Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
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1Mass in B minor BWV 232 - I Chorus- Kyrie eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
9:00
2Mass in B minor BWV 232 - II Duet (soprano I & II)- Christie eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) and Catherine Dubosc (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:48
3Mass in B minor BWV 232 - III Chorus- Kyrie eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
3:34
4Mass in B minor BWV 232 - IV Chorus- Gloria in excelsis Deo
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
1:52
5Mass in B minor BWV 232 - V Chorus- Et in terra pax
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:07
6Mass in B minor BWV 232 - VI Aria (soprano II)- Laudamus te
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:22
7Mass in B minor BWV 232 - VII Chorus- Gratias agimus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
2:22
8Mass in B minor BWV 232 - VIII Duet (soprano I, tenor)- Domine Deus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Dubosc (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
5:28
9Mass in B minor BWV 232 - IX Chorus- Qui tollis
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
3:11
10Mass in B minor BWV 232 - X Aria (alto)- Qui sedes ad dexteram Patris
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:17
11Mass in B minor BWV 232 - XI Aria (bass)- Quoniam tu solus Sanctus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
horn:
Roger Montgomery (horn player)
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:30
12Mass in B minor BWV 232 - XII Chorus- Cum Sancto Spiritu
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
3:51
▼CD 2: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
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1Mass in B minor BWV 232 - I Chorus- Credo in unum Deum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
1:58
2Mass in B minor BWV 232 - II Chorus- Patrem omnipotentem
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
2:00
3Mass in B minor BWV 232 - III Duet (soprano I, alto)- Et in unum Dominum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals and countertenor vocals:
James Bowman (UK countertenor)
soprano vocals:
Catherine Dubosc (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:21
4Mass in B minor BWV 232 - IV Chorus- Et incarnatus est
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
The Symphony of Harmony and Invention
conductor:
Harry Christophers (conductor)
performer:
The Sixteen (UK choir)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
3:19
5Mass in B minor BWV 232 - V Chorus- Crucifixus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
3:11
6Mass in B minor BWV 232 - VI Chorus- Et resurrexit
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:01
7Mass in B minor BWV 232 - VII Aria (bass)- Et in Spiritum Sanctum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
5:17
8Mass in B minor BWV 232 - VIII Chorus- Confiteor unum baptisma
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:54
9Mass in B minor BWV 232 - IX Chorus- Et expecto
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
2:15
10Mass in B minor BWV 232 - X Chorus- Sanctus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:49
11Mass in B minor BWV 232 - XI Chorus- Osamna
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
3:02
12Mass in B minor BWV 232 - XII Aria (tenor)- Benedictus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:24
13Mass in B minor BWV 232 - XIII Chorus- Osamna
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
3:03
14Mass in B minor BWV 232 - XIV Aria (alto)- Agnus Dei
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
5:37
15Mass in B minor BWV 232 - XV Chorus- Dona nobis pacem
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
2:42
▼CD 3: Messen, BWV 233 & 234
#TitleRatingLength
1Mass in F major BWV 233 - I Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
5:03
2Mass in F major BWV 233 - II Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
6:37
3Mass in F major BWV 233 - III Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
3:29
4Mass in F major BWV 233 - IV Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
4:57
5Mass in F major BWV 233 - V Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
4:42
6Mass in F major BWV 233 - VI Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
3:13
7Mass in A major BWV 234 - I Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
7:02
8Mass in A major BWV 234 - II Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
5:37
9Mass in A major BWV 234 - III Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
6:13
10Mass in A major BWV 234 - IV Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
6:52
11Mass in A major BWV 234 - V Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
3:37
12Mass in A major BWV 234 - VI Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
3:25
▼CD 4: Messen, BWV 235 & 236
#TitleRatingLength
