Mass in B minor, BWV 232: II. Symbolum Nicenum
~ Recording by Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
Appears on releases
| # | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 2.1 | Mass in B minor, BWV 232: II. Symbolum Nicenum | 35:02 | Johann Sebastian Bach | Mass in B Minor | Johann Sebastian Bach; Atlanta Symphony Orchestra and Chamber Chorus, Robert Shaw | Album | Telarc Digital | CD-80233 | |
Relationships
| baritone vocals: | William Stone (American baritone) (in 1990-03) |
|---|---|
| choir vocals: | Atlanta Symphony Orchestra Chamber Chorus (in 1990-03) |
| soprano vocals: | Sylvia McNair (soprano) (in 1990-03) |
| orchestra: | Atlanta Symphony Orchestra (in 1990-03) |
| conductor: | Robert Shaw (conductor) (in 1990-03) |
Related works
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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| part of: | h-Moll-Messe, BWV 232 (order: 13) |
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h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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| part of: | h-Moll-Messe, BWV 232 (order: 14) |
|---|---|
| is based on: | Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
|---|
| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
|---|
| part of: | h-Moll-Messe, BWV 232 (order: 15) |
|---|
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
|---|
| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
|---|
| part of: | h-Moll-Messe, BWV 232 (order: 16) |
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h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
|---|
| part of: | h-Moll-Messe, BWV 232 (order: 21) |
|---|---|
| is based on: | Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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| part of: | h-Moll-Messe, BWV 232 (order: 17) |
|---|---|
| is based on: | Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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| part of: | h-Moll-Messe, BWV 232 (order: 18) |
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h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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| part of: | h-Moll-Messe, BWV 232 (order: 19) |
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h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor
| composed in: | Leipzig, Sachsen, Germany (from 1747 until 1749) |
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| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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| part of: | h-Moll-Messe, BWV 232 (order: 20) |
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