Messiah: Part II. XL. Bass "Why do the nations so furiously rage together?"
~ Recording by Alastair Miles, London Symphony Orchestra & Sir Colin Davis
Appears on releases
# | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
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Official | |||||||||
2.15 | Messiah: Part II. XL. Bass "Why do the nations so furiously rage together?" | 2:41 | George Frideric Handel | Messiah | Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis | Album |
| LSO Live | LSO0607 |
2.14 | Messiah: Part II, No 40. Why Do the Nations So Furiously Rage Together? | 2:41 | Alastair Miles, London Symphony Orchestra & Sir Colin Davis | Handel: Messiah (Apple Music release, includes commentary video by Sir Colin Davis) | London Symphony Orchestra & Sir Colin Davis | Album |
| LSO Live | LSO0607 |
2.15 | Messiah: Part II. XL. Bass "Why do the nations so furiously rage together?" | 2:41 | George Frideric Handel | Messiah | Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis | Album |
| LSO Live | LSO0107 |
Relationships
producer: | James Mallinson (producer) |
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editor: | Ian Watson (editor) Jenni Whiteside |
solo bass vocals: | Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12) |
orchestra: | London Symphony Orchestra (from 2006-12-10 until 2006-12-12) |
conductor: | Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12) |
balance engineer: | Neil Hutchinson (sound engineer) Jonathan Stokes (engineer) |
phonographic copyright (℗) by: | London Symphony Orchestra (in 2007) |
recorded at: | Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12) |
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edited at: | Classic Sound Ltd in London (Greater London), England, United Kingdom |
recording of: | Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) (from 2006-12-10 until 2006-12-12: live) |
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Related works
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass)
composer: | George Frideric Handel (German‐British baroque composer) (in 1741) |
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later versions: | Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden |
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part of: | Messiah, HWV 56: Part II (order: 19) |
arrangements: | Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together? (Goossens-Beecham Edition) Messiah, HWV 56: Part II. Aria: Why Do the Nations So Furiously Rage Together? (bass) (Wilberg Edition) |