1Mass in G minor BWV 235 - I Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe g-Moll, BWV 235
7:18
2Mass in G minor BWV 235 - II Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
part of:
Messe g-Moll, BWV 235
4:06
3Mass in G minor BWV 235 - III Grattias
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen"
part of:
Messe g-Moll, BWV 235
3:34
4Mass in G minor BWV 235 - IV Domine Fili
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein"
part of:
Messe g-Moll, BWV 235
5:40
5Mass in G minor BWV 235 - V Qui tollis
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
tenor vocals:
Peter Schreier (german tenor and conductor)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben"
part of:
Messe g-Moll, BWV 235
4:07
6Mass in G minor BWV 235 - VI Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 187 "Es wartet alles auf dich"
part of:
Messe g-Moll, BWV 235
5:49
7Mass in G major BWV 236 - I Kyrie
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:09
8Mass in G major BWV 236 - II Gloria
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:59
9Mass in G major BWV 236 - III Grattias
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
5:13
10Mass in G major BWV 236 - IV Domine Deus
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
alto vocals:
Annelies Burmeister (contralto)
soprano vocals:
Renate Krahmer (soprano)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:16
11Mass in G major BWV 236 - V Quoniam
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
tenor vocals:
Peter Schreier (german tenor and conductor)
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
4:52
12Mass in G major BWV 236 - VI Cum Sancto Spiritu
engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie
conductor:
Martin Flämig
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1972-04 until 1972-06)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
4:36
▼CD 5: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
#TitleRatingLength
1Sacred Songs & Arias BWV 439-507 - I Morgenlieder
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 451 "Die güldne Sonne" (in 1974)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 451)
recording of:
Geistliches Lied, BWV 479 "Kommt, Seelen dieser Tag" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 479)
3:10
2Sacred Songs & Arias BWV 439-507 - II Vom zeitlichen Leid und von der Nachfolge Christi
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 455 "Erwürgtes Lamm, das die verwahrten Siegel" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 455)
recording of:
Geistliches Lied, BWV 505 "Vergiß mein nicht, mein allerliebster Gott" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 505)
2:27
3Sacred Songs & Arias BWV 439-507 - III Von der Auferstehung Christi
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 441 "Auf, auf! mein Herz, mit Freuden" (in 1974)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 441)
version of:
Auf, auf, mein Herz, mit Freuden
recording of:
Geistliches Lied, BWV 475 "Jesus, unser Trost und Leben" (in 1974)
lyricist:
Ernst Christoph Homburg (in 1659)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Bach-Werke-Verzeichnis (number: BWV 475)
recording of:
Geistliches Lied, BWV 480 "Kommt wieder aus der finstren Gruft" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 480)
2:25
4Sacred Songs & Arias BWV 439-507 - IV Von der Sendung des heiligen Geistes
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 445 "Brunnquell aller Güter" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 445)
recording of:
Geistliches Lied, BWV 462 "Gott, wie groß ist deine Güte" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 462)
3:29
5Sacred Songs & Arias BWV 439-507 - V Vom Gebet und vom wahren Christentum
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 449 "Dich bet ich an, mein höchster Gott" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 449)
recording of:
Geistliches Lied, BWV 459 "Es kostet viel, ein Christ zu sein" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 459)
recording of:
Geistliches Lied, BWV 461 "Gott lebet noch" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 461)
3:12
6Sacred Songs & Arias BWV 439-507 - VI Von der Liebe und Verlangen nach Jesu
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Choralsatz, BWV 361 "Jesu, meines Herzens Freud" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 202) and Bach-Werke-Verzeichnis (number: BWV 361)
recording of:
Geistliches Lied, BWV 443 "Beschränkt, ihr Weisen dieser Welt" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Christoph Wegleiter
part of:
Bach-Werke-Verzeichnis (number: BWV 443)
5:33
7Sacred Songs & Arias BWV 439-507 - VII Abendlieder
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 446 "Der lieben Sonne Licht und Pracht" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Christian Scriver (in 1684)
part of:
Bach-Werke-Verzeichnis (number: BWV 446)
recording of:
Geistliches Lied, BWV 447 "Der Tag ist hin" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 447)
recording of:
Geistliches Lied, BWV 448 "Der Tag mit seinem Lichte" (in 1974)
