Collegium Aureum Edition

~ Release by Collegium Aureum (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1: Carl Philip Emmanuel Bach: Doppelkonzerte Wq. 46 & 47, Sonatina Wq. 109
#TitleArtistRatingLength
1Doppelkonzert für Cembalo, Fortepiano und Orchester Es-Dur, Wq. 47: I. Allegro di molto
fortepiano:
Jos van Immerseel (pianist, conductor) (from 1982-06-21 until 1982-06-24)
harpsichord:
Eric Lynn Kelley (US harpsichordist & organist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: I. Allegro di molto (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach7:13
2Doppelkonzert für Cembalo, Fortepiano und Orchester Es-Dur, Wq. 47: II. Larghetto
fortepiano:
Jos van Immerseel (pianist, conductor) (from 1982-06-21 until 1982-06-24)
harpsichord:
Eric Lynn Kelley (US harpsichordist & organist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: II. Larghetto (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach7:41
3Doppelkonzert für Cembalo, Fortepiano und Orchester Es-Dur, Wq. 47: III. Presto
fortepiano:
Jos van Immerseel (pianist, conductor) (from 1982-06-21 until 1982-06-24)
harpsichord:
Eric Lynn Kelley (US harpsichordist & organist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
recording of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479: III. Presto (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach
part of:
Konzert für Cembalo, Klavier und Orchester in Es-Dur, Wq 47, H 479
Carl Philipp Emanuel Bach4:22
4Sonatine für zwei Cembali und Orchester D-Dur, Wq. 109: I. Presto / II. Tempo di menuetto
harpsichord:
Jos van Immerseel (pianist, conductor) (from 1982-06-21 until 1982-06-24) and Eric Lynn Kelley (US harpsichordist & organist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
partial recording of:
Sonatine für zwei Cembali und Orchester D-Dur, Wq. 109, H. 543 (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach (in 1762)
part of:
Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (Wotquenne [Wq.]) (number: Wq. 109) and Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 543)
Carl Philipp Emanuel Bach15:43
5Doppelkonzert für Cembalo, Fortepiano und Orchester F-Dur, Wq. 46: I. Allegro
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor) (from 1982-06-21 until 1982-06-24) and Gustav Leonhardt (conductor, harpsichordist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
recording of:
Concerto in F major, Wq 46, H 408: I. Allegro (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach9:54
6Doppelkonzert für Cembalo, Fortepiano und Orchester F-Dur, Wq. 46: II. Largo
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor) (from 1982-06-21 until 1982-06-24) and Gustav Leonhardt (conductor, harpsichordist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
recording of:
Concerto in F major, Wq 46, H 408: II. Largo (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach7:21
7Doppelkonzert für Cembalo, Fortepiano und Orchester F-Dur, Wq. 46: III. Allegro Assai
harpsichord:
Alan Curtis (harpsichordist, musicologist, and conductor) (from 1982-06-21 until 1982-06-24) and Gustav Leonhardt (conductor, harpsichordist) (from 1982-06-21 until 1982-06-24)
orchestra:
Collegium Aureum (from 1982-06-21 until 1982-06-24)
conductor:
Franz Josef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1982-06-21 until 1982-06-24)
recording of:
Concerto in F major, Wq 46, H 408: III. Allegro assai (from 1982-06-21 until 1982-06-24)
composer:
Carl Philipp Emanuel Bach
part of:
Concerto in F major, Wq 46, H 408
Carl Philipp Emanuel Bach5:22
▼CD 2: Georg Frideric Händel: Music for the royal Fireworks, Water Music
#TitleArtistRatingLength
1Music for the royal fireworks: Overture
orchestra:
Collegium Aureum (in 1971-06)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1971-09-02 until 1971-09-04)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel8:25
2Music for the royal fireworks: Bourree
orchestra:
Collegium Aureum (in 1971-06)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1971-09-02 until 1971-09-04)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:07
3Music for the royal fireworks: La paix
orchestra:
Collegium Aureum (in 1971-06)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1971-09-02 until 1971-09-04)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:33
4Music for the royal fireworks: La rejouissance
orchestra:
Collegium Aureum (in 1971-06)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1971-09-02 until 1971-09-04)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel4:17
5Music for the royal fireworks: Menuet I
orchestra:
Collegium Aureum (in 1971-06)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1971-09-02 until 1971-09-04)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:22
6Music for the royal fireworks: Menuett II
orchestra:
Collegium Aureum (in 1971-06)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1971-09-02 until 1971-09-04)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:42
7Water Music, Suite in F: Overture
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:21
8Water Music, Suite in F: Adagio e staccato
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:02
9Water Music, Suite in F: Allegro - andante - allegro
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel7:56
10Water Music, Suite in F: Allegro
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking) (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel4:20
11Water Music, Suite in F: Air
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:18
12Water Music, Suite in F: Minuet
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:23
13Water Music, Suite in F: Bourree
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel1:04
14Water Music, Suite in F: Andante
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante) (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel4:48
15Water Music, Suite in F: Hornpipe
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel1:29
16Suite D-Dur: Overture
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 11. Allegro (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel2:08
