Complete Beethoven Edition, Volume 20: Historic Recordings

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Tracklist

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▼CD 1
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1Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
orchestra:
Berliner Philharmoniker (in 1941)
conductor:
Carl Schuricht (in 1941)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (in 1941)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
15:39
2Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
orchestra:
Berliner Philharmoniker (in 1941)
conductor:
Carl Schuricht (in 1941)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (in 1941)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
15:14
3Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
orchestra:
Berliner Philharmoniker (in 1941)
conductor:
Carl Schuricht (in 1941)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (in 1941)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
4:27
4Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
orchestra:
Berliner Philharmoniker (in 1941)
conductor:
Carl Schuricht (in 1941)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (in 1941)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
11:17
5Symphony no. 5 in C minor, op. 67: I. Allegro con brio
recorded in:
Berlin, Germany (on 1913-11-10)
orchestra:
Berliner Philharmoniker (on 1913-11-10)
conductor:
Arthur Nikisch (Hungarian conductor) (on 1913-11-10)
balance engineer:
Max Hampe (producer)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1913-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
6:47
6Symphony no. 5 in C minor, op. 67: II. Andante con moto
orchestra:
Berliner Philharmoniker (on 1913-11-10)
conductor:
Artúr Nikisch (Hungarian conductor) (on 1913-11-10)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (on 1913-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
9:53
7Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
orchestra:
Berliner Philharmoniker (on 1913-11-10)
conductor:
Artúr Nikisch (Hungarian conductor) (on 1913-11-10)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (on 1913-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
5:32
8Symphony no. 5 in C minor, op. 67: IV. Allegro
orchestra:
Berliner Philharmoniker (on 1913-11-10)
conductor:
Artúr Nikisch (Hungarian conductor) (on 1913-11-10)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (on 1913-11-10)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
9:01
▼CD 2
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1Concerto no. 3 for Piano and Orchestra in C minor, op. 37: I. Allegro con brio
producer:
Otto Gerdes (conductor and producer)
piano:
Annie Fischer (pianist) (on 1957-12-03)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (on 1957-12-03)
conductor:
Ferenc Fricsay (conductor) (on 1957-12-03)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-12)
recorded at:
Herkulessaal in München, Bayern, Germany (on 1957-12-03)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (on 1957-12-03)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
16:13
2Concerto no. 3 for Piano and Orchestra in C minor, op. 37: II. Largo
producer:
Otto Gerdes (conductor and producer)
piano:
Annie Fischer (pianist) (on 1957-12-03)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (on 1957-12-03)
conductor:
Ferenc Fricsay (conductor) (on 1957-12-03)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-12)
recorded at:
Herkulessaal in München, Bayern, Germany (on 1957-12-03)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (on 1957-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
9:38
3Concerto no. 3 for Piano and Orchestra in C minor, op. 37: III. Rondo. Allegro
producer:
Otto Gerdes (conductor and producer)
piano:
Annie Fischer (pianist) (on 1957-12-03)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (on 1957-12-03)
conductor:
Ferenc Fricsay (conductor) (on 1957-12-03)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-12)
recorded at:
Herkulessaal in München, Bayern, Germany (on 1957-12-03)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (on 1957-12-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
9:15
4Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (from 1960-10-03 until 1960-10-05)
conductor:
Ferenc Fricsay (conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10) and Werner Wolf (engineer/producer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-10-03 until 1960-10-05)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (from 1960-10-03 until 1960-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
13:14
5Symphony no. 7 in A major, op. 92: II. Allegretto
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (from 1960-10-03 until 1960-10-05)
conductor:
Ferenc Fricsay (conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10) and Werner Wolf (engineer/producer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-10-03 until 1960-10-05)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (from 1960-10-03 until 1960-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
9:57
6Symphony no. 7 in A major, op. 92: III. Presto
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (from 1960-10-03 until 1960-10-05)
conductor:
Ferenc Fricsay (conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10) and Werner Wolf (engineer/producer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-10-03 until 1960-10-05)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (from 1960-10-03 until 1960-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
