| holds phonographic copyright (℗) for |
---|
1971 – | Der Graf von Luxemburg: „Bist du's, lachendes Glück” | | Orchester der Wiener Volksoper, Franz Allers, Chor der Wiener Volksoper, Werner Hollweg, Benno Kusche, Arlene Saunders | 9:30 |
1971 – | Der Graf von Luxemburg: „Heut' noch werd' ich Ehefrau” – „Unbekannt, deshalb nicht minder interessant” | | Orchester der Wiener Volksoper, Franz Allers, Chor der Wiener Volksoper, Arlene Saunders | 3:32 |
1971 – | Der Graf von Luxemburg: „Schau'n sie freundlichst mich an” – „Mädel klein, Mädel fein” | | Chor der Wiener Volksoper, Heinz Holecek, Monique Lobasa, Orchester der Wiener Volksoper, Franz Allers | 2:49 |
1971 – | Der Graf von Luxemburg: „Sind sie von Sinnen Herr Baron” – „Lieber Freund, man greift nicht nach den Sternen” | | Orchester der Wiener Volksoper, Franz Allers, Chor der Wiener Volksoper, Werner Hollweg, Arlene Saunders | 5:13 |
1971 – | Der Graf von Luxemburg: „Volk von Paris” – „Mein Ahnherr war der Luxemburg” | | Chor der Wiener Volksoper, Werner Hollweg, Orchester der Wiener Volksoper, Franz Allers | 3:51 |
1973 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | 23:03 |
1973 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | 9:35 |
1973 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto | | Herman Krebbers, Koninklijk Concertgebouworkest, Bernard Haitink | 8:28 |
1973 | Francesca da Rimini, op. 32 | | Koninklijk Concertgebouworkest, Bernard Haitink | 24:36 |
1973 | Ouverture solennelle 1812, Op. 49 | | Koninklijk Concertgebouworkest, Bernard Haitink, Koninklijke Militaire Kapel | 16:17 |
1979 | Piano Concerto no.1 in B flat minor, op. 23: I. Allegro non troppo e molto maestoso. Allegro con spirito | | Claudio Arrau, Colin Davis, Boston Symphony Orchestra | ?:?? |
1979 | Piano Concerto no.1 in B flat minor, op. 23: II. Andantino simplice. Prestissimo. Tempo I | | Claudio Arrau, Colin Davis, Boston Symphony Orchestra | ?:?? |
1979 | Piano Concerto no.1 in B flat minor, op. 23: III. Allegro con fuoco | | Claudio Arrau, Colin Davis, Boston Symphony Orchestra | ?:?? |
1980 | Botschaft, op. 47/1 | | Jessye Norman, Geoffrey Parsons | 1:55 |
1980 | Close Encounters of the Third Kind: Suite | | Boston Pops Orchestra, John Williams | 10:09 |
1980 | Der Tod, das ist die kühle Nacht, op. 96/1 | | Jessye Norman, Geoffrey Parsons | 3:06 |
1980 | Die Mainacht, op. 43/2 | | Jessye Norman, Geoffrey Parsons | 3:46 |
1980 | Immer leiser wird mein Schlummer, op. 105/2 | | Jessye Norman, Geoffrey Parsons | 4:43 |
1980 | March from Midway | | Boston Pops Orchestra, John Williams | 4:15 |
1980 | Meine Liebe ist grün, op. 63/5 | | Jessye Norman, Geoffrey Parsons | 1:22 |
1980 | O komme, holde Sommernacht, op. 58/4 | | Jessye Norman, Geoffrey Parsons | 1:17 |
1980 | Ständchen, op. 106/1 | | Jessye Norman, Geoffrey Parsons | 1:34 |
1980 | Star Wars: Main Theme | | Boston Pops Orchestra, John Williams | 5:39 |
1980 | Superman: March | | Boston Pops Orchestra, John Williams | 4:27 |
1980 | The Empire Strikes Back: The Imperial March | | Boston Pops Orchestra, John Williams | 3:09 |
1980 | The Empire Strikes Back: Yoda's Theme | | Boston Pops Orchestra, John Williams | 3:22 |
1980 | Therese, op. 86/1 | | Jessye Norman, Geoffrey Parsons | 1:25 |
