| # | Title | Rating | Length |
|---|
| 1 | What Cha Doin’- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest percussion:
- Airto and Paulinho DaCosta
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- brass [horns] arranger:
- Seawind
- strings arranger:
- Bill Reichenbach and Jerry Hey
- concertmaster:
- Sid Sharp
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- What Cha Doin’
- writer:
- Mark Vieha and Bob Wilson
- publisher:
- Black Bandana (ended), Nth Music, Seawind Music and Victor Music Arts
| | 4:35 |
| 2 | The Two of Us- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- brass [horns] arranger:
- Seawind
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- The Two of Us
- writer:
- Mark Vieha and Bob Wilson
- publisher:
- Black Bandana (ended), Nth Music, Seawind Music and Victor Music Arts
| | 3:49 |
| 3 | Love Him, Love Her- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- brass [horns] arranger:
- Seawind
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- Love Him, Love Her
- lyricist and composer:
- Bob Wilson
- publisher:
- Seawind Music and Victor Music Arts
| | 3:26 |
| 4 | Everything Needs Love- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- background vocals and lead vocals:
- Pauline Wilson
- brass [horns] arranger:
- Seawind
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- Everything Needs Love
- writer:
- Larry Williams and Bob Wilson
- publisher:
- Enchanted Dance Music Inc., Seawind Music and Victor Music Arts
| | 5:46 |
| 5 | Shout- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest percussion:
- Airto and Paulinho DaCosta
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- brass [horns] arranger:
- Seawind
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- Shout
- writer:
- Larry Williams and Bob Wilson
- publisher:
- Seawind Music and Victor Music Arts
| | 4:26 |
| 6 | Still in Love- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- brass [horns] arranger:
- Seawind
- strings arranger:
- Bill Reichenbach and Jerry Hey
- concertmaster:
- Sid Sharp
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- Still in Love
- writer:
- Bunny Hull and Ken Wild
- publisher:
- Brassheart Music, Seawind Music and Victor Music Arts
| | 3:53 |
| 7 | Pra Vosé- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest percussion:
- Airto and Paulinho DaCosta
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- Pra Vosé
- composer:
- Bud Nuanez
- publisher:
- Seawind Music and Victor Music Arts
| | 4:16 |
| 8 | I Need Your Love- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- brass [horns] arranger:
- Seawind
- strings arranger:
- Bill Reichenbach and Jerry Hey
- concertmaster:
- Sid Sharp
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- I Need Your Love
- lyricist and composer:
- Bob Wilson
- publisher:
- Seawind Music and Victor Music Arts
| | 3:54 |
| 9 | Long, Long Time- assistant engineer:
- Erik Zobler
- engineer and mixer:
- Tommy Vicari
- producer:
- George Duke
- assistant mixer:
- Wally Buck
- bass guitar:
- Ken Wild
- drums (drum set) and percussion:
- Bob Wilson
- guest flugelhorn and guest trumpet:
- Jerry Hey
- guest guitar:
- Roland Bautista
- guest keyboard:
- George Duke
- guest trombone:
- Bill Reichenbach
- guest woodwind:
- Gary Herbig
- guitar:
- Bud Nuanez
- keyboard:
- Larry Williams
- woodwind:
- Kim Hutchcroft
- background vocals and lead vocals:
- Pauline Wilson
- guest background vocals:
- Carl Carlwell, Lynn Davis , George Duke, Josie James and Greg Walker
- brass [horns] arranger:
- Seawind
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1980)
- produced for:
- George Duke Enterprises
- recorded at:
- Le Gonks West in Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States, United Western Recorders in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- recording of:
- Long, Long Time
- lyricist and composer:
- Bob Wilson
- publisher:
- Seawind Music and Willyworks Music
| | 3:58 |