17Suite D-Dur: Alla hornpipe
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:09
18Suite D-Dur: Minuet
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 13. Minuet (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel1:21
19Suite D-Dur: Lentement
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 14. Lentement (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel1:59
20Suite D-Dur: Bourree
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 15. Bourrée (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel1:19
21Suite G-Dur: Andante
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 3 in G major, HWV 350: 16: (Minuet) (no tempo marking) (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel2:54
22Suite G-Dur: Rigaudon I and II
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon da capo (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel3:01
23Suite G-Dur: Minuet I and II
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) / 19. Minuet da capo (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel3:46
24Suite G-Dur: Gigue I and II
engineer:
Dr. Thomas Gallia and Dr. Alfred Krings
orchestra:
Collegium Aureum (in 1971-06)
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Zedernsaal (Fuggerschloss Kirchheim) and Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (in 1971-06)
recording of:
Water Music, Suite no. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo (in 1971-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel1:31
▼CD 3: Festliche Opernsuiten in Versailles
#TitleArtistRatingLength
1Les Indes Galantes, Ballet Suite: Ouverture
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Premier Concert: I. Ouverture (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Premier Concert
Jean‐Philippe Rameau4:41
2Les Indes Galantes, Ballet Suite: Entrée des quatres nations
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Premier Concert: II. Entrée des quatre Nations dans la cour d’Hébé (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Premier Concert
Jean‐Philippe Rameau2:02
3Les Indes Galantes, Ballet Suite: Menuet I et II
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: II. Menuets pour les Guerriers et Amazones (à deux clavecins) (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages
Jean‐Philippe Rameau2:27
4Les Indes Galantes, Ballet Suite: Forlane
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
Jean‐Philippe Rameau2:05
5Les Indes Galantes, Ballet Suite: Rondeau - danse du calumet de la paix executee par les sauvages
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: I. Danse du grand calumet de Paix executée par les Sauvages (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages
Jean‐Philippe Rameau1:46
6Les Indes Galantes, Ballet Suite: Air pour les amours
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Premier Concert: VI. Air gratieux pour les Amours (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Premier Concert
Jean‐Philippe Rameau1:52
7Les Indes Galantes, Ballet Suite: Contre-danse
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
Jean‐Philippe Rameau2:21
8Les Indes Galantes, Ballet Suite: Air pour les persans
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Second Concert: XII. Marche des Persans (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Second Concert
Jean‐Philippe Rameau2:57
9Les Indes Galantes, Ballet Suite: Air vif pour zephire et la rose
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Second Concert: X. Air vif pour Zéphire et la Rose (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Second Concert
Jean‐Philippe Rameau2:42
10Les Indes Galantes, Ballet Suite: Air pour boree et la rose
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Second Concert: VIII. Orage – Air pour Borée et la Rose (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Second Concert
Jean‐Philippe Rameau1:30
11Les Indes Galantes, Ballet Suite: Air des fleurs
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Second Concert: V. Premier Air des Fleurs — Rondeau (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Second Concert
Jean‐Philippe Rameau1:22
12Les Indes Galantes, Ballet Suite: Air tendre pour la rose
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Second Concert: VI. Air tendre pour la Rose — Rondeau (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Second Concert
Jean‐Philippe Rameau2:03
13Les Indes Galantes, Ballet Suite: Gavotte pour les fleurs
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Second Concert: VII. Gavotte pour les Fleurs — Rondeau (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Second Concert
Jean‐Philippe Rameau1:27
14Les Indes Galantes, Ballet Suite: Tambourin
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins) (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert
Jean‐Philippe Rameau1:53
15Les Indes Galantes, Ballet Suite: Chaconne
orchestra:
Collegium Aureum (from 1967-06-14 until 1967-06-16)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1967-06-14 until 1967-06-16)
recording of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages: III. Chaconne (à deux clavecins) (from 1967-06-14 until 1967-06-16)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Entrée les Sauvages
Jean‐Philippe Rameau6:22
16Dardanus, Suite: Ouverture (lent et majesteux; vite)
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus Suite: I. Ouverture (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau3:17
17Dardanus, Suite: Marche pour les differentes nations (gai)
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Marche pour les differentes nations (gai) (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau1:27
18Dardanus, Suite: Menuet tendre en rondeau (modere)
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Menuet tendre en rondeau (modere) (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau1:35
19Dardanus, Suite: Tambourin I et II
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Tambourin I et II (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau2:23
20Dardanus, Suite: Air vif
