch der Kummer sein"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
2:34
6"Was frag' ich nach der Welt", BWV 94: 6. Aria: "Die Welt kann ihre Lust und Freud"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
4:21
7"Was frag' ich nach der Welt", BWV 94: 7. Aria: "Es halt es mit der blinden Welt"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
3:10
8"Was frag' ich nach der Welt", BWV 94: 8. Chorale: Was frag ich nach der Welt"
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (on 2000-08-19)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
1:57
9"Nimm von uns, Herr, du treuer Gott", BWV 101: 1. [Chorale:] "Nimm von uns, Herr, du treuer Gott"
choir vocals:
Monteverdi Choir (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": I. Coro "Nimm von uns, Herr, du treuer Gott" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
5:32
10"Nimm von uns, Herr, du treuer Gott", BWV 101: 2. Aria: "Handle nicht nach deinen Rechten"
tenor vocals:
Christoph Genz (tenor) (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": II. Aria (Tenor) "Handle nicht nach deinen Rechten" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
3:16
11"Nimm von uns, Herr, du treuer Gott", BWV 101: 3. Recitative [& Chorale]: "Ach! Herr Gott, durch die Treue dein"
choir vocals:
Monteverdi Choir (on 2000-08-27)
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": III. Recitativo (Sopran) "Ach! Herr Gott, durch die Treue dein" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
2:08
12"Nimm von uns, Herr, du treuer Gott", BWV 101: 4. Aria: "Warum willst du so zornig sein"
bass vocals:
Gotthold Schwartz (Conductor) (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": IV. Aria (Bass) "Warum willst du so zornig sein" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
5:18
13"Nimm von uns, Herr, du treuer Gott", BWV 101: 5. Recitativo [& Chorale]: "Die Sünd hat uns verderbet sehr"
choir vocals:
Monteverdi Choir (on 2000-08-27)
tenor vocals:
Christoph Genz (tenor) (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": V. Recitativo (Tenor) "Die Sünd hat uns verderbet sehr" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
1:41
14"Nimm von uns, Herr, du treuer Gott", BWV 101: 6. Aria: "Gedenk an Jesu bittern Tod!"
contralto vocals:
Daniel Taylor (Canadian countertenor) (on 2000-08-27)
soprano vocals:
Joanne Lunn (British soprano vocalist) (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VI. Aria (Sopran, Alt) "Gedenk an Jesu bittern Tod" (on 2000-08-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
6:12
15"Nimm von uns, Herr, du treuer Gott", BWV 101: 7. Chorale: "Leit uns mit deiner rechten Hand"
choir vocals:
Monteverdi Choir (on 2000-08-27)
orchestra:
English Baroque Soloists (on 2000-08-27)
conductor:
Sir John Eliot Gardiner (on 2000-08-27)
recorded at:
Braunschweig Dom in Braunschweig, Niedersachsen, Germany (on 2000-08-27)
live recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VII. Choral "Leit uns mit deiner rechten Hand" (on 2000-08-27)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 318)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
1:00
16"Herr Jesu Christ, du höchstes Gut", BWV 113: 1. [Chorale:] "Herr Jesu Christ, du höchstes Gut"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": I. Coro "Herr Jesu Christ, du höchstes Gut" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
3:29
17"Herr Jesu Christ, du höchstes Gut", BWV 113: 2. [Chorale:] "Erbarm dich mein in solcher Last"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (on 2000-09-03)
countertenor vocals [alto]:
William Towers (Countertenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": II. Aria (Choral, Alt) "Erbarm dich mein in solcher Last" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
4:13
18"Herr Jesu Christ, du höchstes Gut", BWV 113: 3. Aria: "Fürwahr, wenn mir das kommet ein"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
bass vocals:
Stephan Loges (bass-baritone) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": III. Aria (Bass) "Fürwahr, wenn mir das kömmet ein" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
3:01
19"Herr Jesu Christ, du höchstes Gut", BWV 113: 4. Recitative [& Chorale]: "Jedoch dein heilsam Wort, das macht" / Recitative "daß meine Brust"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
bass vocals:
Stephan Loges (bass-baritone) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": IV. Recitativo (Bass) "Jedoch dein heilsam Wort, das macht" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
1:54
20"Herr Jesu Christ, du höchstes Gut", BWV 113: 5. Aria: "Jesus nimmt die Sünder an"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": V. Aria (Tenor) "Jesus nimmt die Sünder an" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
5:49
21"Herr Jesu Christ, du höchstes Gut", BWV 113: 6. Recitative: "Der Heiland nimmt die Sünder an"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VI. Recitativo (Tenor) "Der heiland nimmt die Sünder an" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
1:58
22"Herr Jesu Christ, du höchstes Gut", BWV 113: 7. Aria Duet: "Ach Herr, mein Gott, vergib mir doch"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
countertenor vocals [alto]:
William Towers (Countertenor) (on 2000-09-03)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VII. Aria (Duetto Sopran, Alt) "Ach Herr, mein Gott, vergib mirs doch" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
2:48
23"Herr Jesu Christ, du höchstes Gut", BWV 113: 8. Chorale "Stärk mich mit deinem Freudengeist"
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VIII. Choral "Stärk mich mit deinem Freudengeist" (on 2000-09-03)
lyricist:
Bartholomäus Ringwaldt
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 142)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
1:08
▶CD 4: Cantatas 33, 78, 99, 8 (1724)
▶CD 5: Cantatas 130, 114, 96, 5 (1724)
▶CD 6: Cantatas 180, 38, 115, 139 (1724)
▶CD 7: Cantatas 26, 116, 62, 91, 121 (1724)
▶CD 8: Cantatas 133, 122, 41, 123 (1724-1725)
▶CD 9: Cantatas 124, 3, 111, 92 (1725)
▶CD 10: Cantatas 125, 126, 127 (1725)
▶CD 11: Cantatas 1, 6, 42 (1725)
▶CD 12: Cantatas 85, 103, 108, 87, 128 (1725)
▶CD 13: Cantatas 183, 74, 68, 175, 176 (1725)

Credits

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]