In Classical Mood: Opera Favorites: Fun and Frolic

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Die Fledermaus: Act I, no. 3. Komm mit mir zum Souper
baritone vocals [Falke]:
Eberhard Wächter (baritone)
tenor vocals [Eisenstein]:
Karl Terkal (Austrian Tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II3:45
2Die Fledermaus: Act I, no. 4. So muss allein ich bleiben
soprano vocals [Adele]:
Wilma Lipp (soprano)
soprano vocals [Rosalinde]:
Gerda Scheyrer (soprano)
tenor vocals [Eisenstein]:
Karl Terkal (Austrian Tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:33
3Die Fledermaus: Act I, no. 5b. Mein Herr, was dächten Sie von mir
baritone vocals [Frank]:
Walter Berry (bass-baritone)
soprano vocals [Rosalinde]:
Gerda Scheyrer (soprano)
tenor vocals [Alfred]:
Anton Dermota (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II4:56
4Die Fledermaus: Act II, no. 7. Ich lade gern mir Gäste ein
mezzo-soprano vocals [Orlofsky]:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II1:42
5Die Fledermaus: Act II, no. 8b. Laughing Song: Mein Herr Marquis
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals [Adele]:
Wilma Lipp (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II3:31
6Die Fledermaus: Act II, no. 10. Klänge der Heimat
soprano vocals [Rosalinde]:
Gerda Scheyrer (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:29
7Die Fledermaus: Act II. Finale. Brüderlein und Schwesterlein
baritone vocals [Falke]:
Eberhard Wächter (baritone)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:21
8Die Fledermaus: Act III, no. 16. O Fledermaus, o Fledermaus
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II3:00
9Orpheus in the Underworld: Act I. Scene 1. La femme dont le coeur rêve
engineer:
Serge Rémy
soprano vocals [Eurydice]:
Mady Mesplé (soprano)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recording of:
Orphée aux enfers : Acte I. No. 2 - Couplets du berger joli : « La femme dont le cœur rêve » (Eurydice)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
Jacques Offenbach3:13
10Orpheus in the Underworld: Act I. Scene 1. Grâce, grâce…
engineer:
Serge Rémy
soprano vocals [Eurydice]:
Mady Mesplé (soprano)
tenor vocals [Orpheus]:
Michel Sénéchal (tenor)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
Jacques Offenbach5:06
11Orpheus in the Underworld: Act I. Scene 1. Allons! C’est le moment
engineer:
Serge Rémy
choir vocals:
Chœur du Capitole de Toulouse
mezzo-soprano vocals [Public Opinion]:
Jane Rhodes (French soprano/mezzo-soprano)
tenor vocals [Orpheus]:
Michel Sénéchal (tenor)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
chorus master:
Guy Lhomme
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
Jacques Offenbach2:04
12Orpheus in the Underworld: Act I. Scene 2. Eh hop! Eh hop!
engineer:
Serge Rémy
baritone vocals [Jupiter]:
Michel Trempont (baritone)
mezzo-soprano vocals [Juno]:
Danièle Castaing (soprano / mezzo-soprano)
tenor vocals [Mercury]:
André Mallabrera (tenor)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recording of:
Orphée aux enfers : Acte II. No. 12 - Rondo saltarelle de Mercure : « Eh hop ! Eh hop ! » (Mercure, Junon, Jupiter)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
Jacques Offenbach2:24
13Orpheus in the Underworld: Act I. Scene 2. Aux armes, dieux et demi-dieux!
engineer:
Serge Rémy
choir vocals:
Chœur du Capitole de Toulouse
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
chorus master:
Guy Lhomme
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recording of:
Orphée aux enfers : Acte II. No. 14 - Chœur de la révolte : « Aux armes, dieux et demi-dieux ! » (Diane, Vénus, Cupidon, Pluton, Jupiter, les Dieux et les Déesses)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
Jacques Offenbach1:57