8:36
7Symphony no. 7 in A major, op. 92: IV. Allegro con brio
producer:
Otto Gerdes (conductor and producer)
orchestra:
Berliner Philharmoniker (from 1960-10-03 until 1960-10-05)
conductor:
Ferenc Fricsay (conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10) and Werner Wolf (engineer/producer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-10-03 until 1960-10-05)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1960-10-03 until 1960-10-05)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
7:25
▼CD 3
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1Leonore II, op. 72: Overture. Adagio - Allegro (live)
orchestra:
DR SymfoniOrkestret (on 1950-09-14)
conductor:
Fritz Busch (conductor) (on 1950-09-14)
live recording of:
Overture “Leonore” no. 2 in C major, op. 72a (on 1950-09-14)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
13:43
2Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (live)
conductor:
Fritz Busch (conductor) (on 1950-09-07)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (on 1950-09-07)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
14:38
3Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace - Presto (live)
orchestra:
DR SymfoniOrkestret (on 1950-09-07)
conductor:
Fritz Busch (conductor) (on 1950-09-07)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (on 1950-09-07)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
10:55
4Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante Moderato - Adagio - Lo Stesso Tempo (live)
orchestra:
DR SymfoniOrkestret (on 1950-09-07)
conductor:
Fritz Busch (conductor) (on 1950-09-07)
live recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (on 1950-09-07)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
14:02
5Symphony no. 9 in D minor, op. 125 “Choral”: IVa. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - (live)
orchestra:
DR SymfoniOrkestret (on 1950-09-07)
conductor:
Fritz Busch (conductor) (on 1950-09-07)
live partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (on 1950-09-07)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
6:06
6Symphony no. 9 in D minor, op. 125 “Choral”: IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo (live)
alto vocals and contralto vocals:
Else Jena (on 1950-09-07)
bass vocals:
Holger Byrding (on 1950-09-07)
soprano vocals:
Kerstin Lindberg-Torlind (on 1950-09-07)
tenor vocals:
Erik Sjöberg (on 1950-09-07)
orchestra:
DR SymfoniOrkestret (on 1950-09-07)
conductor:
Fritz Busch (conductor) (on 1950-09-07)
live partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (on 1950-09-07)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
17:34
▼CD 4
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1Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
violin:
Josef Wolfsthal (in 1929)
orchestra:
Berliner Philharmoniker (in 1929)
conductor:
Manfred Gurlitt (in 1929)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (in 1929)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
21:48
2Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
violin:
Josef Wolfsthal (in 1929)
orchestra:
Berliner Philharmoniker (in 1929)
conductor:
Manfred Gurlitt (in 1929)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (in 1929)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
8:54
3Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
violin:
Josef Wolfsthal (in 1929)
orchestra:
Berliner Philharmoniker (in 1929)
conductor:
Manfred Gurlitt (in 1929)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (in 1929)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
9:24
4Concerto for Piano and Orchestra no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro
recorded in:
Berlin, Germany (in 1936-01)
producer:
Hans B. Hasse
piano:
Wilhelm Kempff (pianist) (in 1936-01)
orchestra:
Berliner Philharmoniker (in 1936-01)
conductor:
Peter Raabe (in 1936-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (in 1936-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
20:30
5Concerto for Piano and Orchestra no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso
recorded in:
Berlin, Germany (in 1936-01)
producer:
Hans B. Hasse
piano:
Wilhelm Kempff (pianist) (in 1936-01)
orchestra:
Berliner Philharmoniker (in 1936-01)
conductor:
Peter Raabe (in 1936-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1936-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
7:49
6Concerto for Piano and Orchestra no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro
recorded in:
Berlin, Germany (in 1936-01)
producer:
Hans B. Hasse
piano:
Wilhelm Kempff (pianist) (in 1936-01)
orchestra:
Berliner Philharmoniker (in 1936-01)
conductor:
Peter Raabe (in 1936-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1936-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
10:16
▼CD 5
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1Coriolan, op. 62: Overture. Allegro con brio (live)
orchestra:
Berliner Philharmoniker (on 1943-06-30)
conductor:
Wilhelm Furtwängler (conductor) (on 1943-06-30)
recorded at:
Alte Philharmonie in Kreuzberg, Berlin, Germany (on 1943-06-30)
live recording of:
Ouvertüre Coriolan, op. 62 (on 1943-06-30)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Wien, Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven9:06
2Egmont, op. 84: Overture. Sostenuto, ma non troppo
orchestra:
Berliner Philharmoniker (in 1933)
conductor:
Wilhelm Furtwängler (conductor) (in 1933)
balance engineer:
Oskar Blaesche Sr.
