Messe in h-moll, BWV 232

~ Release by Johann Sebastian Bach; Freiburger Barockorchester, Balthasar-Neumann-Chor, Thomas Hengelbrock (see all versions of this release, 2 available)

Tracklist

| |
▼CD 1
#TitleArtistRatingLength
1Messe in H-Moll, BWV 232: Ia. Coro "Kyrie eleison"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach11:33
2Messe in H-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison"
alto vocals:
Bernhard Landauer (countertenor) (in 1996-10)
soprano vocals:
Gundula Anders (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:47
3Messe in H-Moll, BWV 232: Ic. Coro "Kyrie eleison"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:17
4Messe in H-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:37
5Messe in H-Moll, BWV 232: IIb. Coro "Et in terra pax"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:39
6Messe in H-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te"
soprano vocals:
Mona Spägele (mezzo-soprano) (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:14
7Messe in H-Moll, BWV 232: IId. Coro "Gratias agimus"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:11
8Messe in H-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus"
soprano vocals:
Ursula Fiedler (soprano) (in 1996-10)
tenor vocals:
Hermann Oswald (tenor) (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:24
9Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:12
10Messe in H-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris"
alto vocals:
Jürgen Banholzer (organ, tenor, classical) (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:11
11Messe in H-Moll, BWV 232: IIh. Aria (Basso) "Quoniam tu solus Sanctus"
bass vocals:
Stephan McLeod (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:38
12Messe in H-Moll, BWV 232: IIi. Coro "Cum Sancto Spiritu"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:37
▼CD 2
#TitleArtistRatingLength
1Messe in H-Moll, BWV 232: IIIa. Coro "Credo in unum Deum"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:45
2Messe in H-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:48
3Messe in H-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum"
alto vocals:
Jürgen Banholzer (organ, tenor, classical) (in 1996-10)
soprano vocals:
Ursula Fiedler (soprano) (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:29
4Messe in H-Moll, BWV 232: IIId. Coro "Et incarnatus est"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:05
5Messe in H-Moll, BWV 232: IIIe. Coro "Crucifixus"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:48
6Messe in H-Moll, BWV 232: IIIf. Coro "Et resurrexit"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:34
7Messe in H-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum"
bass vocals:
Johannes-Christoph Happel (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:02
8Messe in H-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:42
9Messe in H-Moll, BWV 232: IIIi. Coro "Et expecto"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:59
10Messe in H-Moll, BWV 232: IVa. Coro "Sanctus"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:17
11Messe in H-Moll, BWV 232: IVb. Coro "Hosanna"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:23
12Messe in H-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus"
tenor vocals:
Knut Schoch (tenor) (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:29
13Messe in H-Moll, BWV 232: IVd. Coro "Hosanna"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:22
14Messe in H-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei"
alto vocals:
Bernhard Landauer (countertenor) (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:41
15Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1996-10)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:31

Credits

Release

ASIN:DE: B000001TZO [info]