1980 | Vier Gesänge Op.43: 1. Von ewiger Liebe | | Jessye Norman, Geoffrey Parsons | 5:11 |
1980 | Wie Melodien zieht es mir, op. 105/1 | | Jessye Norman, Geoffrey Parsons | 2:29 |
1980 | Zwei Gesänge für eine Altstimme mit Viola und Klavier, op. 91: Geistliches Wiegenlied | | Jessye Norman, Geoffrey Parsons, Ulrich von Wrochem | 6:07 |
1980 | Zwei Gesänge für eine Altstimme mit Viola und Klavier, op. 91: Gestillte Sehnsucht | | Jessye Norman, Geoffrey Parsons, Ulrich von Wrochem | 7:02 |
1981 | ‘Romeo And Juliet’, Fantasy Overture | | Colin Davis, Boston Symphony Orchestra | ?:?? |
1981 | Action Man in Motown Suit | | 10cc | 4:49 |
1981 | Carol | | Status Quo | 3:42 |
1981 | Don't Stop Me Now | | Status Quo | 3:42 |
1981 | Don’t Ask | | 10cc | 4:03 |
1981 | Don’t Turn Me Away | | 10cc | 5:03 |
1981 | Enough Is Enough | | Status Quo | 2:54 |
1981 | Falling in Falling Out | | Status Quo | 4:14 |
1981 | Fantasia Suite | Phonogram Int. B.V. | Paco de Lucía, Al Di Meola & John McLaughlin | 8:42 |
1981 | Frevo Rasgado | Phonogram Int. B.V. | Paco de Lucía, Al Di Meola & John McLaughlin | 7:52 |
1981 | Guardian Angel | Phonogram Int. B.V. | Paco de Lucía, Al Di Meola & John McLaughlin | 4:00 |
1981 | Les Nouveaux Riches | | 10cc | 5:13 |
1981 | Listen With Your Eyes | | 10cc | 3:15 |
1981 | Long Ago | | Status Quo | 3:47 |
1981 | Lying Here With You | | 10cc | 3:24 |
1981 | Mediterranean Sundance / Río Ancho | Phonogram Int. B.V. | Al Di Meola, Paco de Lucía | 11:27 |
1981 | Memories (UK version) | | 10cc | 4:30 |
1981 | Mountain Lady | | Status Quo | 5:09 |
1981 | Never Too Late | | Status Quo | 4:03 |
1981 | Notell Hotel | | 10cc | 4:59 |
1981 | Overdraft in Overdrive | | 10cc | 3:26 |
1981 | Riverside | | Status Quo | 5:13 |
1981 | Short Tales of the Black Forest | Phonogram Int. B.V. | Paco de Lucía, Al Di Meola & John McLaughlin | 8:41 |
1981 | Something 'Bout You Baby I Like | | Status Quo | 2:57 |
1981 | Survivor | | 10cc | 5:50 |
1981 | Take Me Away | | Status Quo | 4:51 |
1982 | Creatures of the Night | | KISS | 4:02 |
1982 | Danger | | KISS | 3:56 |
1982 | Detroit Rock City | Phonogram International | KISS | 3:55 |
1982 | Down on Your Knees | Phonogram International | KISS | 3:29 |
1982 | E.T.: Flying Theme | | Boston Pops Orchestra, John Williams | 3:46 |
1982 | God of Thunder | Phonogram International | KISS | 4:11 |
1982 | I Love It Loud | | KISS | 4:15 |
1982 | I Still Love You | | KISS | 6:06 |
1982 | I Was Made for Lovin’ You | Phonogram International | KISS | 4:19 |
1982 | I’m a Legend Tonight | Phonogram International | KISS | 3:59 |
1982 | Keep Me Comin’ | | KISS | 3:56 |
1982 | Killer | | KISS | 3:19 |
1982 | Nowhere to Run | Phonogram International | KISS | 4:32 |
1982 | Partners in Crime | Phonogram International | KISS | 3:46 |
1982 | Piano Concerto no. 1 in E-flat major: I. Allegro maestoso | | Misha Dichter, Pittsburgh Symphony Orchestra, André Previn | 5:17 |
1982 | Piano Concerto no. 1 in E-flat major: II. Quasi adagio - Allegretto vivace - Allegro animato | | Misha Dichter, Pittsburgh Symphony Orchestra, André Previn | 8:57 |
1982 | Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato - Presto | | Misha Dichter, Pittsburgh Symphony Orchestra, André Previn | 3:59 |
