Best of Great Composers 15: Bach, Volume Two (South German Madrigal Choir and Consortium Musicum)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

▼Medium 1
#	Title	Rating	Length
1	Wachet auf: Chorus choir vocals: Süddeutscher Madrigalchor (in 1967-07) orchestra: Consortium Musicum (in 1967-07) conductor: Wolfgang Gönnenwein (conductor) (in 1967-07) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (in 1967-07) recording of: Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		8:10
2	Wachet auf: Recitativo tenor vocals: Theo Altmeyer (German tenor) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		1:11
3	Wachet auf: Duo-Aria bass vocals: Hans Sotin (operatic bass) (in 1967) soprano vocals: Elly Ameling (soprano) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		6:53
4	Wachet auf: Chorale choir vocals: South German Madrigal Choir tenor vocals: Theo Altmeyer (German tenor) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) phonographic copyright (℗) by: EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		4:46
5	Wachet auf: Recitativo (Bass) bass vocals: Hans Sotin (operatic bass) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		1:22
6	Wachet auf: Duo-Aria bass vocals: Hans Sotin (operatic bass) (in 1967) soprano vocals: Elly Ameling (soprano) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		6:54
7	Wachet auf: Chorale choir vocals: Süddeutscher Madrigalchor (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (in 1967-07) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) lyricist: Philipp Nicolai composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Breitkopf 389 Choralgesänge (number: 329) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"		2:06
8	Ein Feste Burg: Chorus choir vocals: Süddeutscher Madrigalchor (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) is based on: Ein feste Burg ist unser Gott part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		7:26
9	Ein Feste Burg: Aria (Soprano) bass vocals: Hans Sotin (operatic bass) (in 1967) soprano vocals: Elly Ameling (soprano) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		4:12
10	Ein Feste Burg: Recitativo (Bass) bass vocals: Hans Sotin (operatic bass) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		2:21
11	Ein Feste Burg: Aria (Soprano) soprano vocals: Elly Ameling (soprano) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		3:50
12	Ein Feste Burg: Chorale choir vocals: Süddeutscher Madrigalchor (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		4:17
13	Ein Feste Burg: Recitativo (Tenor) tenor vocals: Theo Altmeyer (German tenor) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		1:34
14	Ein Feste Burg: Duo-Aria alto vocals: Dame Janet Baker (mezzo-soprano and alto) (in 1967) tenor vocals: Theo Altmeyer (German tenor) (in 1967) orchestra: Consortium Musicum conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1967-07) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		4:26
15	Ein Feste Burg: Chorale instruments and orchestra: Consortium Musicum choir vocals: Süddeutscher Madrigalchor (in 1967) conductor: Wolfgang Gönnenwein (conductor) (in 1967) recorded at: Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany recording of: Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1967-07) lyricist: Martin Luther (German theologian of the Reformation) composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730) part of: Breitkopf 389 Choralgesänge (number: 76) part of: Kantate, BWV 80 "Ein feste Burg ist unser Gott"		1:18