Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."
~ Recording by Boston Symphony Orchestra, Seiji Ozawa
Appears on releases
| # | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 2.6 | Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | 6:02 | Gustav Mahler | Symphony No. 8 "Symphony of a Thousand" | Mahler; Boston Symphony Orchestra, Seiji Ozawa | Album |
| Philips | 410 607-2 |
| 12.6 | Symphony no. 8 in E-flat major: Part II. Alles Vergängliche (Chorus mysticus) | 6:02 | Gustav Mahler | The Symphonies / Kindertotenlieder | Mahler; Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | Album + Compilation |
| Philips | 470 871-2 |
| 1.7 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | 6:02 | Gustav Mahler | Symphony no. 8 "Symphony of a Thousand" | Mahler; Boston Symphony Orchestra, Seiji Ozawa | Album |
| Universal Classics (Japan) | UCCP-7060 |
| 12.6 | Symphony no. 8 in E-flat major: Part II. Alles Vergängliche (Chorus mysticus) | 6:02 | Gustav Mahler | The Symphonies / Kindertotenlieder | Gustav Mahler; Jessye Norman, Kiri Te Kanawa, Marilyn Horne, Boston Symphony Orchestra, Seiji Ozawa | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only) | |
| 2.7 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | 6:02 | Gustav Mahler | Symphony no. 7 / Symphony no. 8 | Mahler; Boston Symphony Orchestra, Seiji Ozawa | Album |
| Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only) | UCCD-4907 |
Relationships
| engineer: | Henk Kooistra (dutch audio engineer) (in 1980-11) |
|---|---|
| producer: | Wilhelm Hellweg (producer / engineer) |
| organ: | James Christie (US organist) (in 1980-11) |
| choir vocals: | Boston Boys Choir (in 1980-11) Tanglewood Festival Chorus (in 1980-11) |
| solo baritone vocals: | Benjamin Luxon (baritone) (in 1980-11) |
| solo bass vocals: | Gwynne Howell (operatic bass) (in 1980-11) |
| solo contralto vocals [Alto I]: | Florence Quivar (mezzo soprano) (in 1980-11) |
| solo contralto vocals [Alto II]: | Lorna Myers (in 1980-11) |
| solo soprano vocals [Soprano I]: | Faye Robinson (soprano) (in 1980-11) |
| solo soprano vocals [Soprano II]: | Judith Blegen (soprano) (in 1980-11) |
| solo tenor vocals [Doctor Marianus]: | Kenneth Riegel (tenor) (in 1980-11) |
| orchestra: | Boston Symphony Orchestra (in 1980-11) |
| conductor: | Seiji Ozawa (conductor and composer) (in 1980-11) |
| balance engineer: | Onno Scholtze (sound engineer) (in 1980-11) |
| recorded at: | Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-11) |
|---|
Related works
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
| composer: | Gustav Mahler (composer) (in 1906) |
|---|---|
| librettist: | Johann Wolfgang von Goethe |
| part of: | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (order: 18) |
|---|