1982 | Piano Concerto no.2 in A major: Adagio sostenuto assai - Allegro agitato assai - Allegro moderato - Allegro deciso - Marziale un poco meno allegro - Allegro animato | | Misha Dichter, André Previn, Pittsburgh Symphony Orchestra | ?:?? |
1982 | Prelude and Fugue in E-flat, BWV 552: Fugue | | Daniel Chorzempa | 11:12 |
1982 | Prelude and Fugue in E-flat, BWV 552: Prelude | | Daniel Chorzempa | 12:05 |
1982 | Prelude, Largo and Fugue in C, BWV 545: Fugue | | Daniel Chorzempa | 5:17 |
1982 | Prelude, Largo and Fugue in C, BWV 545: Largo | | Daniel Chorzempa | 7:02 |
1982 | Prelude, Largo and Fugue in C, BWV 545: Prelude | | Daniel Chorzempa | 3:07 |
1982 | Raiders of the Lost Ark March | | Boston Pops Orchestra, John Williams | 5:30 |
1982 | Rock and Roll Hell | | KISS | 4:13 |
1982 | Saint and Sinner | | KISS | 4:50 |
1982 | Serenade for Strings in C, op. 48: Elégie: Larghetto elegiaco | | Academy of St Martin in the Fields, Sir Neville Marriner | 8:54 |
1982 | Serenade for Strings in C, op. 48: Finale (Tema russo)--Allegro con spirito | | Academy of St Martin in the Fields, Sir Neville Marriner | 7:07 |
1982 | Serenade for Strings in C, op. 48: Pezzo in forma di sonatina: Andante non troppo--Allegro moderato | | Academy of St Martin in the Fields, Sir Neville Marriner | 8:59 |
1982 | Serenade for Strings in C, op. 48: Waltz: Moderato (Tempo di valse) | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:40 |
1982 | The Cowboys Overture | | Boston Pops Orchestra, John Williams | 8:59 |
1982 | The Nutcracker Suite, op. 71a: 1. Miniature Overture | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:15 |
1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances - Arabian Dance (Coffee) | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:57 |
1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances - Chinese Dance (Tea) | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:07 |
1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances - Dance of the Reed-Pipes | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:28 |
1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances - Dance of the Sugar-Plum Fairy | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:45 |
1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances - March | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:25 |
1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances - Russian Dance | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:09 |
1982 | The Nutcracker Suite, op. 71a: 3. Waltz of the Flowers | | Academy of St Martin in the Fields, Sir Neville Marriner | 6:51 |
1982 | Toccata and Fugue in D minor, BWV 565 | | Daniel Chorzempa | 11:44 |
1982 | War Machine | | KISS | 4:14 |
1983 | A Million to One | | KISS | 4:11 |
1983 | All Hell’s Breakin’ Loose | | KISS | 4:34 |
| See all 182 relationships |
| holds copyright (©) for |
---|
1977 | Brahms Lieder | | Brahms; Jessye Norman | |
1980 | Brahms Lieder | | Brahms; Jessye Norman | |
1982 | Requiem | | Mozart; Helen Donath, Yvonne Minton, Ryland Davies, Gerd Nienstedt, John Alldis Choir, BBC Symphony Orchestra, Sir Colin Davis | |
1983 | Inarticulate Speech of the Heart | | Van Morrison | |
1983 | Inarticulate Speech of the Heart | | Van Morrison | |
