Fidelio

~ Release by Ludwig van Beethoven; Arturo Toscanini (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleRatingLength
1Fidelio: Overture
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
6:30
2Act I: Jetzt, Schätzchen, Jetzt Sind Wir Allein
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
4:22
3Act I: O Wär Ich Schon Mit Dir Vereint
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
3:32
4Act I: Mir Ist So Wunderbar
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
4:14
5Act I: Hat Man Nicht Auch Gold Beineben
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
2:22
6Act I: Gut, Söhnchen, Gut
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
5:46
7Act I: March
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
1:13
8Act I: Ha! Welch Ein Augenblick!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
2:48
9Act I: Jetzt, Alter, Jetzt Hat Es Eile!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
4:28
10Act I: Abscheulicher! Wo Eilst Du Hin?
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
7:10
11Act I: O Welche Lust In Freier Luft
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
5:42
12Act I: Nun Sprecht, Wie Ging's?
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
2:12
13Act I: Wir Müssen Gleich Zu Werke Schreiten
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
2:42
14Act I: Ach, Vater, Eilt!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
0:41
15Act I: Verwegner Alter, Welche Rechte
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
1:28
16Act I: Leb Wohl, Du Warmes Sonnenlicht
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1944-12-10 until 1944-12-17)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
2:55
▼CD 2
#TitleRatingLength
1Act II: Scene 1: Gott! Welch Dunkel Hier!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
4:28
2Act II: Scene 1: In Des Lebens Frühlingstagen
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
4:30
3Act II: Scene 1: Wie Kalt Ist Es
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
1:56
4Act II: Scene 1: Nur Hurtig Fort, Nur Frisch Gegraben!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
4:07
5Act II: Scene 1: Euch Werde Lohn In Bessern Welten
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
5:41
6Act II: Scene 1: Er Sterbe!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
2:58
7Act II: Scene 1: Ach! Du Bist Gerettet!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
0:29
8Act II: Scene 1: Es Schlägt Der Rache Stunde!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
1:07
9Act II: Scene 1: O Namenlose Freude!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
2:26
10Leonore Overture No. 3
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
13:10
11Act II: Scene 2: Heil Sei Dem Tag!
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
1:51
12Act II: Scene 2: Des Besten Königs Wink Und Wille
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
3:28
13Act II: Scene 2: Du Schlossest Auf Des Edlen Grab
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
3:50
14Act II: Scene 2: Wer Ein Solches Weib Errungen
bass vocals:
Sidor Belarsky (from 1944-12-10 until 1944-12-17), Herbert Janssen (operatic bass-bariton) (from 1944-12-10 until 1944-12-17) and Nicola Moscona (operatic bass) (from 1944-12-10 until 1944-12-17)
choir vocals:
NBC Symphony Chorus (from 1944-12-10 until 1944-12-17)
soprano vocals:
Rose Bampton (soprano) (from 1944-12-10 until 1944-12-17) and Eleanor Steber (soprano) (from 1944-12-10 until 1944-12-17)
tenor vocals:
Joseph Laderoute (operatic tenor) (from 1944-12-10 until 1944-12-17) and Jan Peerce (operatic tenor) (from 1944-12-10 until 1944-12-17)
orchestra:
NBC Symphony Orchestra (from 1944-12-10 until 1944-12-17)
conductor:
Arturo Toscanini (conductor) (from 1944-12-10 until 1944-12-17)
chorus master:
Peter J. Wilhousky (from 1944-12-10 until 1944-12-17)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1944-12-10 until 1944-12-17)
3:56