Verve Jazz Masters 31

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Digitales Medium 1
Nr.TitelKünstlerBewertungLänge
1What’s New?
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
Cannonball Adderley5:03
2The Song is You
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-21)
alto saxophone:
Julian Adderley (am 1955-07-21)
baritone saxophone:
Cecil Payne (am 1955-07-21)
Flöte und Tenorsaxophon:
Jerome Richardson (am 1955-07-21)
Klavier:
John Williams (American jazz pianist) (am 1955-07-21)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-21)
Kornett:
Nat Adderley (am 1955-07-21)
Posaune:
Jimmy Cleveland (am 1955-07-21)
Schlagzeug:
Kenny Clarke (am 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
The Song Is You (in 1955)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
Cannonball Adderley4:18
3I’m Glad There is You
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
Flöte und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (am 1956-06-18)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
Cannonball Adderley2:35
4You’d Be So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
Flöte und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (Jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Cannonball Adderley3:42
5Cynthia’s in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-21)
baritone saxophone:
Cecil Payne (am 1955-07-21)
Flöte und Tenorsaxophon:
Jerome Richardson (am 1955-07-21)
Klavier:
John Williams (American jazz pianist) (am 1955-07-21)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-21)
Kornett:
Nat Adderley (am 1955-07-21)
Posaune:
James Cleveland (am 1955-07-21)
Schlagzeug:
Kenny Clarke (am 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (am 1955-07-21)
Verfasser(in):
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") und Earl White
Cannonball Adderley3:10
6The Masquerade is Over
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
Dirigent(in):
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (am 1955-10-28)
Texter:
Herb Magidson
Komponist(in):
Allie Wrubel
publisher:
Chappell Morris Ltd. und Crawford Music Corp.
Cannonball Adderley3:13
7Limehouse Blues
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Bass:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) und Count Records (in 2013)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
Cannonball Adderley & John Coltrane4:42
8Lover Man (Oh, Where Can You Be)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-07)
Klavier:
Julian Mance (am 1957-02-07)
Kontrabass:
Sam Jones (jazz bassist) (am 1957-02-07)
Kornett:
Nat Adderley (am 1957-02-07)
Schlagzeug:
Jim Cobb (US jazz drummer) (am 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-07)
Cannonball Adderley3:57
9Stars Fell on Alabama
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Kontrabass und Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
instrumental recording of:
Stars Fell on Alabama (am 1959-02-03)
Texter:
Mitchell Parish
Komponist(in):
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
Cannonball Adderley & John Coltrane6:17
10Street of Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
Dirigent(in):
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
Cannonball Adderley, Richard Hayman & Orchestra2:15
11Spring Is Here
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
Cannonball Adderley3:48
12The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-08)
Klavier:
Julian Mance (am 1957-02-08)
Kontrabass:
Sam Jones (jazz bassist) (am 1957-02-08)
Kornett:
Nat Adderley (am 1957-02-08)
Schlagzeug:
Jim Cobb (US jazz drummer) (am 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (am 1957-02-08)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Teil von:
Academy Award for Best Original Song (Nummer: 9)
Teil von:
Swing Time (film)
Cannonball Adderley4:27
13Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
Dirigent(in):
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Cannonball Adderley2:33
14Little Girl BlueCannonball Adderley2:42
15I Got it Bad (And That Ain’t Good)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (am 1958-08-20)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Cannonball Adderley2:38
16Straight No Chaser
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
recording of:
Straight, No Chaser (am 1958-03-04)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music
Cannonball Adderley8:23

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://itunes.apple.com/us/album/id120221 [Info]

Veröffentlichungsgruppe

Teil von:Verve Jazz Masters (Nummer: VJM 31) (Reihenfolge: 31)
Discogs:https://www.discogs.com/master/799066 [Info]