1984 | 3 Oboe Sonatas / 3 Trio Sonatas | | George Frideric Handel;Academy Chamber Ensemble,Neil Black | |
1986 | Gregorian Chant | | Choralschola der Wiener Hofburgkapelle, P. Hubert Dopf S.J. | |
1986 | No Guru, No Method, No Teacher | | Van Morrison | |
1987 | By Request… The Best of John Williams and the Boston Pops | | John Williams and the Boston Pops | |
| 3 Oboe Concertos | | J.S. Bach, Heinz Holliger, Academy of St.Martin-in-the-Fields,Iona Brown | |
| Cello Concertos nos. 1, 2 | | Dmitri Shostakovich; Symphonieorchester des Bayerischen Rundfunks, Maxim Shostakovich, Heinrich Schiff | |
| Dido and Aeneas | | Purcell; Jessye Norman, Thomas Allen, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard | |
| Nutcracker Suite / Serenade for Strings | | Tchaikovsky; Academy of St. Martin-in-the-Fields, Neville Marriner | |
| Piano Concerto no. 5 | | Beethoven; Claudio Arrau, Staatskapelle Dresden, Sir Colin Davis | |
| Piano Concertos K.450 & K.467 | | Mozart; Academy of St. Martin-in-the-Fields, Neville Marriner, Alfred Brendel | |
| Serenades op. 22 & 44 | | Dvořák; Academy of St. Martin-in-the-Fields, Neville Marriner | |
| Suite Bergamasque / Pour le piano / Estampes / Images (oubliées) | | Debussy; Zoltán Kocsis | |
| Symphonie concertante KV 297 B / Oboe concerto KV 314 | | Wolfgang Amadeus Mozart; Heinz Holliger, Hermann Baumann & Academy of St Martin in the Fields | |
| Symphonies 91 & 92 “Oxford” | | Haydn; Concertgebouw Orchestra, Amsterdam, Sir Colin Davis | |
| Symphonies No. 4 "Tragic" & No. 5 | | Schubert; Academy of St Martin in the Fields, Sir Neville Marriner | |
| The Four Symphonies | | Schumann; Concertgebouw Orchestra, Amsterdam, Bernard Haitink | |
| Via Crucis | | Liszt; Reinbert de Leeuw, Netherlands Chamber Choir | |
| holds phonographic copyright (℗) for |
---|
1972 | San Francisco Dues | | Chuck Berry | |
1978 | Never Say Die! | | Black Sabbath | |
1978 | Never Say Die! | | Black Sabbath | |
1978 | Never Say Die! | | Black Sabbath | |
1978 | Never Say Die! | | Black Sabbath | |
1979 | Into the Music | | Van Morrison | |
1980 | Common One | | Van Morrison | |
1980 | What Makes the World Go ’Round | | KISS | |
1981 | Friday Night in San Francisco | | Paco de Lucía, Al Di Meola & John McLaughlin | |
1981 | Mob Rules | | Black Sabbath | |
1981 | Mob Rules | | Black Sabbath | |
1982 | Beautiful Vision | | Van Morrison | |
1982 – | Piano Concertos K.450 & K.467 | | Mozart; Academy of St. Martin-in-the-Fields, Neville Marriner, Alfred Brendel | |
1983 | Live Evil | | Black Sabbath | |
1984 | The Story of Me | | The Everly Brothers | |
1986 | How Many Tears Can You Hide | | Frankie Miller | |
1986 | Seventh Star | | Black Sabbath featuring Tony Iommi | |
1986 | Seventh Star | | Black Sabbath featuring Tony Iommi | |
1986 | Seventh Star | | Black Sabbath featuring Tony Iommi | |
1986 | Seventh Star | | Black Sabbath featuring Tony Iommi | |
1986 | Seventh Star | | Black Sabbath featuring Tony Iommi | |
| 4 Scherzi / Polonaise-fantaisie, op. 61 | | Chopin; Claudio Arrau | |
| Bricks And Mortar | Phonogram International | Giorgio | |
| Paperlate / You Might Recall | | Genesis | |
| licensed |
---|
| Lies / Don’t Drive My Car | Phonogram International | Status Quo | |