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Air vif (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau2:53
21Dardanus, Suite: Rigaudon I et II
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus Suite: V. Rigaudon (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau3:51
22Dardanus, Suite: Air en rondeau (gaiment)
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Air en rondeau (gaiment) (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau1:48
23Dardanus, Suite: Entrée (gracieusement et un peu gai)
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Entrée (gracieusement et un peu gai) (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau1:38
24Dardanus, Suite: Sommeil (rondeau tendre)
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Sommeil (rondeau tendre) (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau3:00
25Dardanus, Suite: Tambourin I et II
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Tambourin I et II (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau2:28
26Dardanus, Suite: Chaconne
orchestra:
Collegium Aureum (from 1964-06-16 until 1964-06-21)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964-06-16 until 1964-06-21)
recording of:
Dardanus, Suite: Chaconne (from 1964-06-16 until 1964-06-21)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus Suite (based on different releases (not compiled by Rameau))
Jean‐Philippe Rameau7:42
▼CD 4: J. S. Bach: Bauern-Kantate, Kaffee-Kantate, Hochzeitskantate, Non sà che sia dolore, CD 1
#TitleArtistRatingLength
1Kaffee-Kantate, BWV 211: Schweigt stille, plaudert nicht (recitativo)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:38
2Kaffee-Kantate, BWV 211: Hat man nicht mit seinen kindern (aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:14
3Kaffee-Kantate, BWV 211: Du boses kind, du loses madchen (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:44
4Kaffee-Kantate, BWV 211: Ei, wie schmeckt der coffee suse (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:45
5Kaffee-Kantate, BWV 211: Wenn du mir nicht den coffee last (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:20
6Kaffee-Kantate, BWV 211: Madchen, die von harten sinnen (aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:30
7Kaffee-Kantate, BWV 211: Nun folge, was dein vater spricht (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:55
8Kaffee-Kantate, BWV 211: Heute noch, heute noch (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:55
9Kaffee-Kantate, BWV 211: Nun geht und sucht der alte schlendrian (recitativo)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (Special Purpose Artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:45
10Kaffee-Kantate, BWV 211: Die katze last das mausen nicht (coro)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (Special Purpose Artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:05
11Bauern-Kantate, BWV 212: Sinfonia
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:23
12Bauern-Kantate, BWV 212: Mer han en neue oberkeet (duetto)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:40
13Bauern-Kantate, BWV 212: Nu, mieke, gib dein guschel immer her (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
14Bauern-Kantate, BWV 212: Ach es schmeckt doch gar zu gut (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:04
15Bauern-Kantate, BWV 212: Der herr ist gut (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
16Bauern-Kantate, BWV 212: Ach herr schosser, geht nicht gar zu schlimm (aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:16
17Bauern-Kantate, BWV 212: Es bleibt dabei, das unser herr der beste sei (recitativo)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
18Bauern-Kantate, BWV 212: Unser trefflicher lieber kammerherr (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:53
19Bauern-Kantate, BWV 212: Er hilft uns allen, alt und jung (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
20Bauern-Kantate, BWV 212: Das ist galant (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:17
21Bauern-Kantate, BWV 212: Und unsre gnadige frau ist nicht ein prinkel stolz (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:42
22Bauern-Kantate, BWV 212: Funfzig taler bares geld (aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
23Bauern-Kantate, BWV 212: Im ernst ein wort! (recitativo)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:28
24Bauern-Kantate, BWV 212: Klein zschocher musse so zart und suse (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:21
25Bauern-Kantate, BWV 212: Das ist zu klug vor dich (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
26Bauern-Kantate, BWV 212: Es nehme zehntausend ducaten (aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
27Bauern-Kantate, BWV 212: Das klingt zu liederlich (recitativo)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
28Bauern-Kantate, BWV 212: Gib, schone, viel sohne von artger gestalt (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
29Bauern-Kantate, BWV 212: Du hast wohl recht (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
30Bauern-Kantate, BWV 212: Dein wachstum sei feste und lache vor lust (aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:14
31Bauern-Kantate, BWV 212: Und damit sei es auch genug (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
32Bauern-Kantate, BWV 212: Und das ihr's alle wist (aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:45
33Bauern-Kantate, BWV 212: Mein schatz, erraten! (recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:32
34Bauern-Kantate, BWV 212: Wir gehn nun, wo der tudelsack (coro)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern, Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:16
▶CD 5: J. S. Bach: Bauern-Kantate, Kaffee-Kantate, Hochzeitskantate, Non sà che sia dolore, CD 2
▶CD 6: Tanzmusik der Renaissance
▶CD 7: Pergolesi, La Serva Padrona
▶CD 8: H. I. F. Biber, Missa sancti Henrici
▶CD 9: Mozart, Klarinettenkonzert KV 622, Oboenkonzert KV 314
▶CD 10: Mozart, Krönungsmesse KV 317, Vesperae solennes de confessore KV 339, Litaniae Lauretanae KV 109