lyricist:
Paul Gerhardt (17th century hymn writer) (in 1666)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 448)
4:11
8Sacred Songs & Arias BWV 439-507 - VIII Vom Lieden und Sterben Jesu Christi
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Die bittre Leidenszeit beginnet abermal, BWV 450 (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Bach-Werke-Verzeichnis (number: BWV 450)
recording of:
Geidtliche Lied, BWV 498 "Selig, wer an Jesum denkt" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 498)
recording of:
Geistliche Lied, BWV 487 "Mein Jesu, was für Seelenweh" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 487)
recording of:
Geistliche Lied, BWV 500 "So gehst du nun, mein Jesu, hin" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 500)
recording of:
Geistliches Lied, BWV 471 "Jesu, deine Liebeswunden" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 471)
recording of:
Geistliches Lied, BWV 481 "Lasset uns mit Jesu ziehen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 481)
recording of:
Geistliches Lied, BWV 491 "O du Liebe meiner Liebe" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 491)
recording of:
Geistliches Lied, BWV 499 "Sei gegrüßet, Jesu gütig" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 499)
9:50
9Sacred Songs & Arias BWV 439-507 - IX Am Karfreitag
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliche Lied, BWV 444 "Brich entzwei, mein armes Herze" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 444)
recording of:
Geistliche Lied, BWV 501 "So gibst do nun, mein Jesu gute Nacht" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 501)
recording of:
Geistliches Lied, BWV 458, "Es ist vollbracht! Vergiß ja nicht dies Wort" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 458)
4:44
10Sacred Songs & Arias BWV 439-507 - X Von der Bessfertigkeit und Gottes Gnade
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 463 "Herr, nicht schicke deine Rache" (in 1974)
lyricist:
Martin Opitz (in 1634)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 463)
recording of:
Geistliches Lied, BWV 503 "Steh ich bei meinem Gott" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 503)
recording of:
Geistliches Lied, BWV 507 "Wo ist mein Schäflein, das ich liebe" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 507)
3:04
▼CD 6: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
#TitleRatingLength
1Sacred Songs & Arias BWV 439-507 - I Von Lobgesang
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
vocals arranger:
Ludwig Böhme
part of:
Bach-Werke-Verzeichnis (number: BWV 452)
1:36
2Sacred Songs & Arias BWV 439-507 - II Von der Verleugnung der welt und seiner selbst
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 442 "Beglückter Stand getreuer Seelen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 442)
recording of:
Geistliches Lied, BWV 456 "Es glänzet der Christen inwendiges Leben" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 456)
recording of:
Geistliches Lied, BWV 489 "Nicht so traurig, nicht so sehr" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 489)
recording of:
Geistliches Lied, BWV 494 "O liebe Seele, zieh die Sinnen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 494)
3:52
3Sacred Songs & Arias BWV 439-507 - III Von der Rechtfertigung
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 453 "Eins ist not! ach Herr, dies Eine" (in 1974)
lyricist:
Johann Heinrich Schröder (in 1695)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 453)
recording of:
Geistliches Lied, BWV 472 "Jesu, meines Glaubens Zier" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 472)
recording of:
Geistliches Lied, BWV 486 "Mein Jesu, dem die Seraphinen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 486)
3:02
4Sacred Songs & Arias BWV 439-507 - IV Von der Liebe Gottes
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 474 "Jesus ist das schönste Licht" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 474)
recording of:
Geistliches Lied, BWV 482 "Liebes Herz, bedenke doch" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 482)
recording of:
Geistliches Lied, BWV 496 "Seelenbräutigam, Jesu, Gottes Lamm" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 496)
recording of:
Geistliches Lied, BWV 505 "Vergiß mein nicht, mein allerliebster Gott" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 505)
4:32
5Sacred Songs & Arias BWV 439-507 - V Von der Geburt Jesu Christi
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 454 "Ermuntre dich, mein schwacher Geist" (in 1974)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 454)
recording of:
Geistliches Lied, BWV 465 "Ich freue mich in dir" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 465)
recording of:
Geistliches Lied, BWV 469 „Ich steh an deiner Krippen hier“ (in 1974)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1653)
part of:
Bach-Werke-Verzeichnis (number: BWV 469)
is based on:
Ich steh an deiner Krippen hier (just the lyrics, no melody)
recording of:
Geistliches Lied, BWV 476 "Ihr Gestirn, ihr hohen Lüfte" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 476)
recording of:
Geistliches Lied, BWV 493 "O Jesulein süß" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 493)
6:00
6Sacred Songs & Arias BWV 439-507 - VI Trostreiche Jesus-Lieder
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 440 "Auf, auf! die rechte Zeit ist hier" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 440)
recording of:
Geistliches Lied, BWV 467 "Ich laß dich nicht" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 467)
recording of:
Geistliches Lied, BWV 468 "Ich liebe Jesum alle Stund" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 468)
recording of:
Geistliches Lied, BWV 470 "Jesu, Jesu, du bist mein" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 470)
recording of:
Geistliches Lied, BWV 485 "Liebster Immanuel, Herzog der Frommen" (in 1974)
lyricist:
Ahasverus Fritsch
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 485)
recording of:
Geistliches Lied, BWV 506 "Was bist du doch, o Seele, so betrübet" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 506)
6:28
7Sacred Songs & Arias BWV 439-507 - VII Lieder vom Sterben und Hoffnung in Gott
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Choralsatz, BWV 345 "Ich bin ja, Herr, in deiner Macht" (in 1974)
lyricist:
Simon Dach (Prussian poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 174) and Bach-Werke-Verzeichnis (number: BWV 345)
recording of:
Geistliches Lied, BWV 439 "Ach, daß nicht die letzte Stunde" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 439)
recording of:
Geistliches Lied, BWV 457 "Es ist nun aus mit meinem Leben" (in 1974)
lyricist:
Magnus Daniel Omeis (in 1673)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 457)
recording of:
Geistliches Lied, BWV 477 "Kein Stündlein geht dahin" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 477)
recording of:
Geistliches Lied, BWV 478 "Komm, süßer Tod" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 478)
recording of:
Geistliches Lied, BWV 483 "Liebster Gott, wann werd ich sterben" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 483)
recording of:
Geistliches Lied, BWV 484 "Liebster Herr Jesu, wo bleibst du so lange" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 484)
recording of:
Geistliches Lied, BWV 488 "Meines Lebens letzte Zeit" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 488)
recording of:
Geistliches Lied, BWV 492 "O finstre Nacht, wann wirst du doch vergehen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 492)
recording of:
Geistliches Lied, BWV 495 "O wie selig seid ihr doch, ihr Frommen" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 495)
recording of:
Geistliches Lied, BWV 502 "So wünsch ich mir zu guter Letzt" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 502)
12:00
8Sacred Songs & Arias BWV 439-507 - VIII Von Geduld und Gelassenheit
organ:
Heinz Schnauffer (organist)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton)
recorded at:
Himmelfahrtskirche (München-Sendling) in München, Bayern, Germany
recording of:
Geistliches Lied, BWV 460 "Gib dich zufrieden und sei stille" (in 1974)
writer:
Paul Gerhardt (17th century hymn writer) (in 1666)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 460)
recording of:
Geistliches Lied, BWV 466 "Ich halte treulich still" (in 1974)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 466)
2:45
▼CD 7: Motetten
#TitleRatingLength
1Lobet den Herrn, alle Heiden BWV 230
recorded in:
Cevins, Savoie, Auvergne-Rhône-Alpes, France
engineer:
Joseph Rotzetter (engineer)
producer:
Erich Lauer (producer)
choir vocals:
Ensemble Vocal de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Lobet den Herrn, alle Heiden, BWV 230 (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C6) and Bach-Werke-Verzeichnis (number: BWV 230)
6:21
2Komm, Jesu, komm BWV 229
recorded in:
Cevins, Savoie, Auvergne-Rhône-Alpes, France
engineer:
Joseph Rotzetter (engineer)
producer:
Erich Lauer (producer)
choir vocals:
Ensemble Vocal de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Komm, Jesu, komm, BWV 229 (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C3) and Bach-Werke-Verzeichnis (number: BWV 229)
8:11
3Singet den Herrn ein neues Leid BWV 225
recorded in:
Cevins, Savoie, Auvergne-Rhône-Alpes, France
engineer:
Joseph Rotzetter (engineer)
producer:
Erich Lauer (producer)
choir vocals:
Ensemble Vocal de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Singet dem Herrn ein neues Lied, BWV 225 (in 1995)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1727)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C1) and Bach-Werke-Verzeichnis (number: BWV 225)
13:11
4Jesu, meine Freude BWV 227
recorded in:
Cevins, Savoie, Auvergne-Rhône-Alpes, France
engineer:
Joseph Rotzetter (engineer)
producer:
Erich Lauer (producer)
choir vocals:
Ensemble Vocal de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Jesu, meine Freude, BWV 227 (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Bach Compendium (number: C5) and Bach-Werke-Verzeichnis (number: BWV 227)
