Compact Jazz: Benny Goodman

~ Release by Benny Goodman (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Stealin' Apples
acoustic guitar:
Bucky Pizzarelli (on 1970-02-20)
alto saxophone:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1970-02-20) and Don Honeywill (on 1970-02-20)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1970-02-20)
double bass:
Lennie Bush (on 1970-02-20)
drums (drum set):
Bobby Orr (on 1970-02-20)
electric guitar:
Louis Stewart (Irish jazz guitarist) (on 1970-02-20)
tenor saxophone:
Bob Efford (saxophone) (on 1970-02-20) and Frank Reidy (reeds) (on 1970-02-20)
trombone:
Keith Christie (on 1970-02-20), Nat Peck (on 1970-02-20) and Jim Wilson (trombone) (on 1970-02-20)
trumpet:
Greg Bowen (trumpet) (on 1970-02-20), John McLevy (on 1970-02-20) and Derek Watkins (trumpeter) (on 1970-02-20)
live instrumental recording of:
Stealin’ Apples (on 1970-02-20)
lyricist:
Andy Razaf
composer:
Fats Waller
4:38
2Moonglow
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1978-01-17)
double bass:
Michael Moore (Bass player) (on 1978-01-17)
drums (drum set):
Connie Kay (on 1978-01-17)
guitar:
Cal Collins (on 1978-01-17)
piano:
Mary Lou Williams (on 1978-01-17)
vibraphone:
Lionel Hampton (on 1978-01-17)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1978-01-17)
live instrumental recording of:
Moonglow (on 1978-01-17)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
4:56
3I Want to Be Happy
acoustic guitar:
Bucky Pizzarelli (on 1972-03-13)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
drums (drum set):
Mousey Alexander (on 1972-03-13)
vibraphone:
Peter Appleyard (UK exotica artist) (on 1972-03-13)
live instrumental recording of:
I Want to Be Happy (on 1972-03-13)
lyricist:
Irving Caesar
composer:
Irving Caesar and Vincent Youmans
part of:
No, No, Nanette
2:44
4I Found a New Baby
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
live instrumental recording of:
I’ve Found a New Baby (on 1972-03-13)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
3:48
5Where or When
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
live instrumental recording of:
Where or When (from “Babes in Arms”) (on 1972-03-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
2:04
6I Would Do Most Anything for You
acoustic guitar:
Bucky Pizzarelli (on 1970-02-20)
alto saxophone:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1970-02-20) and Don Honeywill (on 1970-02-20)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1970-02-20)
double bass:
Lennie Bush (on 1970-02-20)
drums (drum set):
Bobby Orr (on 1970-02-20)
electric guitar:
Louis Stewart (Irish jazz guitarist) (on 1970-02-20)
tenor saxophone:
Bob Efford (saxophone) (on 1970-02-20) and Frank Reidy (reeds) (on 1970-02-20)
trombone:
Keith Christie (on 1970-02-20), Nat Peck (on 1970-02-20) and Jim Wilson (trombone) (on 1970-02-20)
trumpet:
Greg Bowen (trumpet) (on 1970-02-20), John McLevy (on 1970-02-20) and Derek Watkins (trumpeter) (on 1970-02-20)
recording of:
I Would Do Anything for You
composer:
Alex Hill (American jazz pianist), Claude Hopkins and Bobby Williams (jazz composer)
4:01
7Lady Be Good
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1978-01-17)
double bass:
Michael Moore (Bass player) (on 1978-01-17)
drums (drum set):
Connie Kay (on 1978-01-17)
guitar:
Cal Collins (on 1978-01-17)
piano:
Mary Lou Williams (on 1978-01-17)
vibraphone:
Lionel Hampton (on 1978-01-17)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1978-01-17)
live instrumental recording of:
Oh, Lady Be Good! (on 1978-01-17)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
5:42
8Don't Be That Way
acoustic guitar:
Bucky Pizzarelli (on 1970-02-20)
alto saxophone:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1970-02-20) and Don Honeywill (on 1970-02-20)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1970-02-20)
double bass:
Lennie Bush (on 1970-02-20)
drums (drum set):
Bobby Orr (on 1970-02-20)
electric guitar:
Louis Stewart (Irish jazz guitarist) (on 1970-02-20)
tenor saxophone:
Bob Efford (saxophone) (on 1970-02-20) and Frank Reidy (reeds) (on 1970-02-20)
trombone:
Keith Christie (on 1970-02-20), Nat Peck (on 1970-02-20) and Jim Wilson (trombone) (on 1970-02-20)
trumpet:
Greg Bowen (trumpet) (on 1970-02-20), John McLevy (on 1970-02-20) and Derek Watkins (trumpeter) (on 1970-02-20)
live instrumental recording of:
Don’t Be That Way (on 1970-02-20)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
3:34
9The Sheik of Araby
acoustic guitar:
Bucky Pizzarelli (on 1972-03-13)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
drums (drum set):
Mousey Alexander (on 1972-03-13)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1972-03-13)
vibraphone:
Peter Appleyard (UK exotica artist) (on 1972-03-13)
live instrumental recording of:
The Sheik of Araby (on 1972-03-13)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
3:18
10Blue Skies
acoustic guitar:
Bucky Pizzarelli (on 1970-02-20)
alto saxophone:
Bob Burns (Canadian alto/tenor saxophonist/clarinetist, based in Britain post-war) (on 1970-02-20) and Don Honeywill (on 1970-02-20)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1970-02-20)
double bass:
Lennie Bush (on 1970-02-20)
drums (drum set):
Bobby Orr (on 1970-02-20)
electric guitar:
Louis Stewart (Irish jazz guitarist) (on 1970-02-20)
tenor saxophone:
Bob Efford (saxophone) (on 1970-02-20) and Frank Reidy (reeds) (on 1970-02-20)
trombone:
Keith Christie (on 1970-02-20), Nat Peck (on 1970-02-20) and Jim Wilson (trombone) (on 1970-02-20)
trumpet:
Greg Bowen (trumpet) (on 1970-02-20), John McLevy (on 1970-02-20) and Derek Watkins (trumpeter) (on 1970-02-20)
live instrumental recording of:
Blue Skies (on 1970-02-20)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:51
11A Smooth One
acoustic guitar:
Bucky Pizzarelli (on 1972-03-13)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
drums (drum set):
Mousey Alexander (on 1972-03-13)
vibraphone:
Peter Appleyard (UK exotica artist) (on 1972-03-13)
live recording of:
A Smooth One (on 1972-03-13)
composer:
Benny Goodman (clarinetist and bandleader)
4:48
12Roll 'em
alto saxophone:
Mel Rodnon (on 1978-01-17) and George Young (saxophonist) (on 1978-01-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1978-01-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1978-01-17)
double bass:
Michael Moore (Bass player) (on 1978-01-17)
drums (drum set):
Connie Kay (on 1978-01-17)
guitar:
Cal Collins (on 1978-01-17)
piano:
Mary Lou Williams (on 1978-01-17)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1978-01-17)
recording of:
Roll ’em (on 1978-01-17)
composer:
Mary Lou Williams
6:26
13It Had to Be You
acoustic guitar:
Bucky Pizzarelli (on 1972-03-13)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
drums (drum set):
Mousey Alexander (on 1972-03-13)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1972-03-13)
live instrumental recording of:
It Had to Be You (on 1972-03-13)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS-affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
3:05
14King Porter Stomp
alto saxophone:
Mel Rodnon (on 1978-01-17) and George Young (saxophonist) (on 1978-01-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1978-01-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1978-01-17)
double bass:
Michael Moore (Bass player) (on 1978-01-17)
drums (drum set):
Connie Kay (on 1978-01-17)
guitar:
Cal Collins (on 1978-01-17)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1978-01-17)
live instrumental recording of:
King Porter Stomp (on 1978-01-17)
composer:
Jelly Roll Morton
4:21
15Flying Home
acoustic guitar:
Bucky Pizzarelli (on 1972-03-13)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1972-03-13)
drums (drum set):
Mousey Alexander (on 1972-03-13)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1972-03-13)
vibraphone:
Peter Appleyard (UK exotica artist) (on 1972-03-13)
live instrumental recording of:
Flying Home (on 1972-03-13)
lyricist:
De Lange (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (Instrumental version)
4:01

Credits