14Orpheus in the Underworld: Act II. Scene 1. Ah! Quelle triste destinée
engineer:
Serge Rémy
soprano vocals [Eurydice]:
Mady Mesplé (soprano)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recording of:
Orphée aux enfers : Acte III. No. 18 - Couplets des regrets : « Ah ! Quelle triste destinée » (Eurydice)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
Jacques Offenbach2:53
15Orpheus in the Underworld: Act II. Scene 2. Ne regarde pas en arrière!
engineer:
Serge Rémy
choir vocals:
Chœur du Capitole de Toulouse
mezzo-soprano vocals [Public Opinion]:
Jane Rhodes (French soprano/mezzo-soprano)
orchestra:
Orchestre du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
chorus master:
Guy Lhomme
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recording of:
Orphée aux enfers : Acte IV. No. 30 - Final : « Ne regarde pas en arrière ! » (L'Opinion publique, tous, Jupiter, les Dieux, Orphée, Pluton, Eurydice)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
Jacques Offenbach3:00
16The Merry Widow: Act I. no. 1. Introduction… / no. 2. So kommen sie… Ich bin eine anstand’ge Frau
soprano vocals [Valencienne]:
Erika Köth (soprano)
tenor vocals [Rosillon]:
Róbert Ilosfalvy (Hungarian tenor)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár5:10
17The Merry Widow: Act I. no. 3. Bitte, meine Herrn… Gar oft hab’ ich gehört
choir vocals:
Bayerischer Rundfunk
soprano vocals [Hanna]:
Anneliese Rothenberger (soprano)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
chorus master:
Wolfgang Schubert (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:00
18The Merry Widow: Act I. no. 4. O Vaterland… Da geh’ ich zu Maxim
tenor vocals [Danilo]:
Nicolai Gedda (tenor)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:59
19The Merry Widow: Act II. no. 12a. Vilja - Lied
choir vocals:
Bayerischer Rundfunk
soprano vocals [Hanna]:
Anneliese Rothenberger (soprano)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
chorus master:
Wolfgang Schubert (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár5:32
20The Merry Widow: Act II. no. 8. Heia, Mädel, aufgeschaut… Dummer, dummer Reitersmann
soprano vocals [Hanna]:
Anneliese Rothenberger (soprano)
tenor vocals [Danilo]:
Nicolai Gedda (tenor)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:34
21The Merry Widow: Act III. no. 14. Ja, wir sind es, die Grisetten
choir vocals:
Bayerischer Rundfunk
soprano vocals [Valencienne]:
Erika Köth (soprano)
tenor vocals [Danilo]:
Nicolai Gedda (tenor)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
chorus master:
Wolfgang Schubert (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt III. Nr. 14 Chanson „Ja, wir sind es, die Grisetten” (Valencienne, Grisetten)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:24
22The Merry Widow: Act III. no. 15. Lippen schweigen
soprano vocals [Hanna]:
Anneliese Rothenberger (soprano)
tenor vocals [Danilo]:
Nicolai Gedda (tenor)
orchestra:
Symphonie-Orchester Graunke (German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Willy Mattes (composer, arranger and conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár3:21

Credits

Release

mastered in:U.K.
manufactured in:Italy
photography:Clive Barda (photographer)
Jeff Carroll (photographer)
Donald Cooper (photographer)
Ron Scherl (photographer)
Reg Wilson (theatre photographer)
illustration:Paul César Helleu (painter)
Félix Augustin Milius (painter)
John See (illustrator)
Jan Brueghel (the elder) (in 1594)
Jacques Joseph Tissot (painter) (in 1875)
Moritz Ledeli (painter) (in 1893)
copyrighted (©) by:International Masters Publishers BV (for copyrights use only!) (in 1999)
part of:Opera Favorites (In Classical Mood) (order: 3)
ASIN:UK: 1892207095 [info]
UK: B00E2R9ZT4 [info]

Release Group

part of:In Classical Mood (number: 56) (order: 52)