20:35
5Der Geist hilft under Schwachheit auf BWV 226
recorded in:
Cevins, Savoie, Auvergne-Rhône-Alpes, France
engineer:
Joseph Rotzetter (engineer)
producer:
Erich Lauer (producer)
choir vocals:
Ensemble Vocal de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226 (in 1995)
premiered in:
Leipzig, Sachsen, Germany (on 1729-10-24)
composed in:
Leipzig, Sachsen, Germany (in 1729)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C2) and Bach-Werke-Verzeichnis (number: BWV 226)
7:34
6Fürchte dich nicht, ich bin bei dir BWV 228
recorded in:
Cevins, Savoie, Auvergne-Rhône-Alpes, France
engineer:
Joseph Rotzetter (engineer)
producer:
Erich Lauer (producer)
choir vocals:
Ensemble Vocal de Lausanne
conductor:
Michel Corboz (conductor and composer)
recording of:
Fürchte dich nicht, ich bin bei dir, BWV 228 (in 1995)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C4) and Bach-Werke-Verzeichnis (number: BWV 228)
9:43
▼CD 8: Osteroratorium, BWV 249
#TitleRatingLength
1Osteroratorium BWV 249 - I Sinfonia
producer:
Reinhard Geller
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
4:13
2Osteroratorium BWV 249 - II Adagio
producer:
Reinhard Geller
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
4:12
3Osteroratorium BWV 249 - III Duetto + Chorus- Kommt, eilet und laufet
producer:
Reinhard Geller
bass vocals:
Thomas Pfeiffer (bass-baritone)
choir vocals:
Motettenchor Pforzheim
tenor vocals:
Frank Bossert (Tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
5:00
4Osteroratorium BWV 249 - IV Recitativo- O kalter Männer Sinn
producer:
Reinhard Geller
alto vocals:
Anne Greiling
bass vocals:
Thomas Pfeiffer (bass-baritone)
soprano vocals:
Christine Brenk
tenor vocals:
Frank Bossert (Tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:59
5Osteroratorium BWV 249 - V Aria soprano- Seele, deine Spezereien
producer:
Reinhard Geller
soprano vocals:
Christine Brenk
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
11:11
6Osteroratorium BWV 249 - VI Recitativo- Hier is die Gruft
producer:
Reinhard Geller
alto vocals:
Anne Greiling
bass vocals:
Thomas Pfeiffer (bass-baritone)
tenor vocals:
Frank Bossert (Tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:44
7Osteroratorium BWV 249 - VII Aria tenor- Sanfte soll mein Todeskummer
producer:
Reinhard Geller
tenor vocals:
Frank Bossert (Tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
6:34
8Osteroratorium BWV 249 - VIII Recitativo- Indessen seufzen wir
producer:
Reinhard Geller
alto vocals:
Anne Greiling
soprano vocals:
Christine Brenk
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:56
9Osteroratorium BWV 249 - IX Aria, soprano,alto- Saget, saget mir geschwinde
producer:
Reinhard Geller
alto vocals:
Anne Greiling
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1999-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
7:01
10Osteroratorium BWV 249 - X Recitativo- Wir sind erfreut
producer:
Reinhard Geller
bass vocals:
Thomas Pfeiffer (bass-baritone)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:38
11Osteroratorium BWV 249 - XI Chorus- Preis und Dank
producer:
Reinhard Geller
choir vocals:
Motettenchor Pforzheim
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1999-07)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
2:34
12Osteroratorium BWV 249 - XII Chorale- Es hat mit uns nun keine Not
producer:
Reinhard Geller
choir vocals:
Motettenchor Pforzheim
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
conductor:
Rolf Schweizer
recorded at:
Evangelische Stadtkirche in Pforzheim, Baden-Württemberg, Germany
0:44
▶CD 9: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
▶CD 10: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
▶CD 11: Zwei Hochzeitskantaten, BWV 202 & 210
▶CD 12: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
▶CD 13: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
▶CD 14: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
▶CD 15: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
▶CD 16: Secular Cantatas, BWV 213 & 241; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
▶CD 17: Matthäus-Passion, BWV 244 (disc 1)
▶CD 18: Matthäus-Passion, BWV 244 (disc 2)
▶CD 19: Matthäus-Passion, BWV 244 (disc 3)
▶CD 20: Johannes-Passion, BWV 245 (disc 1)
▶CD 21: Johannes-Passion, BWV 245 (disc 2)
▶CD 22: Markus Passion, BWV 247 (disc 1)
▶CD 23: Markus Passion, BWV 247 (disc 2)
▶CD 24: Lukas Passion, BWV 246 (disc 1)
▶CD 25: Lukas Passion, BWV 246 (disc 2)
▶CD 26: Weihnachtsoratorium, BWV 248 (disc 1)
▶CD 27: Weihnachtsoratorium, BWV 248 (disc 2)
▶CD 28: Weihnachtsoratorium, BWV 248 (disc 3)
▶CD 29: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
▶CD 30: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
▶CD 31: Magnificat, BWV 243; Choräle
▶CD 32: Choräle (disc 1)
▶CD 33: Choräle (disc 2)
▶CD 34: Choräle (disc 3)
▶CD 35: Choräle (disc 4)
▶CD 36: Choräle (disc 5)
▶CD 37: Choräle (disc 6)

Credits

Release Group

included in:Complete Edition (Brilliant 2010 Bach edition)
part of:Bach Edition: Complete Works (2001 version) (number: 5)