recorded at:
Hochschule für Musik in Berlin, Germany (in 1933)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (in 1933)
premiered in:
Wien, Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:32
3Leonore III, op. 72: Overture. Adagio - Allegro
orchestra:
Staatskapelle Berlin (in 1927)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (in 1927)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1927)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
Ludwig van Beethoven14:10
4Rondo a Capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace
recorded in:
Berlin, Germany (on 1937-09-24)
piano:
Wilhelm Kempff (pianist) (on 1937-09-24)
recording of:
Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace (on 1937-09-24)
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 129)
Ludwig van Beethoven6:07
5Concerto for Piano no. 20 in D minor, K. 466: I. Allegro (cadence: Beethoven, WoO 58 no. 1)
recording engineer:
Helmut Elbl and Rolf Peter Schroeder
producer:
Hans Weber (producer/engineer)
editor:
Helmut Najda
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1959-04-25 until 1959-04-26)
orchestra:
Warsaw National Philharmonic Symphony Orchestra (from 1959-04-25 until 1959-04-26)
conductor:
Stanisław Wisłocki (composer) (from 1959-04-25 until 1959-04-26)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
National Philharmonic Hall in Warsaw, Mazowieckie, Poland (from 1959-04-25 until 1959-04-26)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro (from 1959-04-25 until 1959-04-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart14:42
6Concerto for Piano no. 20 in D minor, K. 466: II. Romance
recording engineer:
Helmut Elbl and Rolf Peter Schroeder
producer:
Hans Weber (producer/engineer)
editor:
Helmut Najda
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1959-04-25 until 1959-04-26)
orchestra:
Warsaw National Philharmonic Symphony Orchestra (from 1959-04-25 until 1959-04-26)
conductor:
Stanisław Wisłocki (composer) (from 1959-04-25 until 1959-04-26)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
National Philharmonic Hall in Warsaw, Mazowieckie, Poland (from 1959-04-25 until 1959-04-26)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (from 1959-04-25 until 1959-04-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart10:18
7Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadence: Beethoven, WoO 58 no. 2)
recording engineer:
Helmut Elbl and Rolf Peter Schroeder
producer:
Hans Weber (producer/engineer)
editor:
Helmut Najda
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1959-04-25 until 1959-04-26)
orchestra:
Warsaw National Philharmonic Symphony Orchestra (from 1959-04-25 until 1959-04-26)
conductor:
Stanisław Wisłocki (composer) (from 1959-04-25 until 1959-04-26)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
National Philharmonic Hall in Warsaw, Mazowieckie, Poland (from 1959-04-25 until 1959-04-26)
recording of:
Cadenza for the Rondo of Mozart's Piano Concerto no. 20, WoO 58 no. 2 (from 1959-04-25 until 1959-04-26)
composer:
Ludwig van Beethoven (German composer)
is based on:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai
part of:
Cadenzas to Mozart’s Piano Concerto no. 20, WoO 58 (Beethoven)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (from 1959-04-25 until 1959-04-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:13
▼CD 6
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1Sonata no. 5 for Violin and Piano in F major, op. 24 “Spring”: I. Allegro
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
piano:
Wilhelm Kempff (pianist) (on 1952-09-12)
violin:
Wolfgang Schneiderhan (violinist) (on 1952-09-12)
balance engineer:
Heinrich Keilholz
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (on 1952-09-12)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": I. Allegro (on 1952-09-12)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
7:20
2Sonata no. 5 for Violin and Piano in F major, op. 24 “Spring”: II. Adagio molto espressivo
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
piano:
Wilhelm Kempff (pianist) (on 1952-09-12)
violin:
Wolfgang Schneiderhan (violinist) (on 1952-09-12)
balance engineer:
Heinrich Keilholz
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (on 1952-09-12)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo (on 1952-09-12)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
5:35
3Sonata no. 5 for Violin and Piano in F major, op. 24 “Spring”: III. Scherzo. Allegro molto
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
piano:
Wilhelm Kempff (pianist) (on 1952-09-12)
violin:
Wolfgang Schneiderhan (violinist) (on 1952-09-12)
balance engineer:
Heinrich Keilholz
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (on 1952-09-12)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto (on 1952-09-12)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
1:27
4Sonata no. 5 for Violin and Piano in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
piano:
Wilhelm Kempff (pianist) (on 1952-09-12)
violin:
Wolfgang Schneiderhan (violinist) (on 1952-09-12)
balance engineer:
Heinrich Keilholz
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (on 1952-09-12)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo (on 1952-09-12)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
7:33
5Sonata no. 9 for Violin and Piano in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto
recorded in:
Berlin, Germany (on 1935-05-27)
miscellaneous support:
Christophe Hénault (engineer) (task: mastering)
executive producer:
Hans B. Hasse
producer:
Hrich Ehrich and Oskar Blaesche
piano:
Wilhelm Kempff (pianist) (on 1935-05-27)
violin:
Georg Kulenkampff (on 1935-05-27)
balance engineer:
Carl Friedrich Ehrich and Oskar Blaesche
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto (on 1935-05-27)
composer:
Ludwig van Beethoven (German composer) (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
11:05
6Sonata no. 9 for Violin and Piano in A major, op. 47 “Kreutzer”: II. Andante con variazioni
recorded in:
Berlin, Germany (on 1935-05-27)
miscellaneous support:
Christophe Hénault (engineer) (task: mastering)
executive producer:
Hans B. Hasse
producer:
Hrich Ehrich and Oskar Blaesche
piano:
Wilhelm Kempff (pianist) (on 1935-05-27)
violin:
Georg Kulenkampff (on 1935-05-27)
balance engineer:
Carl Friedrich Ehrich and Oskar Blaesche
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni (on 1935-05-27)
composer:
Ludwig van Beethoven (German composer) (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
12:35
7Sonata no. 9 for Violin and Piano in A major, op. 47 “Kreutzer”: III. Finale. Presto
recorded in:
Berlin, Germany (on 1935-05-27)
miscellaneous support:
Christophe Hénault (engineer) (task: mastering)
executive producer:
Hans B. Hasse
producer:
Hrich Ehrich and Oskar Blaesche
piano:
Wilhelm Kempff (pianist) (on 1935-05-27)
violin:
Georg Kulenkampff (on 1935-05-27)
balance engineer:
Carl Friedrich Ehrich and Oskar Blaesche
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto (on 1935-05-27)
composer:
Ludwig van Beethoven (German composer) (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
7:02
8Andenken, WoO 136 “Ich denke dein”
piano:
Sebastian Peschko (pianist) (in 1938)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1938)
recording of:
Andenken, WoO 136 "Ich denke dein" (in 1938)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 136)
3:28
9Der Wachtelschlag, WoO 129 “Ach, mir schallt’s dorten”
piano:
Sebastian Peschko (pianist) (in 1938)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1938)
recording of:
Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" (in 1938)
composer:
Ludwig van Beethoven (German composer) (in 1803-04)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 129)
3:47
10“In questa tomba oscura”, WoO 133
piano:
Franz Rupp (pianist) (in 1932)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1932)
recording of:
"In questa tomba oscura", WoO 133 (in 1932)
lyricist:
Giuseppe Carpani
composer:
Ludwig van Beethoven (German composer) (from 1806 until 1807)
dedicated to:
Joseph Franz von Lobkowitz
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 133)
2:46
11“Ich liebe dich so wie du mich” (Zärtliche Liebe), WoO 123
piano:
Franz Rupp (pianist) (in 1932)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1932)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (in 1932)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 123)
2:03
12An die ferne Geliebte, op. 98
piano:
Sebastian Peschko (pianist) (in 1939)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1939)
recording of:
An die ferne Geliebte, op. 98 (in 1939)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
dedicated to:
Joseph Franz von Lobkowitz
part of:
Works of Ludwig van Beethoven by opus number (number: op. 98)
13:20

Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 20) (order: 23)
ASIN:DE: B000001GZN [info]